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American Dream Meets Black Reality in Johnson's 'From “N Word” to Mr. Mayor'

5/6/2019

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Picture
To fully appreciate reading former Savannah mayor Otis S. Johnson's From 'N Word' to Mr. Mayor, Experiencing the American Dream, you might want to note some important clues he shares at the book's beginning. The first is his identification of himself as a "scholar activist." Take that for exactly what it sounds like: he has long been devoted to the cultivation of knowledge within himself and others, as well as to the reversal of heinous social and political injustices.
​
A second shared hint is his struggle over whether to spell out the word "nigger" in this book's title or employ the more politically-accepted abbreviation. Following his publisher's suggestion, he chose the latter but felt the original more "symbolic of my struggle as a black male in American society." With that in mind, the book in general, he states, "documents my struggle to achieve the American Dream while having to confront the vicissitudes of being black in a racist society" (p. 11) 

A Timeline of Powerful History

PictureFrom 'N Word' to Mr. Mayor, Experiencing the American Dream autobiography by Dr. Otis S. Johnson.
The above words may sound, to some, like little more than sensationalistic jargon employed to grab attention. It would be more accurate to describe them as precise when considering Johnson was born in 1942 and, from the beginning until the present era, his experience of the American dream has unfolded along a timeline of powerful history-shaping events on personal, national, and international levels.

For its precisely-balanced combination of social history and personal memoir, Johnson's book under any title is one of the most valuable written in recent years by an African-American man, and one of the most important for any time by a native of Savannah, Georgia. Being the former dean of Savannah State University's College of Liberal Arts and Social Sciences, and current Scholar in Residence and Professor Emeritus that he is, Dr. Johnson's text often reflects the language of his intellectual leanings. That allows him to place his life and his times within an analytical context similar to important works by some of his scholarly heroes, like Harlem Renaissance strategist W.E.B. Du Bois and political scientist Hanes Walton Jr. 
​
Yet, at the same time, he is a very down-to-earth writer who engages readers with stories of his family's Gullah culture heritage, what it meant to lose his father at an early age, learning about racism for the first time, falling in love and getting his heart broken, discovering the world as a young sailor, and confronting the challenges of leadership within a demographically-evolving community. 

Anti-racism Activism

The city of Savannah and the state of Georgia as Johnson experienced them while growing into maturity during the 1960s were much like America at that time as a whole.  African Americans with many White Americans alongside them were calling for an end to Jim Crow apartheid and battling against the system by staging public sit-ins, conducting protest marches, and targeting racial barriers ripe for breaking.
​
Of his position in this history, Johnson writes, "My life has been full of being in places where I shocked non-blacks with my presence" (p. 88). One such place was on the campus of Armstrong State College (now Atlantic University) where in 1963 he famously became the first African American to enroll in the school. Another was the campus of the University of Georgia, Athens, where he was the first Black from Savannah to attend that institution. At UGA, he walked out of one class after a white professor discussing the U.S. Supreme Court's landmark Brown vs. Board of Education decision proclaimed the only reason African-Americans wanted to integrate schools in Georgia was to marry white women. 
Art Prints
Most of the kind of anti-racism activism Johnson chronicles is to be expected given the time-frame. In his chronicling, however, he provides important snapshots of black leaders in Savannah, like Wesley Wallace "W.W." Law and Hosea Williams, in political action. But his reportage goes beyond the dynamics of blackness clashing with whiteness.
​
Through his account of how segregation laws prevented Whites from attending the historically black Savannah State College, founded some 45 years prior to the establishment of Armstrong (as a junior college) in 1935, he demonstrates how racism has caused grievous injury on both sides of the color line. It has also been extremely absurd when considering that in order for him to become the first African-American to integrate Armstrong in 1963 for sake of racial progress in the name of democracy, he had to switch from Savannah State's senior college program curriculum to Armstrong's junior college curriculum.  

