Bright Skylark Literary Productions
  • Bright Skylark Literary Productions Sitemap
  • Author Statement
    • Blog: Visionary Vibes >
      • Aberjhani - Author Biography
      • Bright Skylark News Notes
      • Blog: Cultural Arts Reviews and Remembrances
      • Blog: Sonic Delight Music Reviews >
        • Summer-Song Rhapsody for Michael Jackson: Editorial with Poem
      • Shifting Points of View and the Massacre in Charleston, South Carolina (USA) >
        • Author-Poet Aberjhani in the News
      • 7 Ways to Help Replace Legislated Fear with Informed Compassion
    • Greeting Flannery O'Connor at the Back Door of My Mind >
      • Tribute to Savannah Author Robert T.S. Mickles Sr.
    • Dreams of the Immortal City Savannah >
      • Podcast Prospects 504
      • More Books by Aberjhani >
        • Readers & Reviewers on the Writings of Aberjhani
        • Checking in at Goodreads
        • Editing Credits
        • ELEMENTAL: The Power of Illuminated Love (Art and Poetry Gift Book)
        • The River of Winged Dreams
        • The Wisdom of W.E.B. Du Bois
        • Songs from the Black Skylark zPed Music Player: A Novel by Aberjhani
        • I Made My Boy Out of Poetry
        • Journey through the Power of the Rainbow: Quotations from a Life Made Out of Poetry
        • Buy Books by Aberjhani on Amazon
        • 10th Anniversary of Encyclopedia of the Harlem Renaissance
  • AI Literary Chat Salon
  • Carousel of Sustainable Compassion
  • Working Scribe Carousel Number 2
    • Awards & Honors
    • My LinkedIn Portfolio Sampler
    • Pop Icon Michael Jackson in Life & Legend
    • Creative Thinkers International
  • Art and Poster Store
    • Blog: Silk-Featherbrush Art and Style
    • Postered Poetics
    • Your Introduction to Original Silk-Featherbrush Art & Style
  • Choose a Cultural Arts Heritage Project to Support
  • Working Scribe Image Carousel 2
  • About Bright Skylark Literary Productions
    • Bright Skylark Values and Motto
  • Famous Quotes of Note
    • Pinterest Page of Quotations
  • Charter for a More Compassionate World
  • As a Poet Thinketh: Poetry by Aberjhani
    • The Bridge of Silver Wings
    • Rainbow-Song for the Angel of Tao by Aberjhani
    • Ode to the Good Black Boots that Served My Soul So Well (poem by Aberjhani)
    • Angel of Remembrance: Candles for September 11, 2001
    • Rainbow-Song for the Angel of Tao: Verse 1
  • Articles and Essays
    • Abbreviated Minds in the News for Wreaking Havoc Worldwide editorial by Aberjhani
    • Iconic Authors Toni Morrison's and Harper Lee's New Works Likely to Influence Dialogues on Race
    • Red Summer: Text and Meaning in Claude McKay’s poem ‘If We Must Die’” part 1 of special 4-part series by Aberjhani
    • A Writer's Journey to Selma, Alabama
    • Justice Remains Elusive in Case of Newly-freed Louis C. Taylor (Part 1 of 2)
    • Sensualized Transcendence: Editorial and Poem on the Art of Jaanika Talts (Part 1)
    • Realms of Emerging Light (Sensualized Transcendence Editorial and Poem on the Art of Jaanika Talts Part 2)
    • Notes on the 150th Anniversary of the Emancipation Proclamation
    • Why Race Mattered in Barack Obama's Re-Election: Editorial and Poem
    • Posted Perspectives on America's 2012 Presidential Election
    • 47 Percenters and Guerrilla Decontextualization: Dreamers and Nightmares
    • Considering Michael Clarke Duncan: Big Black Man Within A Nonsociopoliticohistorical Context (Editorial with Poem)
  • Video Pen & Ink
  • Links and Connections
    • Aberjhani's Guerrilla Decontextualization
  • Contact the Author
  • Working Scribe Image Carousel 2
  • Working Scribe Image Carousel 2
  • Bright Skylark LP Storefront

Literary & Cultural arts Persuasions: 
Reviews & Remembrances by Aberjhani

Exploring the stylistic texts, images, and provocative meanings
of contemporary & classic cultural arts.

