April, when both Jazz Appreciation Month and National Poetry Month are observed, is always a special time at Bright Skylark Literary Productions. This year it is doubly special because in addition to featuring several re-posts of classic articles and essays about poetry and jazz on this site, we have also teamed up with our Charter for Compassion partners to present the timely new 4-part series: Poetic Traditions of Compassion and Creative Maladjustment.
The celebration of Jazz Appreciation Month actually got underway with Jarreau Jazz-riff Earth-tunes for the Angel of Compassion, the poem and essay published in tribute to the late great Al Jarreau after his passing earlier this year. Jarreau in recent years had been among the headliners for the annual International Jazz Day concert and one of the premier talents of the modern jazz era. You can check out part 1 of the tribute by clicking here and part 2, which includes the poem, by clicking this Postered Poetics artwork:
A Confluence of Compassionate Sensibilities
In addition to commemorating NPM 2017, the series showcased on the Charter for Compassion website does two important things:
1) It explores the conceptual relationship between Dr. Martin Luther King Jr.'s call for a creative-maladjustment approach to civil disobedience and author Karen Armstrong’s recommended strategy for living a compassion-empowered life.
2) It utilizes as lens through which to examine poetic traditions of compassion, short biographical profiles of the Sufi genius Jalal al-Din Rumi, the great Pulitzer Prize-winning Harlem Renaissance and Chicago Renaissance poet Gwendolyn Brooks, and the Prague, Czech Republic-born author of Duino Elegies, Rainer Maria Rilke.
You can begin enjoying the series by clicking either of the following graphics:
Author-Poet Aberjhani is currently completing a book of nonfiction narratives addressing race relations, histories of erasure, the cultural arts, and practices of slavery in his hometown of Savannah, Georgia, USA.
After kicking off the Text and Meaning Series with an article on Martin Luther King Jr.’s I Have a Dream speech in August, the latest installment is on Albert Camus’ classic book, The Myth of Sisyphus. The Text and Meaning Series is one reminder that some of the battles we've found ourselves struggling through in 2013–– as if thrashing while asleep and trying to wake from nightmares–– have been fought before. In many cases it was believed victory had already been won.
I started the Text and Meaning Series largely as a way of introducing classic works into conversations on current topics and events. It presently consists of the following:
1) Text and Meaning in Martin Luther King Jr.’s I Have a Dream Speech
2) Text and Meaning in Encyclopedia of the Harlem Renaissance
3) Text and Meaning in Langston Hughes The Negro Artist and the Racial Mountain
4) Text and Meaning in Albert Camus’ The Myth of Sisyphus
Employing MLK’s I Have a Dream speech to launch the series made sense because the year 2013, now drawing rapidly toward its end, marked the 50th anniversary of the speech. Focusing on it also provided a way to help amplify dialogues on multiculturalism and race in America. That such dialogues must not be stifled have been made disturbingly apparent this year by several high-profile events, from the verdict in the George Zimmerman trial for the murder of Trayvon Martin to the glaring lack of diversity at the Emmy Awards and subsequent reports in Huffington Post on racial divisions in Hollywood.
The article Text and Meaning in Albert Camus’ The Myth of Sisyphus takes me into somewhat new territory as an author. Outside of my writings on W.E.B. Du Bois for the Philosophical Library Series and my profile on Alain Locke for Encyclopedia of the Harlem Renaissance, I’ve written very little about philosophy or philosophers. However, with November 7, 2013, marking Camus’ 100th birthday, I had to expand the scope of my focus.
It is well known that Camus generally considered himself more of a novelist than a philosopher. The extraordinary power of The Stranger and The Plague have led many people to agree with him and to think of him more as a serious author whose works in fiction and drama were heavily influenced by his study of, and passion for, philosophy. What I appreciate the most about him is what I tend to appreciate the most about all writers who achieve the levels of mastery and accomplishment that he did. I respect the way he gave such huge chunks of his life to his art. I admire the way he structured his art as a form of service to humanity. And I treasure the enduring excellence of the example that he fought, endured, and labored to provide.
4 November, 2013
Quote by Aberjhani with original digital MLK poster: “Dr. Martin Luther King Jr.’s dream was a manifestation of hope that humanity might one day get out of its own way by finding the courage to realize that love and nonviolence are not indicators of weakness but gifts of significant strength.” --Aberjhani
Different roads provide diverse routes to freedom. For many, the path is an interior one. It first requires an individual to the clear from the landscape of inner beingthose areas overgrown with woody thickets of doubt and trauma or buried beneath swamplands of self-imposed limitations.
There are others––like the Americans who struggled for civil rights in the 1960s, and citizens of the Middle East and various African countries currently battling for basic human rights–– who take a more public journey to freedom. Their sense and experience of liberty is defined by interaction with the external dictates of history, evolving cultural persuasions, and dominant political trends. Individuals such as these inspired the article Text and Meaning in Martin Luther King Jr.’s I Have a Dream Speech.
Whether the journey is undertaken within or without, the impulse to demand, claim, and exercise freedom ––not just as a politicized human right but as a fundamental tenet of human existence–– is as automatic as gulping air when first leaving the womb. It therefore is not particularly surprising that the King Center in Atlanta has chosen to conclude its 50th anniversary commemoration of Martin Luther King Jr.’s I Have a Dream speech with a “Let Freedom Ring” international bell-ringing event at 3 p.m. on August 28.
“We are calling on people across America and throughout the world to join with us as we pause to mark the 50th anniversary of my father’s ‘I Have a Dream’ speech with ‘Let Freedom Ring’ bell-ringing events and programs that affirm the unity of people of all races, religions and nations,” said King Center C.E.O. Bernice A. King in a news release from the Center.
When considering in 2013 the horrendous number of people who have died in Syria’s civil war over the past several years, those who have lost their lives to domestic gun violence in the United States over the past several decades, and writers and artists who are persecuted daily in different countries for “speaking truth to power,” the idea of ringing bells in the name of freedom might strike some as ludicrous. It is, however, this insistence upon liberty in the face of weighted oppression that has always given self-determination its strength and value.
Freedom rings bells because throughout history silence has too often served as an accomplice to genocide, slavery, and other forms of barbarity.It rings bells to remind humanity that the most precious gifts in life––like children and love and time––must never be taken for granted. Freedom rings bells to wake us from the comfort of beautiful dreams and empower the efforts that turn them into reality.
Contemporary award-winning author of classically-styled works in history, poetry, creative nonfiction, speculative fiction, and journalism.