Despite all the benefits which modern technology has made possible for humanity to enjoy in the 21st century, many have observed that in some ways on certain days we seem to be taking more steps backward than forward. News reports and film documentaries contrasting volatile social and political conditions in the United States during the 1960s, for example, often point out similarities between the two eras when it comes to racial oppression and gender inequality.
At the same time, various present-day technological triumphs are undeniable. One of the greatest is that of the telephone, which has evolved from a shoe-box-sized two-piece device used solely for voice communication to a single hand-held unit capable of functioning as a camera or miniature computer.
Riding the Bus with Man-Boy and Shaniquananda: And Then Not
The sixth story in Dreams of the Immortal City Savannah, titled "Riding the Bus with Man-Boy and Shaniquananda: And Then Not." It presents readers with a partly-humorous and somewhat serious study of how well we are learning (or not learning) different lessons taught by history when it comes to personal behavior in public places and how technology impacts such behavior. This is the synopsis for it:
"It is not news that technology and innovation continue to impact our personal and public lives in unexpected ways. How that observation plays out proves a matter of some concern when a passenger compares riding the public bus system in Savannah both prior to the opening of a new transportation hub in 2013 and afterwards. In addition, the narrator ponders what it must feel like for a group of elderly African-American women, who decades ago fought for the right to sit at the front of the bus, to listen to Black Millennials Shaniquananda and Man-boy seated further back loudly discussing on cell phones intimate details of their sex lives." Interestingly, this story was inspired in part by Luther E. Vann's great painting, "Christ Listening to Stereo," featured in the book ELEMENTAL, the Power of Illuminated Love. For that painting, Vann sought to capture the essence of a young couple on a bus in New York City. Armed with headphones, they shut out surrounding distractions and appeared immersed in a world of private tranquility, thus the title of the painting. It makes for a strong study in contrasts when set beside "Riding the Bus with Man-Boy and Shaniquananda." Aberjhani C2019 Harlem Renaissance Centennial
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The funny thing about my response to Hans Rosling’s brilliantly innovative book, Factfulness, is I purchased it while completing revisions of my own book: Dreams of the Immortal City Savannah. However, I then promptly set it aside until Dreams was in the hands of my publisher and well on its way to the printer.
Given Microsoft founder Bill Gates’s exceptional endorsement Factfulness (co-authored by Ola Rosling and Anna Rosling Rönnlund), there was little reason to doubt its examination of “Ten Reasons We’re Wrong About the World and Why Things Are Better Than You Think" was fully worth my committed attention. The cautiousness I felt stemmed mostly from concern the Factfulness in question might be overloaded with an excess of data and abstract theories while ignoring the intent behind my own work. The journalist in me always welcomes insightful research anchored by documented trends. The poet in me welcomes even more strategies and proposed solutions informed by compassion plus analytical insight. Therefore, acknowledging the hearts and souls that give often-referenced numbers their significance means a lot to me.
Developing a New Perspective
Doubt and apprehensiveness lingered throughout my reading of the first chapter on “The Gap Instinct.” I accepted easily enough Rosling’s proposal that for purposes of public discourse we should do away with the term “developing countries” and instead adopt language suitable for “sorting countries" into 4 income levels. Level 1 would be home to the most impoverished and Level 4 comfortably occupied by the wealthiest. Levels 2 and 3 could be considered the international middle classes.
Upon reading the following, the only thing I could do was smile: “Since you are reading this book, I’m pretty sure you live on Level 4” (p. 37). In fact, at this specific point in my life, I'm nowhere near it. But just by reading the book, it would seem, I at least possess Level 4 instincts, or qualities, and have adopted practices which may yet elevate my economic status.
Rosling’s notion, nevertheless, appealed to me. Factfulness essentially provides us with a framework and set of lens through which to view and assess the evolving realities of nations and individuals. Moreover, how could anyone not admire the depth to which the good doctor's reasoning was by informed by his many years of service to humanity? Given my passion for real-life historical literary heroes who, somehow, managed to beat the odds against them in order to produce compelling classic works, I had to admit he just might belong on the same level as those very heroes. He had, after all, devoted his final breaths to completing it.
Instinct & Realization
Going from one chapter to the next, Rosling points out how our worldviews may be distorted by 10 factors, or tendencies, categorized as follows: the Gap instinct, Negativity, Straight Line, Fear, Size, Generalization, Destiny, Single, Blame, and Urgency. What astonished me was how often he presented stories of himself giving in to these instincts. In one such account, by way of demonstrating the Fear Instinct, he mistakes a Swedish pilot for a potential Russian fighter pilot and almost needlessly destroys an expensive air force G-suit to treat him.
In another, illustrating the Urgency Instinct, he endorses a suggestion to prevent the spread of a contagious disease in Nacala, Mozambique, by setting up a military roadblock to prevent buses from entering the area. The result is one of unexpected deadly consequences. The unreserved humility with which this world-class educator and medical researcher shares his hard-won lessons is admirable. Although humanity's capacity for compassion IS not been included as a resource for making "things" better, and the word compassion does not appear in the index of Factfulness, the various elements of which is is comprises--like empathy, mindfulness, forgiveness--are evident enough.
Necessity & Recognition
The need to confront and learn from mistakes, combined with the compassion often required to accomplish precisely that, is a major theme which runs throughout the text and art of Dreams of the Immortal City Savannah. Some of the errors examined I considered my own. Some I did not. All required adapting to the demands of reevaluation and change.
