Poetics of Human-AI Relations, Creativity, and Mortality in Marc Thomas’s Talking to the Machines3/31/2025 Poet Marc Thomas’s Talking to The Machines and Other Poems is an evocative collection that delves into the intricate, and often uneasy, relationships between humans and artificial intelligence, and which also examines broader existential concerns regarding creativity, mortality, and thrilling intellectual explorations. The volume is structured into six sections and offers a multifaceted examination of our evolving interactions with both technology and life itself—"Talking to the Machines,” “ Listening to the Survivors, Ghost Stories,” “Listening to the World,” “Playing with Words,” “The Succession of Selves,” and “On Reading Ulysses for the Third Time.” Central to this essay is the six-stanza tightly-composed poem titled "Charms Against the Robots" (p. 14) which serves as a poignant meditation on preserving human integrity and safeguarding human essence in an era increasingly dominated by AI automation and authoritarian rule. In his introductory remarks, the poet contemplates, "…the creatures we create, and our relation to them, and their characters… and who they and we are and may become, in ourselves and to each other, and what it may be like to be one of them, emerging into consciousness…" This reflection sets the stage for "Charms Against the Robots." THE REVOLT AGAINST MECHANIZED EXISTENCE From its opening lines, “Charms Against the Robots” calls for a return to physicality, intuition, and organic experience. The poem begins: ‘Feel the wet black bough and wear your trousers rolled…’ This evocative imagery recalls sections of T.S. Eliot’s famous early 20th-century poems “The Wasteland” and “The Love Song of J. Alfred Prufrock,” which famously portray anxiety, alienation, and powerlessness in the modern world. By invoking this reference (whether consciously or subconsciously), Thomas suggests that the same existential crisis persists more than a century later, but has now been intensified by digital entrancement. The contrast between the “wet black bough” and the cold, algorithmic presence of machines underscores the poem’s insistence on sensory experience. This motif is reinforced by other phrases like “stinking with fecundity” and “sucks at your high boots,” emphasizing the grounding force of nature in opposition to artificiality. In a time when many experience life primarily through screens, Thomas’s words serve as a call to embrace embodiment and resist the allure of digitized abstraction. |
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Major Themes
"None of us know from where the others, or even ourselves, have come. Only that we are nakedly here, shivering on the river’s bleeding banks, looking the slaughtered way we do..."
This vivid portrayal of humanity’s existential confusion and suffering evokes historical periods of intense conflict and turmoil, such as the Holocaust or the transatlantic slave trade. The poet draws from these deep wells of collective trauma, highlighting the lingering scars on the human psyche.
The spiritual dimension is unmistakable, particularly in the recurring motifs of light and transformation. The poem's second section introduces an angelic figure emerging from the river, symbolizing divine intervention and the possibility of redemption:
"Light rises at midnight from the water’s bottom like a giant angel of pulsing stars."
This imagery resonates with spiritual themes of rebirth and salvation found in religious texts, suggesting a universal yearning for divine grace and deliverance from suffering.
Philosophical Contemplations: The poem delves into the philosophical realm by questioning the nature of human existence and the possibility of transcendence. The river, a central symbol in the poem, represents the flow of life and the potential for change. As the poem progresses, the river becomes a site of transformation where "a glowing circle of winged dreams" arises, offering visions of a renewed existence:
"A bridge of silver wings stretches from the dead ashes of an unforgiving nightmare to the jeweled vision of a life started anew."
This passage has been quoted frequently on diverse social media profiles and in various magazines, particularly in observation of a new year. In its original context, it reflects a philosophical meditation on the cyclical nature of suffering and the hope for renewal, akin to the existential reflections found in the works of philosophers like Friedrich Nietzsche and Jean-Paul Sartre.
QUALITIES & VALUES
The powerful imagery is in fact one of the most striking features of the poem. The descriptions are both beautiful and horrifying, creating a surreal landscape that challenges the reader’s perception of reality. Symbols such as the river, the light, and the winged dreams are layered with meaning, offering multiple interpretations related to spiritual transcendence, rebirth, and the interconnectedness of life and death.
