Quotation Art on birth , rebirth, and poetry: “Born once of flesh, then again of fire, I was reborn a third time to the sound of my name humming haikus in heaven’s mouth.” Text and Self-portrait art by Aberjhani–– (from The River of Winged Dreams) copyright 2017 (Postered Poetics by Aberjhani @ Bright Skylark Literary Productions 2017)
The diamonds referenced in the above title symbolize two concrete objectives as well as the more metaphysically metaphorical interpretations some might glean from it.
The first among the two material objectives is an examination of themes, meanings, and historical events that have provided some degree of context for my life up until this point. These are the subject of my current 4--part blog series on Charter for Compassion titled: Notes on Compassion in the Summer of a Life Infused with Democratic Vistas and Creative Resistance. So far we are up to part 3 and you can check them out by clicking the images in this post.
The second objective is a serious consideration of creative projects recently-completed and others just getting underway. Of these, the most immediate is a book of creative nonfiction on cultural arts, history, and race relations within Savannah, Georgia (USA).
This is one of those books which had to be lived before it could be written. And I admit the living was not always easy but I celebrate having come this far to share the tales told in its pages.
Additional components of the second wave of planned goals include: ongoing development of the Chromatic Poetics art project; and––a big drum-roll here—completion of at least one of the two plays currently sitting on my desk waiting for characters to take the stage.
For those who wonder why or how it is the engine room of my creative output remains so productive, the answer is more simple than complex. When looking at everything going on socially, politically, spiritually, economically, and otherwise-ly in our extraordinary world, it becomes impossible for me not to contribute in some way to the many dialogues that could make a powerful positive difference.
Aberjhani is an American poet, historian, essayist, editor, journalist, social critic, and cautious artist. His many honors include the Choice Academic Title of the Year Award, the Notable Book of the Year Award, Outstanding Journalist Award, and Poet of the Year Award. He is currently completing final edits on a work of creative nonfiction about the cultural arts, race relations, immigration, and human trafficking in his hometown of Savannah, Georgia.
Somehow I developed an unkind tendency to underestimate at the end of each year the amount of work accomplished during the previous 12 months. I used to like the feeling of being surprised to discover how much really got done, and that’s not necessarily a bad thing at all. It’s just not as fair to the truth, and some of my best go-for-the-gold efforts, as such an assessment should be.
But my New Year 2017 resolutions include a commitment to breaking the self-negation habit. As a practice, it’s just not a helpful one when it comes to planning future projects or establishing once-and-for-all final deadlines for current endeavors. In addition, miscalculating earnestly-applied efforts is unfair to the integrity of the work itself, as well as to those who helped make it happen and give it increased value. Therefore, in honor of the difficult, to paraphrase author Alice Walker, below is a list of links to tributes, essays, and reviews that I managed to share while continuing to work on my current nonfiction book. These are followed by further reflections on the year that was and the year to come.
Year 2016 Bright Skylark Table of Contents
Ripples of Political Pandemonium
One of the most challenging aspects of accomplishing anything of significance in the year 2016 was remaining focused on priorities. That can be difficult throughout the course of any election year but it was exceptionally so during the 2016 battle for the White House.
The various low-points and dubious tactics that resulted in the United States’ new President-Elect have been chronicled sufficiently enough that they do not need to be repeated here. What does bear re-emphasizing is that not only did the American people elect a new president whose worldwide business empire practically guarantees compromising conflicts of interest. They also chose to endorse standards of conduct likely to create ripples of political pandemonium for years to come (though hopefully and prayerfully––not).
So why is that? Because we cannot sanction free-for-all lawlessness when it suits the purposes of one class or race within a society while constructing billion-dollar prison complexes in which to enslave those for whom such lawlessness has not been deemed appropriate. This is more than a matter of practicing double standards. The issue is recognizing the chaos that can stem from specific choices and, for better or worse, proclaiming ownership to correct the damage incurred.
Video Notes on Barack Obama: Giving an American President His Proper Due
Contemporary award-winning author of classically-styled works in history, poetry, creative nonfiction, speculative fiction, and journalism.