Main Page

A Grandmother’s Gift: Juneteenth and the Novels of Robert T.S. Mickles Sr. (part 1)

6/4/2022

0 Comments

 
Picture
("Hands Reaching out for Freedom and Justice" Postered Chromatic Poetics for Aberjhani's Bright Skylark Literary Productions 2022)
​President Joseph R. Biden, Jr., declared Juneteenth a  federal holiday in celebration of the official end of legalized slavery in the United States of America on June 18, 2021. More than a decade before that momentous event, the late author Robert T.S. Mickles, Sr. (1953-2021) published the novel Blood  Kin, A Savannah Story. Mickles’ novel takes readers inside the painful ambiguities of slavery as his ancestors, some of whom were slaves, and some of whom were slave traders, experienced them.  The following foreword from Blood Kin is the first of two statements scheduled to acknowledge Mickles’ enduing literary legacy, and, in observance of Juneteenth 2022.

Foreword to Blood Kin, A Savannah Story

As this book goes into publication (2007), the city of Savannah is involved in the process of reinterpreting the significance, artifacts, and impact of slavery that was practiced here during the 1700s and 1800s. This reinterpretation is not so much
about dredging up the pains and shames of an inglorious past as it is about setting straight the historical record of people who lived daily through “the peculiar institution of slavery.” As much as facts tell us about specific events and practices in history, they rarely give us the full story of the human hearts beating in the shadows of those events.
Blood Kin is a story of those human hearts as told by Robert T.S. Mickles, Sr.,
great-grandson of former slaves on his father’s side of his family and a descendant of Portuguese slave traders on his mother’s side. Born in Savannah, Georgia, in 1953, Mickles moved with his family to Washington D.C. just three years later. Growing up in Washington, he knew nothing about his deeper southern roots. That changed when he turned thirteen years old and his mother sent him back to Savannah to live with his father in the city’s historic community of Sandfly.
 
In Savannah, his grandmother, Mrs. Beulah Tremble, told him stories of what
life had been like for slaves in the region. Having been born in 1888, first-hand
accounts of slavery were typical subjects of conversation while she grew up herself. She kept and shared the knowledge passed on to her until her death at the age of 100 in 1988. Mickles recalls that many of her stories were about harsh
times, but a lot were about days of memorable joy. In addition to his grandmother, many others shared their stories with Mickles throughout his teen years, entrusting to him a rare treasury of valuable folk history.
Picture
With the legacy of his grandmother’s stories and his community’s history,
Mickles stepped behind Savannah’s fabled “moss curtain” to reveal an original literary vision of human beings discovering their deepest humanity in the midst of war, racial oppression, individual fear, and individual hope. 
Although Savannah for a period was a major location for the import and sale of slaves, Mickles shows how it was also a place where the line between those who were “free” and those who were enslaved was sometimes a bit more relaxed than in many rural areas of the South. This is not to say that the author excuses an institution ultimately responsible for the death of untold millions, or that he views slavery through proverbial rose-colored glasses. It is, however, to say that he is willing to examine the cracks and crevices of history in order to tell a story others might not be willing—or even able, for that matter—to tell. It is the story of how Blacks and Whites stumbled across the dividing lines of race and slavery only to discover that each was as flawed, needy, and human as the other.
 
Above all, Mickles provides us with an insightful novel of how our sense of
humanity preserves itself when assaulted with the degradation of denial, shame,
and physical brutality. His Blood Kin is a story that retrieves dignity from the
trash pile of disgrace and restores it to a place of honor and value. It is one with
which many can identify and which, quite possibly, all should embrace.

Aberjhani
Author of Dreams of the Immortal City Savannah
Co-author of Encyclopedia of the Harlem Renaissance
Creator of Authentic Silk-Featherbrush Artstyle


    Contact Aberjhani at Bright Skylark Literary Productions 

Submit
0 Comments

Revisiting Ben Okri’s 'The Famished Road'

11/29/2021

0 Comments

 
Picture
(Art detail from “Surprise Endings & Unexpected Beginnings” by Aberjhani ©2021)

Introductory Note
Many Americans may remain unfamiliar with the Nigerian-born author Ben Okri, who now makes his home in England, but his global reading audience continues to grow even as he continues to publish commanding works in different genres. It helps as well that newspapers like The Guardian are willing to make their platform available to him and a number of universities have elected to bestow honorable doctorates upon him.

