Visionary Vibes: A Blog by Aberjhani

Taking a Multimedia Approach to Surviving the Year 2020 and Preparing for 2021

11/1/2020

A shortage of compelling topics to address via books, blog essays, podcasts, fine art, photography, electronic gaming, and other creative media has not been among the traumatizing events unleashed upon humanity in the year 2020. Painful history-altering occurrences have, however, included the following: a very stubborn and deadly COVID-19 pandemic, the resulting economic crisis, further evidence of climate change in the form of murderous fires in California, riots in cities across America in response to #2ManyLivesGone2Soon, and political unease in the face of an uncertain future.

Detail from artwork titled "Blue Rose of Remembrance for Black Lives Gone Too Soon" by Aberjhani.

Incorporating reports on important public happenings into ongoing projects has long been among the better practices at Bright Skylark Literary Productions. It goes back at least as far to the days of my former AXS National African-American Cultural Arts column when I created art graphics for my news stories. Articles sometimes included original poetry to enhance editorial impact. Where the year 2020 is concerned, the following steps have been taken:

To help combat the spread of the COVID-19 pandemic, Bright Skylark added face masks to the line of products offered through its Fine Art America storefront.
To help correct social injustices generated by systemic racism and other forms of oppression, the book Greeting Flannery O’Connor at the Back Door of My Mind underwent a timely revision and launched officially in September. Artwork supporting the same goal was posted on Fine Art America.
The Conversations with the World Blog Series launched to encourage dialogues on unifying as well polarizing topics to help bridge the gap between the two.
A previously dormant Facebook author account was reactivated to increase engagement with people concerned about deteriorating social conditions and help identify ways to improve the same.
Works of art presented as tributes to victims of COVID-19 and diverse frontline essential workers were made available at Fine Art America.

Although taking the above steps did not erase the different social, political, and environmental ills currently dogging the world, I like to think they contributed to the process of helping move things in a better healthier direction.

Aberjhani

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Moving forward with global release of: Greeting Flannery O’Connor at the Back Door of My Mind

9/14/2020

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“Of Peacocks & Skylarks” art by Aberjhani used in title graphic for "Moving forward with global release of: Greeting Flannery O’Connor at the Back Door of My Mind" C2020.

Sometimes in the middle of a pandemic a writer has to make difficult publishing decisions. That sounds a little odd, I know, but this is one of those times for me as I move forward with the global release of Greeting Flannery O’Connor at the Back Door of My Mind, now on its way to online and offline book distributors.

The final stages of releasing Greeting Flannery to the public have not gone as smoothly as preferred but then few things have for most of us since COVID-19 arrived and refused to go away. With that being the case, I had to choose between either continuing to delay release of the book because of stubborn cosmetic problems concerning several pages incorporated to address the impact of coronavirus, or finally give readers access to the literary content I’ve been promising. I opted for the latter choice because the book as it stands, I believe, is a worthy contribution to current dialogues driving strategies to confront serious ongoing issues.

Consider that in addition to coronavirus, we are dealing more aggressively than ever before with: social injustices, correcting cultural biases, ending racial inequality, education versus misinformation, and adapting to a rapidly-changing world.

Quote from Greeting Flannery with art dedicated by Aberjhani to the U.S. West Coast: “With each passing day, I allowed myself to become a little more intoxicated by limitless possibilities which seemed sometimes to roll in with the fog, murmur suggestions that would have made me run yelling from them had I been anywhere [other than San Francisco], then leave me to cope with that special brand of terror bestowed by sweet and sour tastes of freedom.”

