April, when both Jazz Appreciation Month and National Poetry Month are observed, is always a special time at Bright Skylark Literary Productions. This year it is doubly special because in addition to featuring several re-posts of classic articles and essays about poetry and jazz on this site, we have also teamed up with our Charter for Compassion partners to present the timely new 4-part series: Poetic Traditions of Compassion and Creative Maladjustment.
The celebration of Jazz Appreciation Month actually got underway with Jarreau Jazz-riff Earth-tunes for the Angel of Compassion, the poem and essay published in tribute to the late great Al Jarreau after his passing earlier this year. Jarreau in recent years had been among the headliners for the annual International Jazz Day concert and one of the premier talents of the modern jazz era. You can check out part 1 of the tribute by clicking here and part 2, which includes the poem, by clicking this Postered Poetics artwork:
A Confluence of Compassionate Sensibilities
In addition to commemorating NPM 2017, the series showcased on the Charter for Compassion website does two important things:
1) It explores the conceptual relationship between Dr. Martin Luther King Jr.'s call for a creative-maladjustment approach to civil disobedience and author Karen Armstrong’s recommended strategy for living a compassion-empowered life.
2) It utilizes as lens through which to examine poetic traditions of compassion, short biographical profiles of the Sufi genius Jalal al-Din Rumi, the great Pulitzer Prize-winning Harlem Renaissance and Chicago Renaissance poet Gwendolyn Brooks, and the Prague, Czech Republic-born author of Duino Elegies, Rainer Maria Rilke.
You can begin enjoying the series by clicking either of the following graphics:
Author-Poet Aberjhani is currently completing a book of nonfiction narratives addressing race relations, histories of erasure, the cultural arts, and practices of slavery in his hometown of Savannah, Georgia, USA.
“Individuals often turn to poetry, not only to glean strength and perspective from the words of others, but to give birth to their own poetic voices and to hold history accountable for the catastrophes rearranging their lives.” --Aberjhani from Splendid Literarium: A Treasury of Stories, Aphorisms, Poems, and Essays. ©Postered Poetics based on original poetry Spencerian calligraphy art by G.A. Gaskell. #NPM16 #PocketPoem
The launch of National Poetry Month, sponsored by the Academy of American Poets, in April 1996, came just three years after the debut issue of the Savannah Literary Journal in 1993. In addition to 49 poems by 35 brilliant writers with regional and national reputations, the 1996 edition of the journal featured six works of fiction and three pieces of creative nonfiction.
My contribution to the journal that year was a personal essay but the title of it, Angels and Shakespeare (later published in I Made My Boy Out of Poetry), revealed the central place verse has always held in my life. So did this epigraph borrowed from the Chilean poet Pablo Neruda:
“For this reason Monday burns like
Both National Poetry Month and the publication of the journal (up until 2001) could be considered as invitations to readers, writers, and publishers to explore a more deeply intimate relationship with language. These invitations coaxed them as well to experience the different levels of power words can wield when endowing our lives with either newly-claimed or wholly-unexpected meaning.
The responses, now 20 years down the timeline, have mushroomed into a worldwide cultural mainstay where National Poetry Month (NPM) is concerned. In regard to the Savannah Literary Journal, published by the former Savannah Writers Workshop, it has confirmed the value of one of the city’s most prized artistic legacies.
Of Bloggers and Nobel Laureates
But what should we say of poetry as a whole during the last two decades when life as so many once knew it shape-shifted into a spinning mass of digital signals, globalized communities unbounded by geographic borders, and astounding varieties of terror clashing head-on with determined demands for liberty?
That now populous demographic of humanity known as bloggers did not exist in 1996 and programmer Peter Merholz would not condense the term “weblog” to invent the word “blog” until 1999. Nevertheless, poetically-inclined bloggers during the first and second decades of this 21st century have done a great deal to ensure poetry occupies a prominent position within the global imagination and humanity’s collective ethical consciousness.
Moreover, the ever-mindful Nobel Prize Committee actually saw fit in 1996 to award the Nobel Prize in Literature to Polish poet Wislawa Szymborska (1923-2012) "for poetry that with ironic precision allows the historical and biological context to come to light in fragments of human reality." And in 2011 it bestowed that same honor upon Sweden’s Tomas Tranströmer , "because, through his condensed, translucent images, he gives us fresh access to reality."
A Movement Designed to Inspire
Obviously the Academy of American Poets’ commitment to recognizing, honoring, and documenting literary excellence within the work of American Poets did not begin with the establishment of NPM. That happened back in 1934 when founder Marie Bullock surveyed America’s literary landscape and came to a certain conclusion.
Despite the quietly-evolving cultural canonization at the time of such poets as Langston Hughes (1902-1967), Jean Toomer (1894-1967), Carl Sandburg (1878–1967), William Carlos Williams (1883-1963), E.E. Cummings (1894-1962), T.S. Eliot (1888-1965), and other American quill-masters of the period, it became apparent that more needed to be done to place poetry on some level of esteem comparable to what it stirred in the literary capitals—such as Paris, London, and Dublin––of Europe.
National Poetry Month more than half a century later represented a game-changing upgrade from previous efforts. Since its start, affiliated programs each successive year have helped observations to grow in scope and influence. Initiatives such as Poem in Your Pocket Day (observed this year on April 21), the Dear Poet Project, and Poem-A-Day (via email) contribute immensely to sustaining the sweet joyful howl of poetry in these new millennial times. The key words and hashtags that dominate social media every April––like #npm16, #pocketpoem, #jazzpoetry, #celebratingpoetry, and the tagged names of favorite poets––denote only one small measure of how successful the campaign has become.
