Among the many literary marvels for which the world can be grateful to Nobel Laureate Toni Morrison are the numerous interviews she’s given over the years. Her inspiring genius sparkles as brilliantly in conversation as it does in her novels, librettos, children’s books, and lectures. In one such interview conversation, she expressed as her biggest fear that of being stranded somewhere without a book of some substance to keep her company. That makes flawless sense to those of us addicted to books at an early age.
I would not go so far as to call myself an abibliophobe but I am far more comfortable in spaces and places that accommodate books with some degree of delight than in those which ban them from the premises. To avoid such a potentially traumatizing condition, I try to stay as well-supplied with more books than I am likely to read––for pleasure that is––in a month, as a Beverly Hills fashionista remains stocked up on shiny shoes, bags, and credit cards.
El Nino on the Way
So with meteorologists predicting a 2015 - 2016 winter El Niño that could make some of us spend more time indoors than usual, lining up reads for the chilly wet days and evenings ahead is not a bad idea. My own mixed bag of pages includes biography, literary fiction, history, poetry, and social criticism. A couple of the titles I’ve already read once or twice but feel the need to revisit; several have been on the bookshelf for several months and patiently awaiting my attention. They now have it.
The list, which features a comment or two on why I chose a given title, could change over the next month or so. But, for now, you might call those already on it my literati posse for the duration of the 2015-2016 winter El Niño. The numbers are not to imply any kind of ranking but may say something about how my cerebral passions and priorities tend to cross-pollinate:
MY 2015-2016 EL NINO WINTER READING LIST
1. Tiny Windows (poetry) by Duncan McNaughton. One of the founders of San Francisco’s New College of California Poetics Program, McNaughton’s work as an educator and poet has long captivated and empowered many. Tiny Windows is his latest and to me that makes contemporary poetry a lot more interesting than before its publication.
2. Black Prophetic Fire (history and social criticism) by Cornel West and Christa Buschendorf. This book follows the same tradition as the great volume of dialogue between James Baldwin and Nikki Giovanni (as well as those with Baldwin and other profound thinkers). It’s also reminiscent of the excellent Literary Conversations series, but with the dialogue centered by Cornel West’s expansive brilliance it obviously reaches beyond literary concerns.
3. Jean-Paul Sartre: A Life (biography) by Annie Cohen-Solal. I’ve read novels, plays and essay on philosophy by Sartre but this will be my first time reading a full-length comprehensive biography on him. As it happens, Cornel West wrote the foreword for this “Sartre Centennial” edition so that had some influence on my decision to buy this specific title.
4. The State of the World Atlas (globalization reference) by Dan Smith. This is the ninth edition of Smith’s book. He finished it in London in 2012 and it was published in 2013, which means significant changes have already occurred since it the last printing. It makes a good comparative reference though for helping to place current events in a developing historical context.
5. God Help the Child (novel) by Toni Morrison. I actually started reading this before the official publication date earlier this year. Because it is Morrison I chose to save it for a special occasion and El Niño popped up it so here we are.
6. Life of William Blake with Selections from His Poems & Other Writings (biography plus) by Alexander and Anne Gilchrist. This was the first major biography on Blake and is still considered among the best because the Gilchrist husband and wife literary duo met with contemporaries of Blake to complete it.
7. Pedagogy of the Oppressed (philosophy of education & social criticism) by Paulo Freire. This modern classic by a highly-revered author has been recommended to me many times over the years. With the various demographic shifts and cultural migrations currently taking place, now seems like a good time to give it some serious attention.
8. Race to Incarcerate: A Graphic Retelling (criminal justice, comics, graphic novel) by Sabrina Jones and Marc Mauer with a foreword by Michelle Alexander. There’s no such thing as overstating the crisis of oppressive human rights violations represented by the so-called “high school to prison pipeline” in the United States and its devastating impact upon African-American communities. The modern industrial prison complex is dangerously emblematic of apartheid-like practices. Dismantling it means coming to terms with how it came to be and why it continues to expand.
9. American Poets: The Journal of the Academy of American Poets (Vol. 49). True, this is not an actual book in the literal sense but it just arrived in the mail so feels right to place on the list. A quick peep inside indicates an interesting interview with U.S. Poet Laureate Juan Felipe Herrera, some new poems by Joy Harjo and Yusef Komunyakaa, and notes on some older ones by Elizabeth Bishop, Robert Hayden, Sylvia Plath, and W.B. Yeats. There’s a big announcement also from the Civitella Ranieri Foundation regarding their acquisition of Mark Strand’s personal library.
