“When the soul looks out of its body, it should see only beauty in its path. These are the sights we must hold in mind, in order to move to a higher place.” --Yusef Lateef, from “A Syllogism”
I do not recall what prompted my recollection of the song. It may have been because I was alone in the city and just as uncertain about my ability to survive there as I was certain I was not yet ready to leave. The more I heard it, the more the image of the boy in the jail cell came into focus. His thoughts became my thoughts. They communicated to me that his name was Juba and he was waiting for his dead father’s friend Elijah to come get him.
I did not, at that moment, even recall Dr. Lateef as the principal saxophonist for the song, only the chain-gang-like rhythm that waved back and forth between unholy anguish and calmly defiant determination. Some quick research at the San Francisco library provided the master musician’s identity but more decades would pass before I managed to find the album again during the mid-1990s, this time in the form a CD that I ordered through the multimedia store where I worked. As an adult, I was able to listen to The Blue Yusef Lateef in its entirety and appreciate the various production details and nuances of performance that had eluded me as a child. At the same, I was more amazed that ever that the music had embedded itself so permanently in my consciousness.
CLICK TO READ PART 2 HERE: Memory-Song Painted Gold: for the Blue Yusef Lateef (1920-2013) Part 2