"Climate Change Is Not Fake News FIRST EDITION" is mixed media horizontal landscape-formatted artwork consisting of urbanscape photography, layered oil, digital painting, custom-designed matting, customized framing, and signature Postered Chromatic Poetics digital processing.
This print is the first of a pair examining public narratives pertaining to how reports on climate change are perceived and interpreted. The colors at the center of the image reflect those which have dominated 2018 reports on global warming. The large formatting of this artwork makes it an ideal choice for filling an open wall area.
Have We Reached a Tipping Point?
Some claim we are experiencing a period of increased warming as part of a natural pattern of changes in the Earth's atmosphere. Others say we are experiencing the direct impact of human disregard for the environment. This, they say, has brought us close to a "tipping point" likely to have increasingly catastrophic results.
The divisions are so clear-cut that one U.S. presidential administration (Barack Obama's) readily signed up for the historic 2015 Paris Agreement on global warming. But the next administration (Donald Trump's) just as quickly nullified U.S. participation in the program set to begin in 2020.
No matter which side of the debate you stand on, video footage of huge shelves of ice breaking off from the Antarctic, raging fires devouring communities in California, heatwaves causing Europeans to faint in the streets, and horrific rainstorms in India and elsewhere are unsettling. Therefore, they are forcing more and more dialogues on the subject.
Aug 21, 2018
Art and poetry have long functioned as a kind of team in my creative life. It’s interesting at this point to recall the different artists who have inspired me.
I never intended to make attempts at doing what they did, and do, so expertly. I usually wrote about their work or composed poetry inspired by it. Any number of times they were kind enough to provide cover art for my books. Now I’m branching out a bit and enjoying producing some images which I hope people find engaging on a few different levels.
Among the artists I worked with the most was the late Luther E. Vann, with whom I created the book of art and poetry titled ELEMENTAL, the Power of Illuminated Love. The excerpt below talks about how we viewed the traditions of combing ekphrastic poetry and art. It from my essay, Living Art, Living Poetry, on the Anniversary of ELEMENTAL, The Power of Illuminated Love:
“Painting is poetry that is seen rather than felt, and poetry is painting that is felt rather than seen.”
There’s nothing surprising in the observation that literary artists and visual artists often combine their talents to create works which, when joined together, allow each to transcend possible limitations of the other. The literary artist lends verbal depth to the visual. The visual artist provides visible articulation for the literary.
The goal of each has generally been the same: to fashion out of the raw material of creativity a symbol—or an image—capable of communicating some significant experience of truth, beauty, life, or death, to the observer. And there have been in fact any number of successful partnerships between such creatively charged intellects. Artist Romare Bearden and playwright Ntozake Shange’s I Live in Music comes to mind; as does various works by Salvador Dali and Federico Garcia Lorca; the visual style of Aaron Douglas and the literary voices of the Harlem Renaissance; the French poet and critic Apollinaire Guillaume, whose literary loyalty empowered the bohemians of Picasso’s early days; and more recently, poet Coleman Barks’ interpretations of Jalal Al-Din Rumi “illuminated” by Michael Green.
I meditate upon these creative artists’ subtle yet titanic achievements at this time for two reasons: one is because the ear-drum shattering booms of war and the soul-numbing cracklings of human discontent that continue to echo across planet Earth remind us of how painted and verbalized visions help people retain a sense of context and harmony in an era that too often seems to make such notions—like black and white TVs-- utterly obsolete.
The second reason is because May 29, 2010, marks the second anniversary of the publication celebration for the art and poetry gift book, ELEMENTAL, The Power of Illuminated Love, held at the Jepson Center for the Arts in Savannah, Georgia. A third less official reason is because recently ELEMENTAL was added to the Google Book search engine, which means those unfamiliar with it may now enjoy an extended preview .
Considering the legacies of visual art in partnership with literary art, in general, reinforces the powerful resources they still provide. Contemplating the anniversary of ELEMENTAL in particular renews appreciation for the extraordinary milestone it continues to represent.
PART 2 FOLLOWS:
Award-winning author and artist acclaimed for works in multiple creative genres.