Lastly, when weighing the decision whether to publish or further delay release of the book, I was forced to acknowledge the old saying (paraphrasing Proverbs 27:1) that “Tomorrow is not promised us.” Truth of those words has never appeared more self-evident than during this #pandemic. Hopefully, however, the newly-released Greeting Flannery O’Connor at the Back Door of My Mind (ISBN 1-716-68481-1) is only the first in a succession of editions which will improve more and more relevant with each publication . But because this is a first edition and features original art by the author on the front and back covers, plus some rare photographs in its “Antique Photo Album” section, it is a genuine collector’s item. Please remember as well that a collection of corresponding artworks has already been set up with several images on Fine Art America and more will be added throughout the month of September.
I welcome any and all feedback on the book for future editions and hope everyone investing in this one enjoys the read and finds the shared insights useful.

Aberjhani
Author, Poet, Artist
Harlem Renaissance Centennial 2020

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Back Doors and Racial Inequality Prior to the Age of Coronavirus (COVID-19)

9/6/2020

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Art graphic by Aberjhani for narrative excerpt from the book Greeting Flannery O'Connor at the Back Door of My Mind.

For more than one demographic of America's diverse populations, Black, White, Brown, Red, Yellow, and combinations thereof--male or female and different-flavored sexual identities--back doors were once synonymous with emblems of racial, economic, and political oppression in their most cutting conspicuous forms. They stood alongside crosses burning with flames of hatred as opposed to crosses gleaming with messages of love or redemption, with “Whites Only” and “Coloreds” signs attached to public restrooms and water fountains, seats at the backs of buses and trains or up in balconies of theaters, segregated beaches, pamphlets on eugenics, and “strange fruit” (as Billie Holiday sang) hanging from southern trees.

Evoking this historical twentieth century function in the first half of the twenty-first century would seem ridiculously archaic if not for striking counterparts in the form of hate crimes, mass incarceration, black bodies repeatedly falling to gun violence, and economic gentrification so often directed against people of color. Moreover, all of this has been repeatedly, casually, streamed on large and small screens around the world. Many current-day legal and illegal immigrants from Latin America, the Middle East, Africa, and Eastern Europe know something about the back-door experience because they, too, have lived it. Time has not removed the necessity of documenting how too many of us still dehumanize and eradicate our fellow human beings seeking shelter from the world's increasingly destructive "natural" and "man-made" storms.

Rear entrances have, however, served more inspired purposes as well. Some have provided meeting places for secret lovers. Others have been transformed into Eden-like refuges carpeted and ceilinged with vines blossoming fragrant roses, morning glories, wisteria, or honey suckle. Nothing wrong with thinking of love as emblems of hope or love. On certain days of the month, you can find in our present time (at least in Georgia) many people who are battling poverty lined up at the far ends of churches to receive brown bags filled with food which otherwise would end up in dumpsters.

Sensibilities of an Uncanny Nature

There is also in this era of technological wonders the notion of digital back doors which allow hackers to sneak in and out of computer systems belonging to people other than themselves. Whether that is a good or bad thing tends to depend on the hacker, his or her affiliates, and the intentions in question. Coming to personal and professional terms with the impacts of O'Connor's, McPherson's, and Berendt's blazing passages has felt at times like someone slipped invisibly into my life and effectively hacked it. The beliefs, assumptions, and confirmed certainties of a comfort zone forming fragments of an established identity––that of mine and many others'––were compromised and eventually reconfigured.

More than anything else, the back door as it is approached in the pages [of Greeting Flannery O’Connor at the Back Door Of Mind] represent points in time, places in space, and regions of the spirit where sensibilities of an uncanny nature either collide or converge. Stepping through it led to the kind of adventures and misadventures for which we are rarely prepared, yet somehow often end up welcoming. The results are the kind which continue to increase literature's prized value as it pertains to specific communities and the world at large, providing solace and shelter during the best of times and the worst.
(From the book Greeting Flannery O’Connor at the Back Door of My Mind ISBN 1-716-68481-1)

Aberjhani
Harlem Renaissance Centennial 2020

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Launch Schedule for Greeting Flannery O'Connor at the Back Door of My Mind

8/30/2020

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Detail "Greeting Flannery O'Connor at the Back Door of My Mind" poster art featuring quote from poem "History and Prophets' Prerogatives." Artwork by Aberjhani now available on Fine Art America and Pixels.com.