As pointed out in Conversations with the World Ben Okri’s Existential Call to Creative Arms, this review of the author’s The Famished Road was previously published in the former Savannah College of Art and Design’s (SCAD) weekly newspaper known as The Georgia Guardian and in my former AXS African-American Cultural Arts column. It is presented now as part of my response to Okri’s statement regarding the construction of an “existential creativity” to combat climate change denial and inspire works of visionary transformation.

A Writer’s Journey Begins

Readers began to track Okri’s literary oeuvre with the publication of his first novel, Flowers and Shadows in 1980, and he kept their attention after publishing The Landscapes Within in 1981. However, it was The Famished Road , published ten years later in 1991, that won Okri the much-coveted Booker Prize for Fiction and placed him on the same literary A-list as such world-class talents as Salman Rushdie, Toni Morrison , Alice Walker, and Cormac McCarthy. 

The Famished Road is exceptional in its treatment of fiction as a study of both history and prophecy. Through the eyes of Okri’s child-hero, Azaro (an abbreviation of Lazarus) readers enter an African community coming to terms with that crossroads known as change.
Azaro is an abiku, or “spirit-child” who has a keen eye for both the natural and the supernatural. Or, as the author put it: “The spirit-child is an unwilling adventurer into chaos and sunlight, into the dreams of the living and the dead… They all yearn to make of themselves a beautiful sacrifice, a difficult sacrifice, to bring transformation, and to die shedding light within this life… I was a spirit-child rebelling against the spirits, wanting to live the earth’s life and contradictions.”

Moreover, like another boy-hero in the famed Calvin san Hobbes comic strip, he’s prone to wandering roads of the imagination which constantly lead him in body, mind, and spirit away from the safety of his parents’ protection. Although a child, Azaro’s dilemma is one easily worthy of any of Shakespeare’s great characters. His struggle to resist the pull of spirits who would lead him back into their world is equal to his battle against the more material forces of poverty, disease, and corruption. Never-ending hunger (for food as well as peace), crooked politicians handing out poisoned milk, frozen-hearted landlords and old men prone to evil make Azaro’s grip on physical reality at best, tenuous. 
In his love for his mother, Azaro finds reason enough to remain in the material world, though it‘s often painful to witness and endure her laments: “A woman suffers, a woman sweats, with no rest, no happiness… This life is too much for me.”

His father is a fighter whose battles force him to the brink of death, but who ultimately triumphs in body and spirit.  He coaxes his son back from realms of death by singing to him visions of life: “I see great happiness in our future… I see gold in your eyes. Your flesh glitters with the dust of diamonds. I see your mother as the most beautiful woman in the world.”

A Heady Fictional Brew

History, mythology, and social realism blend in The Famished Road to create a very heady fictional brew. By providing a portrait of his homeland during an era when oil lamps were just beginning to give way to electricity and cars beginning to claim the road over bicycles, Okri created a parable on change relevant not only to Africa but to the world at large.

His work poses very serious questions for the twenty-first century. Among them: To what extent will we allow the indefinable dynamics of something called “destiny” to maintain grief and horror in the world? How hard are human beings willing to fight to achieve and sustain justice, equanimity, or joy? And should progress be called such when it devours what is best within the human spirit?

Okri’s prose is sometimes indistinguishable from poetry and the fact that he strikes a masterful balance between the two for a full 500 pages is a small miracle of aesthetic creativity. Readers discovering his work for the first time are often astonished at the skill with which that poetic perspective flows between the material and the spiritual. In an interview for the Current Authors book series, Okri once explained that in Nigeria:

“This is just the way the world is seen… the ancestors are still part of the living community and there are innumerable gradations of reality, and so on. It’s quite simple and straightforward… a kind of realism, but a realism with many more dimensions.”


Well-earned Honors

The Famished Road marked the beginning of a trilogy that continued with Songs of Enchantment in 1993 and concluded with Infinite Riches in 1998. The novel continues to stand out among reading audiences for reasons beyond the fact that it is an exceptionally good read. It also commands distinction because it represents a kind of inspired quality of literary fiction needed in the twenty-first century to help encourage members of different cultures to try to greet each other in the name of peace and civility rather than automatically attack one another in the name of war or terrorism.

