This second part of “Confronting COVID-19 with Inspired Art and Determination” is adapted from the text description for “Angels of Music Revisited” featured on Fine Art America and at Pixels.com. It combines my tribute to an inspiring historic Italian artist with my own poetry. In you missed part 1 to this post you can check it out here. Part 2 starts now:
Angels of Music Revisited is a mixed media digital painting reinterpretation of the sixteenth century Italian artist Morazzone’s (Pier Francesco Mazzuchelli, 1573 - 1626) “Angel Musicians.” The original 16th century image minus any text was created using black chalk and brown wash, with white gouache used for additional effect. I chose a palette of bronze, gold, and Earth tones contrasting with shades of blue and indigo to suggest a realistic conflict between human suffering and healing spiritual grace.
The background for this edition is meant to duplicate the appearance of classic parchment or an illuminated manuscript. It is also distinguished from the first version by the integration of short quotes (some of them haikus) from my book THE RIVER OF WINGED DREAMS. Most of the quotes are easily read but a couple are partially inverted to emphasize the script’s dual function as text commentary and visual enrichment. That lets it work as a poster and as fine art.
Morazonne’s version was made part of the Getty Museum’s Open Content Project in 2013, classifying it as public domain material appropriate for editing. I wanted to pay tribute to Morazonne’s original vision while hopefully strengthening the sense of visual depth and felt interconnectedness in such a way that it could stand as a true creative response to the COVID-19 2020 pandemic. This seemed fitting enough given the hard hit Morazonne’s homeland of Italy took before the virus jumped the ocean to the U.S.
Below are the quotes from different poems in THE RIVER OF WINGED DREAMS used in the above artwork:
1) Chords of miraculous notions enrich your blessed voice
The extensive impact of the 2020 COVID-19 pandemic is, obviously, not something which can be completely summed up, and not at all resolved, by a single creative gesture. But it is through creative expression and productivity that many are sustaining hope and surviving the restrictions of self-imposed quarantine these extremely difficult days. From the beginning, a huge part my purpose for chronicling stories, making poems, and creating visual art has been to help alleviate the anguish history sometimes imposes upon our lives, and I hope to continue accomplishing that to whatever degree possible in this current uncertain hour.
© Harlem Renaissance Centennial
"Redbird Dreaming about Why Love is Always Important" is a mixed media vertical-formatted work consisting of nature photography, layered oil, digital painting, custom-designed matting, customized framing, and signature Postered Chromatic Poetics digital processing.
This print is the first in the new Redbird Series. The brightness of the colors make it stand apart from succeeding prints and it is also distinct in the series because at this point it is the only vertical portrait-print in the collection. The vertical formatting makes it particularly suitable for t-shirts, posters, bed covers, and greeting cards.
"Redbird Dreaming about Why Love is Always Important" is the official first print (posted August 9, 2018) in the Redbird Series. I started working on the art collection in the summer of 2017 when I spotted a male North American cardinal flitting about the back yard trying to draw the attention of a female. It hung around for several days and sometimes kept still long enough for me to get some interesting shots later used as models in the creation of a mixed media canvas.
This artwork follows up on the visual theme noted in the collage titled "All the Flowers We Meant to Give Each Other." But with a definitive difference. Specifically, the exuberance of the colors in "Redbird Dreaming about Why Love is Always Important," and the playfulness of the title suggests a reconsideration of what individuals and societies consider most important on a daily basis. This print flips the motivation described in "All the Flowers" by celebrating a possibility open to everyone as opposed to mourning its loss after it is too late.
"Redbird Sifting Beauty out of Ashes" is the second print in the Redbird Series and my homage to those battling California's historic wildfires of 2018. . It is a landscape-formatted artwork consisting of nature photography, layered oil, digital painting, custom-designed matting, customized framing, and signature Postered Chromatic Poetics digital processing.
The balanced light and dark hues, with colors appearing to emerge from smoky shadows, framed by shades of gold, teal, and rust make it easy to imagine the cardinal at the center of this work surrounded by danger as well as inspired beauty. The landscape formatting make this art particularly desirable for either large wall canvases or smaller purchases like cups and cards, from which a substantial percentage of the proceeds will go toward support for survivors of the California wildfires.
Whether it's because I lived in California for a number of years or because the magnitude of the blazing destruction taking place there at present is so overwhelming, "Redbird Sifting Beauty out of Ashes" is my tribute to those caught up in the 2018 inferno. As horrendous as it is, so many are rising to the challenge of surviving, continuing to fight the monstrous flames, and somehow rebuilding shattered lives.
Yet at the same time that I find myself so deeply moved by the devastation taking place in California, I realize we are living in an era when different kinds of "natural" and man-made disasters are forcing many people to start all over again all over the world. "Redbird Sifting Beauty out of Ashes" is a visualized hope they all find the strength, faith, determination, and support needed to succeed.
I'm not sure how to go about it at this point but am looking for ways to donate a sizable percentage of sales from this work to relief funds for people coping with the wildfires. If anyone has any suggestions I would appreciate receiving them via either message here or in the comments section.
"Suzannian Algorithm Finger-Painted on an Abstract Wall Number 1" was inspired by conversations with the artist to whom it is dedicated: Suzanne Jackson. We discovered we both had connections to the U.S. state of Alaska. Later on, when working on the project to commemorate approaching milestones, I felt something reminiscent of the colorful aurora borealis would make a good image on which to place an original poem.
This artwork was created and is presented in celebration of the 100th anniversary of the Harlem Renaissance and the brilliant artistry of Suzanne Jackson. It is one of two different images featuring the same poem. My play is to donate a significant percentage of sales from prints, t-shirts, cups, and other products featuring the artwork toward support of the Five-Decades Retrospective exhibition of Ms. Jackson's art scheduled to be held at the Telfair Museum Jepson Center for the Arts in Savannah, Georgia (USA) in 2019 from June 28 until October 6. You can read an excerpt from the poem written specifically for this poster and occasion by clicking the above link.
Some Bio Background
Ms. Jackson is the recipient of a B.A. in Art from San Francisco State University and holds an MFA from the Yale University School of Drama, Design. She has enjoyed a highly-productive career both as an artist whose works bridge the gap between the Harlem Renaissance and our contemporary era, and as an educator.
She was only 24 years old in 1968 when she took the incredible step of opening Gallery 32 in Los Angeles, California. That move made her only the second gallery owner of African descent in the City of Angeles, a.k.a. "the City of Stars." It allowed her to advance not just her own career as an artist, but that of other women as well. Particularly notable was the gallery's "Sapphire" review of African-American women artists held in 1970. Ms. Jackson's own works since then have been shown in exhibitions across the globe.
In addition, her career as an educator has been a distinguished one, including stints as a Professor of Painting at the Savannah College of Art and Design (SCAD) from 1996-2009, and as Adjunct Professor of Painting, Graduate Studies, at the same institution from 2009-2013.
Prof. Jackson has said of her work: "By continued searching to find 'spirit' references especially in Indigenous-American cultural traditions, established and evidenced in the entry origins of African-American cultural experiences, I am following the paths of ancestors." That search and path includes the groundbreaking labors of the artists of the Harlem Renaissance; hence, the appropriately combined commemoration of Jackson's extraordinary accomplishments with the 100th anniversary of the Harlem Renaissance.
Award-winning author and artist acclaimed for works in multiple creative genres.