It also did not hurt when citizens of the United States elected a lover and writer of poetry, Barack H. Obama, as their first African-American president in 2008. The following is from a 2009 essay written to commemorate both NPM and Jazz Appreciation Month:
…The birth of the Academy meant the birth of a movement designed to inspire, cultivate, and preserve the voice of American poets. And although it likely was not his intention to do so, President Barack Obama extended that movement not only by bearing the “stigma” of being an accomplished wordsmith but by inviting Elizabeth Alexander––an author of several books but of whom many had never heard until Obama spoke her name––to serve as his Inauguration Day poet.
If there is one thing populations of the world have needed, and received, from poetry for the past two decades, it has been inspiration. But not only inspiration in that classic form which reaffirms the value of faith.
Poetry in our post 9/11 era provides the kind of inspiration that defiantly raises poets’ voices against the brutalities of war, the insanities of terrorism, and the indignities of oppression in all its toxic forms. It empowers the simplest of lives to confront the most extreme sorrows with courage, and motivates the mightiest of offices to humbly heed lessons in compassion.
Although the last edition (to date) of the Savannah Literary Journal was published in 2001, its legacy continues to stand as a richly inspiring one. Many of the poets, essayists, fiction writers, and creative nonfiction writers featured in its pages have since gone on to win national and international acclaim in various fields. These are but a few listed in no particular order: Janice Daugharty, Linda Rocheleau, Darryl Lorenzo Wellington, David C. Hightower, Susan Johnson, Lily Keber, Ja A. Jahannes (1942 -2015), Errol Miller, Kathleen Thompson, Toussaint St. Negritude, Dufflyn Lammers, Anis Mojgani, and Vaughnette Goode-Walker. Again, these represent only a few.
Most would probably tell you their greatest contributions to the literary arts thus far have not been particular poems or stories or books. They have instead been the relationships cultivated with the hearts and souls who heard what they had to say and then drew from that hearing enough motivation to speak their own truths to power and pain and joy.
Despite the Cacophony
Whether through contributors to literary journals, the sustained dedicated efforts of members of the Academy of American Poets, or bloggers content just to have a platform where they could post lines at will, poetry has maintained a dynamic living breathing presence in the world.
Despite the cacophony of bombs and bullets which so often drown out the music of laughter (or possibly because of them) poetry at this point in history may very well be more commanding than any other previous time. There are many reasons to believe its potency, and its beauty, shall grow even stronger in the future.
© National Poetry Month 2016
Bright Skylark Literary Productions
You can enjoy part 1 of this article by clicking here. Part 2 begins now:
Impressive 21st-century technological advances notwithstanding, we have no reasons at present believe our modern global version of the Tower of Babel is about to crumble and then reconstruct itself any time soon. Terrorists, warlords, and state governments alike would do best to include within their strategic plans sufficient measures of sanity beyond the impulses to attempt to coerce each other into unlikely forms of submission.
Different values and worldviews do not have to mean inevitable violence or conflict. They can mean greater enrichment of each other’s lives. Leadership theorist Max De Pree wrote as truthfully as anyone has when he stated:
“We need to give each other space so that we may both give and receive such beautiful things as ideas, openness, dignity, joy, healing, and inclusion” (Leadership is an Art).
That holds true in modern times whether you propose to be a leader of young malleable individuals eager to become catalysts for positive change or of more established groups dedicated to securing a specific legacy. What matters, above all else, is that everybody matters.
Diversity is an aspect of human existence that cannot be eradicated by terrorism or war or self-consuming hatred. It can only be conquered by recognizing and claiming the wealth of values it represents for all. The situation would be quite different if the violent extremism which has come to characterize anarchistic terrorism and government-sanctioned warfare actually resolved anything. The problem is they do not. Advances are claimed on one front and then annihilation––physical, mental, and spiritual–– witnessed on another. Global poverty, dis-empowering illiteracy, health crises, and human trafficking linger like the ultimate toxic nuclear radiation. The hearts of infants beat their last, blood dries on abandoned corpses, and souls take their leave of now useless broken bones.
Of Love and Bridges
The 13th-century Sufi mystic Jalal al-Din Rumi, whose poetry in Persian has been translated into superb English versions by the 21st-century American poet Coleman Barks, told us that “Love is the bridge between you and everything.” Those are marvelous words to contemplate when struggling to make sense of the avoidable carnage in Paris, Syria, Nigeria, Mali, Afghanistan, and elsewhere. Equally marvelous to contemplate is the confluence of sensibilities that has bypassed time, space, and nationality to make Barks’ name virtually synonymous with that of Rumi’s.
Paris in particular is known in part for its many bridges and is legendary as a place that evokes mesmerizing creative expressions of love, in both the greatest of artists and the most ordinary men and women. However, if the idea of loving those whom you have been taught to recognize as your enemies is too overwhelming, consider more deeply the likelihood that we are all much more alike than we are unalike.
Individual cultures and ideologies have their appropriate uses but none of them erase or replace the universal experiences common to all human beings. What civilization does not contain within its histories tales of sons, daughters, husbands, and wives who have been lost to conflict, and whose deaths left gaping voids that could be filled with nothing but grief? In what land do people not hope that the coming New Year will bring with it fewer reasons to bow before fear or despair and greater inspiration applied to an empowered sense of hope and dignity? The more healing options do not have to be dragged into a disposal bin designed for unrealistic dreams and desires.
Contemporary award-winning author of classically-styled works in history, poetry, creative nonfiction, speculative fiction, and journalism.