10. Dark Faith: New Essays on Flannery O’Connor’s The Violent Bear It Away edited by Susan Srigley. That title kind of says it all doesn’t it. Reading of course is not the only way to stay pleasurably engaged during cold soggy El Nino days and nights. It is, however, for this author one of the most sweetly enduring and warmly compatible.
Bright Skylark Literary Productions
Anyone in the habit of keeping journals––as I have been for many years––has probably noticed the advantage they provide when the need arises to confirm specific incidents or meetings from the past. Writers of memoir, biography, and autobiography in particular can appreciate such leverage.
The habit of journaling becomes especially useful when looking back and discovering that you were part of an extraordinary occasion, or associated with an exceptional individual, that you somehow failed to recognize for their greater value. It was only after Time placed within your hands the proper tools of knowledge and perspective that you could recognize the experience for the individual nugget of golden significance that it was. The possibility of claiming such overlooked treasures the first time around is only one reason to consider making it a habit to recognize the innate potential for beauty and worth inherent in all things.
Connections Known, Unknown, & Rediscovered
As wisely as most of us guard against over-sharing on the internet, there are some ways––literally and figuratively––it functions as a supplemental journal of our lives. Celebrities who have seen extremely private photographs suddenly made public can testify to why that is not always a good thing. Researchers who have needed to identify leads to critical hypotheses proposing connections between seemingly unrelated elements can demonstrate why and how it can be.
I had given little thought to either prospect until receiving an inforapid infographic illustrating different facets of my literary connections. Most of what it shows has long been a matter of public record and knowledge. What, however, caught me by surprise were the associations it identified from my time at the New College of California in San Francisco.
Although it is a great honor to see my name beside that of such superb modern talents as the author of The Opening of the Field, Robert Duncan, and Black Mountain Poets founder Robert Creeley, the one name I would have expected to see was not there. That would have been educator and poet Duncan McNaughton, who established the school’s Poetics Program and with whom (as pointed out in my recently-updated literary profile) I actually studied. Yet, ironically, the New College of California poets identified to represent a legitimate substantial line of influence on the evolution of my literary aesthetics.
I say more in the pages of a current book in progress about important lessons learned from McNaughton after making my way to class following eight full hours at work, but for now I will focus on the dynamics of reclaiming contexts and meanings. Since I was only one of many that McNaughton taught at New College, it is unlikely that he would remember me as well as I remember him. Still, while revisiting this period in my life to complete the noted work in progress, I have been greatly inspired to read online about his more recent literary activities and publications.
Seeing someone who served as your mentor decades ago continuing to burn his literary candles at both ends in 2015 has a way of obliterating any excuses you might want to latch onto for not completing challenging work. In this case, I was particularly intrigued when I came across a piece titled “Rewilding Poetry,” by Canadian poet Sharon Thesen, in which she discusses an aspect of McNaughton’s poetics that runs parallel to recent observations of my own:
“What San Francisco poet Duncan McNaughton referred to as ‘sweetness of heart’ strikes me as a possibly interesting move toward a re-wilding that I believe is constantly trying to take place anyway. Sweetness of heart, McNaughton says, is ‘what is really common to our desirous souls, the quality which overcomes all barriers in order to circulate anew the heart’s creative feeling among men and women, who have more than enough reason to despair.’ To radically expand the field of feeling seems an unintended ongoing work of any poetic practice of the wild.” –– (Sharon Thesen, Rewilding Poetry, 2015 Cascadia Poetry Festival)
The term “rewilding poetry” was new to me until I read Thesen’s essay (she actually expresses a preference for the phrase “re-worlding poetry”). However, the essence of the concept is one I began contemplating after the late Ja A. Jahannes edited and published Black Gold: An Anthology of Black Poetry.
Jahannes looked to a strategy of demographic inclusiveness to practice rewilding poetry after noting, like Amiri Baraka before him, the sterility some would impose upon contemporary poetry through an institutionalization characterized by elitist exclusion. Impressive intellects, and sometimes even seductively beautiful minds, may still be found periodically within such superbly-positioned chambers but any “sweetness of heart” tends to be less readily available.
An Exercise in Mindfulness