Working around the different restrictions imposed by the coronavirus pandemic set back the publication of Greeting Flannery O’Connor at the Back Door of My Mind in more ways than I could have anticipated by almost 6 months. Let’s face, production under these circumstances is a big issue for everybody. The intense events and mounting urgencies of #TheYear2020, however, reemphasized repeatedly the need to keep pushing forward and get the job done. So with the help of a few friends I have done exactly that and am pleased to announce the date of the planned global launch for the title is Labor Day September 7.

Some of you know already that a soft launch recently kicked off with 3 events: 1) the Greeting Flannery (GF) book info page published at Bright Skylark Literary Productions; 2) corresponding artwork posted for sale at Fine Art America and Pixels.com; and 3) fun-type trivia and quiz questions posted on Goodreads.
Here’s the current extended schedule of planned launch events:

Schedule of Events

SEPTEMBER 1 - 30: GF artwork available at 35 percent off using PROMO Code GFGJZH at Fine Art America and Pixels.com. Prints so far include “Converging Grace” with and without quotation text; and, a mixed media visual incorporating the cover of the book into a collage composed of different symbolic pieces. Please Note: THE IMAGE SEEN WITH THIS POST IS A DETAIL FROM “CONVERGING GRACE” WITH QUOTATION TEXT (the quote being from the book and by me).

SEPT 1: Multi-language “Conversations with the World” series kicks off with focus on posters featuring in different languages quotes from my writings which have become, or which are becoming, parts of international dialogues on our human condition.

SEPT 1: New GF artwork posting on noted websites plus pages here on FB and at Bright Skylark.

Sept 4: Quote from GF posts at Goodreads.

SEPT 7: Selected excerpt from GF posts at Bright Skylark #Literary Prods Website.
SEPT 10-11: “Conversations with the World” series continues.

SEPT 15: “Thoughts Unspoken on Flannery O’Connor” excerpt from COVID19-canceled lecture posted.

SEPT 16: Greeting Flannery O’Connor at the Back Door of My Mind (ISBN 1-716-68481-1) book launches globally and becomes available online via diverse booksellers: Amazon, Barnes & Noble, etc.

SEPT 22: New GF #artwork unveiled on Fine Art America and on Pixels.com

SEPT 22: “Conversations with the World” series continues.

SEPT 29: Selected excerpt from GF posts at Bright Skylark Literary Productions Website.

SEPT 29: “Conversations with the World” series continues.

SEPT 29: More “Thoughts Unspoken on Flannery O’Connor” excerpt from COVID19-canceled lecture posted.

Like all calendars of events for launching major new works, this one is subject to change with additions or deletions but this is where we stand right now.
Thank you for checking it out.

Aberjhani
Author, Poet, Artist, Historian

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Exploring the Wonder and Enigma of Flannery O'Connor (part 2 of 3)

12/19/2019

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From the time when her first short stories and novel were published, O’Connor was identified as a writer with a rare kind of gift. Her specific brand of genius allowed her to adapt powerful religious principles, aesthetic technique, and social observances to create highly original and often shocking literary art which leaned heavily toward the Gothic and grotesque.

She painted with words in the same manner she painted with colors. Stroke by carefully-rendered stroke, she created broken-soul characters who were oddly warped by the jarring impulses of their own scarred personalities, a condition which could make them as misplaced within the confines of their own skin as it could within society.

The Church of Hazel Motes’ Truth

One archetypal example is Hazel Motes, the anti-hero main character in Wise Blood described by Gooch as “a slightly demented saint in the making.” Motes could also be described as a prototype for any number of O’Connor’s characters driven by pain and confusion to rage against their perception of divine, or human, authority over their lives. Hazel Motes is bold enough to propose starting “the Church of truth without Jesus Christ Crucified.” His own ambitiousness and the ambiguities of human mortality inherent in anyone’s life defeat his intentions and ultimately lead to his destruction.