In addition to the aforementioned Booker Prize, Okri has been the recipient of numerous other honors, including Italy’s Premio Palmi and the vice presidency of the English Centre of International PEN. He has also received, as of last count, some 7 Honorary Doctorates in recognition of his contributions to modern literature from such education institutions as England’s University of Essex and Nelson Mandela University in South Africa.

by Aberjhani
author of Songs of the Black Skylark zPed Music Player

and Greeting Flannery O’Connor at the Back Door of My Mind

MORE LITERARY ESSAYS BY ABERJHANI
  • Rediscovering the Writings of Kahlil Gibran in the Age of COVID-19
  • Letter to James Baldwin (in lieu of a ‘Letter to Barack Obama’)
  • ‘Talks Between My Pen and Muse’ an Inspired Literary Debut from Poet Aurie Cole
  • Reading Rumi after 9/11 and again at the end of the War in Afghanistan Part 1
  • Reading Rumi after 9/11 and again at the end of the War in Afghanistan Part 2
  • Red Summer: Text and Meaning in Claude McKay's poem 'If We Must Die' Pt. 1

    Contact the Author

Submit
0 Comments

Reading Rumi after 9/11 and again at the end of the War in Afghanistan (part 2)

9/23/2021

0 Comments

 
Picture
(“Singing Poems All Day and Night” title artwork by Aberjhani ©2021)
EDITORIAL NOTE: The essay below was first published in 2007. Along with part 1 of this 2-part post, and a new art series dedicated to the children of Afghanistan, this updated text is presented as part of a series of reflections on the potential impact of Jelaluddin Rumi’s powerful legacy upon the region of his birth and those who have fled it. (If you missed part 1 you can read it by clicking here.) 
“The lovers crawl in and out of your alley,
They bathe in drips of blood; and not finding you, they give up and leave.
I am forever stationed at your door like the earth,
While others come and go like the wind.”

     ––(Although attributed in the book Rending the Veil by Shahram T. Shiva, to Rumi, p. 91, some scholars believe the above was composed by an earlier poet.)

​I first fell in love with the poetry of Jelaluddin Rumi while working as a bookseller (as discussed in Greeting Flannery O’Connor at the Back Door of My Mind). That was when the unparalleled lyrical grace, philosophical brilliance, and spiritual daring of his work took me completely by surprise. The impact of its soulful beauty and the depth of its profound humanity were so intense they prompted me to spontaneously compose poetry without being aware I was doing so––until later reading the compositions in my notebook and wondering how they got there.
 
Writing without realizing I had been writing was no small matter to me, so I wrote Coleman Barks, one of the renowned translators/interpreters of Rumi’s work, to ask what he thought about it. Barks was kind enough to telephone me and said he was aware of many instances where people with a deep passion for Rumi’s work found themselves spontaneously composing, reciting, or singing poetry. 

​That knowledge, coming from the man whose celebrated “versions” of “Maulana’s” writings helped make Rumi a bestselling poet in the United States, made me feel better about my own experience. It also forever defined the sense of blessed enchantment I’ve come to associate with all things related to Rumi. Consequently, I couldn’t help expecting and yearning for some semblance of that enchantment as I read the novel A MOTH TO THE FLAME, THE LIFE OF THE SUFI POET RUMI, by Ph.D. Connie Zweig.

​The Beginning of an Extraordinary Life

From the first page to the last, there is much to admire in Zweig’s amazing recreation of the places, people, and events that shaped the life and work of Rumi. The author skillfully brings to life the everyday colors, activities, and diverse religious customs of the Middle East in the thirteenth century. She also––having been for many years a student of Hinduism, Buddhism, and Sufism––proves more than a little adept at describing various states of psychological and spiritual consciousness.

A Moth to the Flame begins as Rumi’s father, the spiritual leader Bahaoddin Velad, is dying. The future author of the massive and now classic book of world literature, the Mathnawi (or Masnavi) is left to face life alone in Konya, where threats of war and invasion increase daily. As Rumi takes on the mantle of leadership and enters into marriage and fatherhood, Zweig exercises her privilege as author to make readers privy to his thoughts and most intimate moments. 

​Those who prefer their spiritual heroes presented in their basic humanity may nod approvingly at the portrayal of Rumi’s consummation of his two marriages while those who empower the grace of their own spirituality with that gleaned from his may feel differently (reviewers on different platforms since the book’s publication in 2006 have demonstrated as much). In one sense, these brief scenes––in which Rumi experiences both disappointment and erotic intoxication––appear crucial to illustrating the contrast between the nature of carnal desire and the elevated spiritual consciousness towards which Rumi was evolving. In another, they do not, and become even more questionable when the sexual focus is placed on his wife Kira’s fantasies regarding her mystically preoccupied husband.