Navigating Major Changes

Early in From 'N Word' to Mr. Mayor (2016, Donning Company Publishers) Johnson discusses three types of black leadership attributed to sociologist Daniel C. Thompson (author of Sociology of the Black Experience) and with which many readers of African-American literature are familiar: "...the Uncle Tom...racial diplomat...and race advocate" (p. 48). He places himself closer to the third category but more as a "human rights advocate" who believes the following: "'We are all God's children,' but I live in an institutional and structural racist society. 'Self-preservation is the first law of nature'" (p. 49).
​
By the time Dr. Johnson took office in 2004 as the sixty-fourth mayor of Savannah, and its second consecutive black mayor (after the late Floyd Adams), the city was well on its way to navigating major changes in its multicultural and economic make-up. His determination to meet that challenge at every level resulted in 2006 in a major heart attack experienced while attending the National Conference of Black Mayors in Memphis, Tennessee. Consequently, he writes, "How I approached the job of being mayor during the period before and the period after my heart attack were two very different periods" (p. 291).
As it pertained to his labors as mayor, Johnson's professed sense of racial "self-preservation" took a back seat to his role as a servant leader committed to advocating "for improving conditions that impact people of all races and classes" (p. 261). In the wake of the Great Recession that would create chaos in American cities during his second term, he worked with city council members to help Savannah avoid the kind of disastrous lay-offs and cancellation of services which occurred in cities like Atlanta and Camden. As he points out:

"In 2011, we were still in the greatest economic downturn since the Great Depression. We had to find a way to continue providing all of the services to citizens with about $8 million less than we had in 2010...while the 2011 budget was extremely difficult, it was balanced with minimal impact to our citizens and without an increase in property taxes. That was due to strong leadership, clear priorities, and tough resolve by this council, which chose not to spend wildly when times were good" (p. 325).

Candidates lining up for the 2020 presidential race in America could take a few helpful lessons from this former mayor's playbook. One might be committing to running a campaign based on proven abilities and a strategic comprehensive vision rather than one based on negative personal attacks. In fact, though he won his first election to mayor before former U.S. President Barack H. Obama won his first election to the White House, their campaign styles bore striking similarities. (The president and mayor met when Mr. Obama visited Savannah in 2010.)   

Conclusion

At times, From 'N Word' to Mr. Mayor reads a bit too much like a college paper, or lecture, as Johnson parenthetically informs readers where he will continue the thread of a particular subject or on which page he has already discussed it. This is easy enough to overlook, and even smile about, when remembering these pages are coming to us from a master scholar at whose literary feet we are fortunate indeed to sit and learn as much as possible. 
​
Aberjhani
Author of Dreams of the Immortal City Savannah
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Text and Meaning in Dick Gregory’s ‘Nigger’ part 2: Unyielding Commitment

10/12/2017

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Picture
Dick and Lillian Gregory giving a press conference in Chicago in 1967. (AP photograph by Charles Knoblock courtesy of Ebony Magazine)

To read part 1 of this article please CLICK HERE. Part 2 begins now:
​One measure of Dick Gregory’s commitment to eradicating the blight of racial injustice from America’s potential democratic paradise was a marked willingness to risk nearly everything he valued in pursuit of it. Prospective employers and audiences alike could easily turn their backs on a comedian specializing in his brand of in-your-face political satire, not to mention “blackball” someone increasingly identified with freedom marchers.

​In fact, the political component expressed in the pages of Nigger was not something in which publisher E.P Dutton, according to Gregory, was interested at all. As explained in conversation with the late Dr. Marable Manning (1950-2011, author of the biography Malcolm X, A Life of Reinvention) just before receiving the Hung Tao Choy Mei Leadership Institute's 2006 Paul Robeson "Here I Stand" award, the publisher expected the comic to deliver a manuscript  showcasing his ethnic “wit and wisdom” with minimal focus on the racial realities of the time. What they wanted, essentially, was a joke book which left no room for expansions of consciousness.
However, having already received an advance of $200,000 for the proposed work, Gregory opted to partner with white author Robert Lipsyte to produce a book which could simultaneously: 1) help raise people’s awareness about the effects of racial disparity in the United States; 2) share humor based on the human condition as he lived it; and 3) inspire participation in the Civil Rights Movement. This unexpected gamble at first stunned both the publisher and the public but ultimately yielded across-the-board rewards for all stakeholders involved.     