It is not only the daring with which O’Connor wrote such tales as Wise Blood that made her an exceptional writer but an ear for true-to-life dialect and a command of language that enabled her to bend narrative prose into lyrical poetry like this:

“The smokestacks and square tops of buildings made a black uneven wall against the lighter sky and here and there a steeple cut a sharp wedge out of a cloud.” Or the following: “The outline of a skull was plain under his skin and the deep burned eye sockets seemed to lead into the dark tunnel where he had disappeared.”

Such statements, beaded as they were with strong philosophical nuances, would make any writer in any language an exceptional one.

The N-Word Factor

For many African Americans, O’Connor is not an easy read because her fiction is very true to the Southern rural language of her times. That means the word “nigger” tends to flow like breath out of many of her characters’ mouths with such a total disregard for its social, political, or spiritual implications that their use of the word might prompt many a hardcore rapper to reconsider his or her fondness for it.

The degree to which O’Connor herself may have been racist is an issue biographer Brad Gooch does periodically address: “She had returned to settle in a society predicated on segregation and had taken on its charged voices and manners as the setting of her fiction.”

In short, from O’Connor’s perspective as a literary artist, to avoid racially derisive language, and in some cases customs, would have meant dodging an ugly truth rather than confronting it head-on. Moreover, readers should note she was far from being alone in this regard among white and black American writers in the previous century.

NEXT: Exploring the Wonder and Enigma of Flannery O'Connor (final part 3)

If you missed part 1 of Exploring the Wonder and Enigma of Flannery O'Connor and would like to read it Please Click Here.

Author

Aberjhani is a multi-genre author of history, memoirs, poetry, fiction, and journalism. His most recent book is Dreams of the Immortal City Savannah.

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Taking a Multimedia Approach to Surviving the Year 2020 and Preparing for 2021

Aberjhani

Contact Bright Skylark Literary Productions

Moving forward with global release of: Greeting Flannery O’Connor at the Back Door of My Mind

Aberjhani
Author, Poet, Artist
Harlem Renaissance Centennial 2020

Contact the Author-Artist

Back Doors and Racial Inequality Prior to the Age of Coronavirus (COVID-19)

Sensibilities of an Uncanny Nature

Aberjhani
Harlem Renaissance Centennial 2020

Contact the Author

Launch Schedule for Greeting Flannery O'Connor at the Back Door of My Mind

Schedule of Events

Aberjhani
Author, Poet, Artist, Historian

Exploring the Wonder and Enigma of Flannery O'Connor (part 2 of 3)

The Church of Hazel Motes’ Truth

The N-Word Factor

Author

Aberjhani

Archives

Categories

Taking a Multimedia Approach to Surviving the Year 2020 and Preparing for 2021

Aberjhani

Contact Bright Skylark Literary Productions

Moving forward with global release of: Greeting Flannery O’Connor at the Back Door of My Mind

AberjhaniAuthor, Poet, ArtistHarlem Renaissance Centennial 2020

Contact the Author-Artist

Back Doors and Racial Inequality Prior to the Age of Coronavirus (COVID-19)

Sensibilities of an Uncanny Nature

AberjhaniHarlem Renaissance Centennial 2020

Contact the Author

Launch Schedule for Greeting Flannery O'Connor at the Back Door of My Mind

Schedule of Events

AberjhaniAuthor, Poet, Artist, Historian

Exploring the Wonder and Enigma of Flannery O'Connor (part 2 of 3)

The Church of Hazel Motes’ Truth

The N-Word Factor

Author

Aberjhani

Archives

Categories

Aberjhani
Author, Poet, Artist
Harlem Renaissance Centennial 2020

Aberjhani
Harlem Renaissance Centennial 2020

Aberjhani
Author, Poet, Artist, Historian