Who hasn't at some point wished they could just fly off somewhere, like birds or other winged things, without dishing out cash for a ticket or becoming unwillingly intimate with pat-down procedures?
My homage to winged beings actually began a long time ago but in recent years I have I approached a favorite symbol from a new angle with new images: BEAUTIFUL FLIGHT OF PEGASUS AND THE GOLDEN EAGLE
"In the valley of the shadow of broken worlds your wings dazzled and light reclaimed its beautiful power." (from The River of Winged Dreams)
The winged horse Pegasus and the Golden Eagle are two of our most powerful symbols from mythology and nature. The beauty of both have been known to inspire courage and hopefulness during times of personal crisis or chaotic upheavals in the world. The quote in fact is from a poem about Christmas, but you think about all the disorder and instability currently shaking up world communities it fits well. The sample presented with this post is a horizontal detail from the larger piece. WE’RE STILL HERE AND HOPE YOU ARE TOO
This shot of 4 seagulls on a River Street pier in Savannah, Georgia, is another taken the morning after Hurricane Matthew downed trees and swept water throughout the city.
A lot of people avoided the threat of physical from the hurricane by evacuating the city before it hit. Others huddled together either in the sturdiest structures they could find or wherever they happened to be. But it always seems a mystery how seagulls and other birds and animals manage to survive such powerful weather events then show up the next day looking as calm as this flock. To me, their countenance seems to quietly state: We are still here and hope you are too. Aberjhani
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Several of my newest Postered Chromatic Poetics images examine the roots of some lot of the negativity--from racial tension and the economic divide to religious conflicts and the gender gap-- we're seeing now. They are less about shouting out accusations than about inviting reflections. Below are the texts for them:
SOUTHERN TREES AND THE STRANGE FRUIT THEY BEAR (I
Like many such monuments throughout the southern United States, notably the one recently removed from a public space in New Orleans, this one has been the subject of some controversy. You can't really tell by the angle used here but this is one of the largest Confederate monuments in the country.
The gentleman who posed for it was Civil War veteran Hamilton Branch.
SOUTHERN TREES AND THE STRANGE FRUIT THEY BEAR (II)
Like many such monuments throughout the southern United States, notably the one recently removed from a public space in New Orleans, this one has been the subject of some controversy. You can't really tell by the angle used here but this is one of the largest Confederate monuments in the country. The gentleman who posed for it was Civil War veteran Hamilton Branch.
EUGENE TALMADGE MEMORIAL BRIDGE AND THE SERIOUS POLITICS OF NECESSARY CHANGE
During a 2016 "Span the Gap" initiative advocating for the change, a reporter named Janet Leigh Lebos asked for my input on the issue. The following is from her articled published in CONNECT SAVANNAH:
"'It should not be necessary in 2016 to stage marches across the bridge or have sit-ins on it to disrupt the illusion, or delusion, of normalcy in order to bring about a crucial intelligent change,' counsels Aberjhani.
"It shouldn’t be necessary, but maybe that’s what it will take. It actually sounds pretty awesome: To climb to the apex of that two-mile marvel with our neighbors and friends as the giant ships sail beneath, hand in hand as we stand up in the name of connecting Savannah with the right side of history." (Janet Leigh Lebos, CS, April 13, 2016)
Aberjhani
May 2017
Savannah, Georgia (USA), is a city of many cultural expressions and historical influences. It is one of America's original 13 colonies and often appears on lists of top tourist destinations.
This image gallery features fine art photographic images and digital creations in both color and black white. It showcases a unique perspective on various popular sites of historical and sociological significance. In some cases, the images underscore rarely-discussed issues evolving around racial tensions and the so-called wealth divide.
OWENS-THOMAS HOUSE IN SAVANNAH, GEORGIA
It is prized today by historians and tourists as a prime example of an urban antebellum structure where slave quarters remain intact behind the main building.
At a time (the 2010s) when large numbers of Savannah's indigenous African-American population are falling prey to gentrification, the elegant mansion is also an important reminder of how far they have come since the American Civil War.
EUGENE TALMADGE MEMORIAL BRIDGE THE MORNING AFTER HURRICANE MATTHEW
The photographic image seen here was taken Oct 8, 2016, the morning after Hurricane Matthew swept through the area. The seagull silhouetted near center foreground atop a post held still just long enough for this shot be taken and then flew off.
This is dedicated in memory of the late photographer Jack Leigh, who was a native of Savannah and a master of black and white photography.
THE HURRICANE AND THE CONFEDERATE MONUMENTS
The park was the location of an important campground during the American Civil War. That historical footnote is commemorated by the tall fenced-in Confederate Monument framed by the clearing sky, and the smaller bust of Confederate Army Major General Lafayette Laws.
The abundance of monuments documenting history considered important to Southern Whites in contrast to the paucity of such monuments acknowledging the city's large African-American population's accomplishments has long been a source of political and social contention.
Aberjhani
Artist-Author Aberjhani
Award-winning author and artist acclaimed for works in multiple creative genres.
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