Partners in the Struggle

Further evidence of the humanitarian’s unyielding commitment came early on when he insisted on sharing his battle for civil and human rights with his beloved wife, Lillian. Living with that decision proved difficult more than once. As her husband, for example, struggled to observe principles of nonviolent conflict resolution while policemen in the South spat in his face and white supremacists tossed a grenade into a church where he gathered with other activists, Lillian found herself alone when their infant son, Richard Jr., died.
​
​Sometime later, she took Gregory’s place on the front lines of a protest in Selma, Alabama. There, she was arrested and spent a week in jail while pregnant with twins. 
Over the years, as their family continued to grow and racial oppression remained a deadly reality, the activist-entertainer made it clear to his children that their personal time and enjoyments as a family would have to come second to the demands of “the movement.” It was the same kind of bitter, but possibly unavoidable, pill of historical destiny which the children of other iconic leaders (again, consider King and Malcolm X) had to swallow.  

Prophetic Inclinations

People who laughed at Gregory’s famously racially-tinged monologues, as well as protesters who marched alongside him at various rallies around the country (through the South, yes, but also in Chicago, Washington, DC, and elsewhere) recognized within his personality characteristics associated with prophets.

​That specific aspect of his demeanor is particularly noticeable in chapter seven of Nigger . The section contains a transcript of his response to a startling discovery. Preparing to address activists gathered in a church in Selma to coordinate the registration of Black voters, Gregory observed that the front row of the church had been “filled that night with policemen pretending to be newspaper reporters and taking notes” (p. 200). Rather than becoming dismayed or frightened, he used this development to address the infiltrators directly: 
“…What do you think would happen to Christ tonight if He arrived in this town a black man and wanted to register to vote on Monday? What do you think would happen? Would you be there? You would? Then how come you’re not out there with these kids, because He said that whatever happens to the least, happens to us all… Let’s analyze the situation…” (p. 202).
Picture
Dick Gregory with the late John Lennon and Yoko Ono. (photograph from Yoko Ono as shared via Twitter in honor of Gregory after his passing)


​Getting Stronger

​In his determination to help America become as great as he believed it was/is meant to become, Gregory touched so many people’s lives at different stages of his own that his voice and influence––like those of athlete Muhammad Ali (1942-2016), author James Baldwin (1924-1987) and Civil Rights icon Rosa Parks (1913-2005) are likely to increase rather than decrease as the 21st century unfolds. In addition, he often pointed out that he was only one of movement’s numerous foot-soldiers and, in truth many, like Congressman John Lewis and educator Angela Davis, are still standing strong and lend validity to Gregory’s contention as directed to the spirit of his mother: 
“Those of us who weren’t destroyed got stronger, got calluses on our souls. And now we’re ready to change a system, a system where a white man can destroy a black man with a single word. Nigger… When we’re through, Momma, there won’t be any niggers any more” (p. 209).

​Although it appeared America had reached a kind of final goal when former POTUS Barack Obama occupied the White House for eight years, Gregory knew we had not. He nevertheless retained faith in the American people’s ability to one day achieve such a goal.Sitting on the sidelines and dreaming or complaining about it could never be enough to make it happen. An accomplishment of that magnitude would require––as demonstrated by his own amazing life example––an unwavering dedication combined with a willingness to make sometimes painful sacrifices, and, a sustained belief that ultimately the benefits of the long hard struggle will come to outweigh all untold anguish endured. 

About the Author

On any given day of the week, the creator of Postered Chromatic Poetics and co-author of Encyclopedia of the Harlem Renaissance, Aberjhani, may be found wearing any number of hats descriptive of multiple pursuits: historian, visual artist, poet, advocate for compassion, novelist, journalist, photographer, and editor. Having recently completed a book of creative nonfiction on his hometown of Savannah, Georgia (USA) he is currently working on a play about the implications of generational legacies as symbolized by efforts to rename the Eugene Talmadge Memorial Bridge.

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    • A Writer's Journey to Selma, Alabama
    • Justice Remains Elusive in Case of Newly-freed Louis C. Taylor (Part 1 of 2)
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