Two new releases by Postered Chromatic Poetics creator Aberjhani made their debut on Pixels.com and at Fine Art America as part of May's ELEMENTAL Month celebration, a third work of art posted June 14, and three more are scheduled for release June 18. The new releases along with the artist's entire online catalogue are now offered at 25% off with the use of Discount Code EXLTBU until July, 4, 2018, as part the Summer 2018 "Blossoms of Nonviolent Conflict Resolution" event.
The event takes its name, "Blossoms of Nonviolent Conflict Resolution," from one of the new works slated for release June 18. The works released in May plus previews of those scheduled to go on sale next week show the author-poet-artist moving in some new directions with visual explorations of night-time urbanscapes, family life, and possibly most surprisingly a trio of abstract works.
Breaking New Creative Ground
The page description for the digital painting titled "Flowers and Wings for Her Tears and Years" states that it is a homage to caregivers. On his Facebook profile, the artist shared that the image was "modeled after a series of pictures taken by my friend, photographer and catalyst-counselor John Zeuli, an uncommonly beautiful soul who did me the honor of photographing me for a gallery of works featuring fellow poet Coleman Barks (celebrated foremost interpreter of works by Jalal al-Din Rumi) and others."
His night-time urbanscape, titled "Moon on Fire over Downtown Savannah" represents a departure from previous depictions of the historic city while further verifying the uncanny mystique that draws millions of tourists to it every year. (The current National Beta Club Convention being held in Savannah is only one example.)
Art and the Quest for Social Justice
The mixed media digital painting "Of Time and the Savannah River Bridge" is an obvious type of departure in terms of the style employed. But it also shows the artist expanding his public commentary via art –as he did with the popular print “Savannah River Bridge the Morning After Hurricane Matthew No. 2”--on the controversial name of the Eugene Talmadge Memorial Bridge. The text for his collection of bridge images reads as follows:
"There is no ignoring the many social justice calls for renaming the Eugene Talmadge Memorial Bridge so its nomenclature better reflects our changing more inclusive modern times. A lot of dedicated mindful people are working hard to make that happen. But that doesn't mean we have to wait to celebrate the aesthetic triumph and majestic beauty of the bridge itself."
Other than the image after which the summer 2018 event has been named, the new trio of abstract canvases has not been made available for previews. The artist, however, proposed, "To me they're like painted prayers offered on behalf of all those millions of people in the world today so desperately on the run from one country to another, or one history to another, trying to save their own lives and the lives of people they love. I’m also reminded of the too-many victims of gun violence in schools and homes. Our fellow human beings endure so much horror and yet through their faith and courage and sometimes triumphs, they gift us with amazing inspiring beauty."
A number of the new images already unveiled have featured on the front pages of several groups at Fine Art America, including: Beauty in Art, Contemporary, Social Justice Awareness and Unity, and Digital Art.
--Bright Skylark Press Release
The word accountable has a friendlier ring to it when applied to someone other than oneself. Used in a statement such as, “Today I will hold myself accountable for making a positive difference in the world,” it feels more nakedly ominous than courageous or inspiring.
Simply put, it means acceptance of responsibility for a specific action or desired outcome. That can be a good or bad thing depending on motives and results involved. In the example at hand, the motive is pursuit of social justice and the desired result is a long-sought correction of history.
400 Girl Scouts and House Resolution 1054
The concept of accountability has my full attention at present because of the admirable way some 400 Girl Scouts made their way to the Georgia State capital to urge lawmakers to remove the late white supremacist Eugene Talmadge’s name from the impressive bridge spanning the Savannah River between the city and Hutchison Island, and replace it with that of their founder: Juliette Gordon Low. With the scouts symbolically and strategically at this side, Rep. Ron Stephens (R-GA) on February 6, 2018, introduced House Resolution 1054: “A RESOLUTION honoring the life of Ms. Juliette Gordon Low and dedicating a bridge in her memory; and for other purposes.”
Joining Stephens, a republican, on the bill’s sponsorship were five democrats: Rep. Gloria Frazier, Rep. Carl Gilliard, Rep. Mickey Stephens, Rep. Al Williams, and Rep. Teri Anulewicz.
The Girl Scouts’ highly-commendable move won them much applause across the nation. It also prompted questions concerning why African-American leaders and community members in Savannah and throughout Georgia have done so little to protest the current name of the bridge or have it changed. Why, for example, in a city famous for its majority-black population, was the African-American presence in the audience at the historic Symposium to Rename the Talmadge Bridge held at the Savannah Theater on September 5, 2017, so overwhelmingly under-represented? As in clearly, visibly, a lot less than half the attendees?