For one, 2013 marks the tenth anniversary of Encyclopedia of the Harlem Renaissance’s publication and a new edition of a new edition of a modern award-winning classic is always a good way to celebrate such occasions.
Secondly, advances in technology proved a powerful component of the Harlem Renaissance just as it has in the contemporary era. During the 1920s and 1930s, important developments took place through the growing radio and the recording industries. Those advances not only allowed African Americans to showcase and preserve the marvels of black music such as jazz, ragtime, and the blues. It gave also them a foothold in an industry that allowed many to earn a living (though just barely for some) and a few to attain wealth.
Another significant development during the period was the growth of the publishing industry in New York City and other urban locales. Without that expansion, the odds of authors such as W.E.B. Du Bois, Claude McKay, and Zora Neale Hurston becoming as well known to readers as they are today would have decreased considerably.
The Kindle story is one of the defining chapters of the digital era. In many ways, it represents the same kind of growth in publishing that the establishment of important literary houses did during the Harlem Renaissance Jazz Age. It has helped make more titles available to more readers while simultaneously increasing opportunities for more authors to publish their books. It has not––and should not––replaced the print industry but it is now an integral part of publishing overall.
The Harlem Renaissance as a whole meant forward movement in regard to the practice of democracy in the United States and astonishing social and political progress for the generations of African Americans who, with substantial cross-cultural assistance, made it happen. A Kindle Edition of Encyclopedia of the Harlem Renaissance means forward movement of different kind: for this specific book and toward the 100th Anniversary of the Harlem Renaissance.