For the part 1 introduction to this blog on artwork which has recently become available please check it out right here. Part 2 begins right here right now:
Beauty of the World's Fountains
Fountains are among the most admired ornamental man-made structures because they combine the artistic beauty of refined sculpture with the precision of engineering and architecture. Celebrated examples can be found all over the world, including Savannah, Georgia. One of the city's most famous is the subject of two new Postered Chromatic Poetics images. Below is the accompanying text for the art and although I like both very much, I confess to being particularly pleased by the results achieved with Champagne Twilight:
Sepia Afternoon: Forsyth Park Fountain in Savannah, Georgia (USA)
A solitary figure stops in front the Forsyth Park Fountain to enjoy one of the city of Savannah's most popular and majestic attractions.
Ever since the days following the American Civil War, the fountain has been a favorite location for residents and visitors alike to take photographs. During the war, the park was known as the South Common military encampment where prisoners of war, a hospital, and poor house were maintained.
The fountain's spraying water is dyed green every year in celebration of St. Patrick's Day. In this image, late afternoon sunlight on a hot summer day creates an amber sepia haze that colors the air and water, slightly clarified and enhanced by digital filter.
Champagne Twilight: Forsyth Park Fountain in Savannah, Georgia (USA)
The elegantly-sculpted Forsyth Park Fountain, also referred to as the Versailles Fountain, dates back to the 1850s when model for it was derived from French-styled designs of the period. Along with the Confederate Monument, this is one of the primary centerpieces of Forsyth Park. The present-day fountain is the result of many renovations over the past century and a half, including a complete restoration in 1988.
A robed woman adorns the top of the fountain as water birds and tritons (or mermen) spout water below. In addition to benches that allow passersby to sit and enjoy the view, the fountain is surrounded by moss-covered oaks, palm trees, magnolias, and elms.
Prior to becoming known as Forsyth Park, the location during the Civil War was the South Common military encampment where POWS and a hospital were maintained.
Aberjhani is an American poet, historian, essayist, editor, journalist, social critic, and cautious artist. His many honors include the Choice Academic Title of the Year Award, the Notable Book of the Year Award, Outstanding Journalist, and Poet of the Year. He is currently completing final edits on a work of creative nonfiction about the cultural arts, race relations, immigration, and human trafficking in his hometown of Savannah, Georgia.
Journalist Patricia C. Stumb, in a 1999 Connect Savannah news magazine story titled “Peace, love & blessings…,” wrote of how I “found worldly consciousness in the heart of [my] hometown.” Her observation was surprisingly precise because during that period while living in Savannah, Georgia, I had indeed become more aware of my hometown on the global scale of things. I had also become more cognizant of myself as an author whose influences and inspirations tended often to derive from regions far beyond it.
However, expanded consciousness or not, there was no such thing as overlooking the profound thematic shift that occurred in the city’s history when Floyd Adams became its first African-American mayor in 1996. That event prompted the composition of these lines:
By way of an African wind
The thematic transition grew even more powerful in 2003 with the election of Otis Johnson as mayor of the city and in 2011 when Edna Branch Jackson won the office. Up until this point, too much of the story of African Americans in Savannah had been one of a people continuously oppressed and suppressed by history itself. Different industries (such as film) and individuals benefited economically from that history but Blacks native to the city have rarely done so to any significant degree.
The Re-Historicization of a Narrative
The elections of Adams, Johnson, and Jackson created a thematic evolution that has helped the city prepare for even more dramatic and culturally inclusive demographic shifts already in progress. Call it the re-historicization of a narrative that dates back at least to late 1800s Reconstruction.
It was then that the privileges of freedom bestowed upon African-Americans certain political and social responsibilities pertaining to both themselves and their lighter-hued brothers and sisters. They learned what all before and since then have had to learn: democracy is not simply a license to indulge individual whims and proclivities. It is also holding oneself accountable to some reasonable degree for the conditions of peace and chaos that impact the lives of those who inhabit one’s beloved extended community.
The years had been a long time coming before citizens of Savannah could begin to envision new sociopolitical dynamics that involved something other than oppression in its various nefarious forms. Leadership has never been an exact science but it has always found itself particularly challenged when tasked with elevating one segment of a society onto a level more politically, socially, and economically equitable with another.
However, the 2015 bid for power and history in Savannah is about more than practicing leadership to balance weighted scales. It is about giving shape to an historical context capable of sustaining progress on multiple fronts. It is about negotiating changes which some may find difficult to accept but which in fact cannot be avoided. Fortunately, city residents can choose between two excellent candidates for the tasks at hand: contender Eddie DeLoach and incumbent Mayor Jackson. A run-off election between the two is slated for December 1, 2015.
Video Notes on Past and Future Growth
Contemporary award-winning author of classically-styled works in history, poetry, creative nonfiction, speculative fiction, and journalism.