The language of the poem is lyrical and evocative, blending elements of classical poetry with modernist sensibilities. The tone shifts from despairing to hopeful, and finally to contemplative, guiding the reader through an emotional and spiritual journey. Aberjhani’s command of language and his ability to convey deep emotions through poetic devices make this poem a compelling read.
The poem's structure, divided into three sections, mirrors the journey from despair to hope, culminating in a vision of potential redemption. This tripartite form echoes the narrative arcs found in classical literature, where protagonists often undergo trials before achieving enlightenment or peace.
COMPARABLE WORKS
Additional Historical Influences: Aberjhani's work in poetry has been compared to that of such classic authors as Khalil Gibran, William Blake, and T.S. Eliot. Blake's "The Marriage of Heaven and Hell" shares Aberjhani's visionary style and exploration of spiritual themes. Both poets use vivid, often surreal imagery to explore the intersection of the divine and the human.
T.S. Eliot's "The Waste Land" similarly delves into themes of human suffering and the search for meaning in a fragmented world. Eliot's use of mythological and religious references parallels Aberjhani's incorporation of spiritual symbolism.
Contemporary Voices: Among contemporary poets, the works of Joy Harjo and Mary Oliver offer comparable meditations on human existence and the natural world. Harjo’s poetry often blends personal and historical trauma with spiritual healing, much like Aberjhani’s. Her poem "A Map to the Next World" explores themes of survival and the quest for spiritual wholeness, resonating with Aberjhani's vision of transcendence.
Mary Oliver’s nature poetry, while more serene, shares Aberjhani’s deep reverence for the natural world and its transformative potential. Her poem "Wild Geese" speaks to the human need for connection and the solace found in nature, mirroring the redemptive imagery in "The River of Winged Dreams."
CRITICISMS
Teaching Plan
HIGH SCHOOL LEVEL
- Introduction to Aberjhani and Contextual Background
- Briefly introduce Aberjhani and his significance as a poet.
- Provide historical context related to themes of suffering and redemption.
- Reading and Initial Response
- Read the poem aloud in class.
- Have students write a brief response to their initial impressions and feelings about the poem.
- Thematic Exploration
- Discuss major themes: human suffering, spiritual redemption, and transformation.
- Relate themes to historical events such as the Holocaust and the Civil Rights Movement.
- Imagery and Symbolism
- Analyze the use of color and surreal imagery.
- Discuss the symbolism of the river and its significance.
- Comparative Analysis
- Compare the poem to works by William Blake and T.S. Eliot.
- Discuss similarities and differences in themes and styles.
- Creative Project
- Have students create their own poems or visual art inspired by "The River of Winged Dreams."
COLLEGE LEVEL
- In-depth Author Study
- Study Aberjhani’s biography and other works.
- Discuss his influence on contemporary poetry and social media.
- Detailed Analysis
- Conduct a line-by-line analysis of the poem.
- Explore philosophical and spiritual insights in depth.
- Interdisciplinary Connections
- Connect the poem to philosophical texts by Nietzsche and Sartre.
- Discuss the poem in the context of religious studies and mysticism.
- Research and Presentation
- Assign research projects on historical events referenced in the poem.
- Have students present their findings and relate them to the poem’s themes.
- Comparative Literature
- Compare Aberjhani’s poem to contemporary works by Joy Harjo and Mary Oliver.
- Discuss the continuing relevance of spiritual and existential themes in modern poetry.
- Critical Essays
- Assign critical essays on the poem’s themes, imagery, and philosophical insights.
- Encourage students to explore how the poem’s abstract nature contributes to its meaning.
IN CONCLUSION
"The River of Winged Dreams" confirms the transformative power of poetry, offering a compelling vision of human suffering and the hope for redemption. Its philosophical and spiritual insights, coupled with its literary merits, make it a significant work worthy of study and appreciation in both academic and literary contexts.
By ChatGPT Op-Ed Contributor 4114
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