The story "Trees Down Everywhere," for example, presents a meditation on the consequences of denying the realities of climate change. It further considers the necessity to exercise compassion not just for people currently suffering the consequences of it and for "future generations," but for the Earth itself. In addition: “The Bridge and the Monument: A Tale of Two Legacies” contrasts the racially-inclusive social vision of the late Dr. Abigail H. Jordan with the racially-oppressive politics of former Georgia (USA) governor Eugene Talmadge. (Included in the appendices are statements are statements on community efforts to change the name of the Eugene Talmadge Memorial Bridge spanning the Savannah River.)
The title story looks at how the horrors of human trafficking exemplified by America's historic Civil War continue to haunt world populations in 2019. It further suggests how exercising compassion and forgiveness toward an unexpected population segment impacted by the war could play a significant role in finally healing from it. Anyone questioning the relevance of such an observation need only recognize calls for reparations for the descendants of Blacks who toiled in slavery in America for centuries continue to increase as the 2020 election for the next U.S. president grows closer.
Other stories in Dreams, "Like A Brazilian Thanksgiving in Savannah" and "Savannah by the Twenty-first Century Numbers" look at ways a sense of compassion informs our approaches to such issues as immigration, caregiving, the historic impact of demographic shifts, dynamics of inter-generational interactions, and embracing diversity. NEXT: Hans Rosling’s Factfulness and the Search for Compassion Behind the Numbers Part 2 Aberjhani
The various works with the late great artist Luther E. Vann, particularly ELEMENTAL, The Power of Illuminated Love, are fairly well-known. For its blending of visual fine art and poetry by two creatives, ELEMENTAL continues to stand as an exceptional tribute to creative energies and individuals which made the Harlem Renaissance such an exciting political and cultural arts phenomenon.
Some, however, might be surprised to learn Vann’s art also adorned the covers of several more of my books, including: the poetry collection The Bridge of Silver Wings; and, the novels Christmas When Music Almost Killed the World, and Songs from the Black Skylark zPed Music Player. In Dreams of the Immortal City Savannah, Vann’s aesthetic relationship with the artists Claude Monet and Kahlil Gibran is explored in story titled “Monet, Vann, and Gibran at the Telfair Museum of Art.” The following is a short excerpt from the story:
“When considering how the practices of slavery, philanthropy, and rebellion could all converge behind the exquisitely-rendered doors of the Telfair Museum, it becomes less difficult to imagine the different implications of it housing works by artists as diverse as France’s Claude Monet (Nov 14, 1840 – Dec 5 1926), America’s Luther E. Vann (Dec 2, 1937-April 6, 2016), and Lebanon’s Kahlil Gibran (Jan 6, 1883 – April 10, 1931)... There is a kind of unrecognized kinship between their painted meditations on the layered realities of human existence and the ever-unfolding wonders of time’s relationship with space, and light’s eternal dance with shadows and hues.” (from Dreams of the Immortal City Savannah) The above reference to “practices of slavery” (hopefully obviously) should not be taken as allusion to those associated with today’s Telfair Museums of Art. It refers rather to past practices which made possible the foundation upon which the museum was founded. It is nevertheless painfully relevant to our modern times because of the current pandemic of human trafficking. That makes the work and function of the modern Telfair Museums, which often bridges cultural divides and celebrates human diversity, all the more essential. Aberjhani 100th Anniversary of the Harlem Renaissance
The month of April, with flowers blooming after a frozen winter and people enjoying outdoor weddings and other activities, tends to be a favorite time for many. It is a special month for Dreams of the Immortal City Savannah because two of the principal figures in the book, civil rights advocate Vanda Trappio Patton and metaphysical artist Luther E. Vann, both passed away two years apart on April 6.
April 2019 will mark the first anniversary of Patton’s death and the third of Vann’s. Both were former members of the onlineCreative Thinkers International Initiative. Trees Down Everywhere
In addition to being one of three individuals to whom Dreams of the Immortal City is dedicated, Ms. Patton is also a central figure in “Trees Down Everywhere,” the third story in DREAMS. In the story, readers meet her as elderly matriarch reluctant to leave her historic Victorian home even though Hurricane Matthew is moving steadily toward Southeast Georgia and threatening a direct hit against Savannah. This is a brief synopsis of the story:
“Following announcements of life-threatening hurricanes likely to directly strike Savannah, residents and tourists alike have often commented on how fortunate the ‘immortal city’ has been to defy these predictions. However, though nearly all agree it could have been much worse than it turned out to be, with Hurricane Matthew the luck ran out in 2016. Throughout the night when Matthew hits, the narrator struggles to prevent a friend’s house from flooding and the next day walks through city parks photographing uprooted trees. In addition, he shares what it was like to experience the psychic pressure of dealing with the hurricane while simultaneously…” Ms. Patton’s choice and how it impacts all involved (including her recently-deceased son Moses Trappio III) makes for a compelling narrative to which many hurricane survivors around the world can relate. Her story is also one of the primary examples of how and why Dreams of the Immortal City Savannah is proving appealing as regional and world literature. NEXT: The Month of April and Dreams of the Immortal City Savannah (part 2) Aberjhani 100th Anniversary of the Harlem Renaissance
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About the Author:A passionate reader, committed writer, artist, photographer, dedicated practitioner of mindfulness, hurricane survivor, maker of poems, believer in the value of compassion, historian, award-winner, journalist, adherent of beauty, and student of wisdom. Archives
January 2023
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