A Sacred Friendship

​It is difficult sometimes to determine whether A Moth to the Flame is intended as a celebration of Rumi’s life, as a feminist critique of it, or simply a balanced account presented in the form of fiction. Much of the book’s substance is a matter of historical record while much of it is a matter of interpretation of that record.
 
By nearly every account, the Rumi now famed for his boundless defense and espousal of life as a manifestation of divine love would be unknown to the world had it not been for a spiritual transformation triggered by his meeting, and subsequent friendship with, the wandering dervish known as Shams of Tabriz. That fact is a dominant theme in A Moth to the Flame as well. But it is often difficult to understand exactly why or how this is so when the overwhelming impression of both Rumi and Shams in these pages is that of two men whose esoteric obsessions caused devastating––even fatal––psychological harm to those who loved them, particularly the women in their lives.
​Consequently, we note with stunned sorrow the forced marriage of Rumi’s young daughter Kimiya to the much older Shams; and the painful desire-filled loneliness that Rumi’s wife Kira suffers while her husband engages, seemingly to the exclusion of everything else, in sacred conversations with Shams. Readers even find themselves empathizing with Rumi’s son Aloeddin’s stinging sense of rejection when his relationship with his father appears to be obliterated by the presence of Shams in their lives. Eventually that rejection leads to Shams’ murder.
​As plausible as these scenarios may be, they leave the reader wondering about the majesty of that Shams who was described as “one of the poles of the age,” and who was not only resented and feared as he is in A Moth to the Flame, but who was adored for his love and knowledge of God. Likewise, the novel gives us a true enough account of Shams’ initial departure from Konya after first meeting Rumi, but says nothing of the legendary celebration during which people in the streets spontaneously recited and sang poetry upon his return. We learn instead about guards who are executed because they lied about having killed Shams. The degree to which Zweig’s work as a Jungian therapist and an explorer of “the shadow side of spiritual and religious life” influenced the substance of her narrative is worth readers’ consideration.

​A Nation of Lovers

Possibly the most inspiring scene in A Moth to the Flame comes at the end when, once again, Mongols and crusaders threaten to conquer Konya. Rumi, after a lifetime of devotion and sacrifice, experiences this revelation: “I am a lover of God, and those who follow me, Muslims, Christians, or Jews, we are a nation of lovers. Our religions divide us, but our yearning for God, our himma, unites us, whether we are Muslims longing to join Allah, Christians longing to be embraced by Christ, or Jews yearning for the Messiah.”
 
He decides to “make jihad in my own way,” which means standing, like Moses, rooted unshakably in his faith and watching as Divinity literally fights and wins his battles for him. One does not need to be a U.N. ambassador or professor of religious studies to note the importance of Rumi’s understanding and application of the concept of jihad. For him, it meant battling the “nafs,” or weaker worldly qualities within oneself in order to achieve a greater sense of unity and co-creativity with Divinity as opposed to launching a supposed “holy war” against those who do not share one’s religious beliefs.
Achieving this divine union relegated all else to secondary importance. This point is significant not only for those duped into believing that blowing up themselves and others is the ultimate act of faith. It is also important for those readers who, following the devastations of September 11, 2001, needlessly questioned their passion for writings by Rumi. Among the stronger aspects of Zweig’s novel is its demonstration that Rumi’s literary and spiritual voice is one which champions unity through love over domination through coercion.

​In Conclusion

​Despite any criticisms offered above, just as it states on the book’s back cover, A Moth to the Flame is clearly presented “in the tradition of Siddhartha and The Last Temptation of Christ” as “a mythic story of the human soul.” This distinction is necessary because while the book is categorized as fiction, the subtitle reads “The Life of the Sufi Poet Rumi,” which could lead some to interpret it as historical biography. The more accomplished volume along those lines remains Franklin D. Lewis’ Rumi, Past and Present, East and West, the Life, Teachings and Poetry of Jalâl al-Din Rumi (though Brad Gooch’s Rumi’s Secret: The Life of the Sufi Poet of Love is a popular volume some readers consider more accessible).
 
A Moth to the Flame does contain a very useful appendix timeline of events pertaining to Rumi’s life. Moreover, translations of Rumi’s poetry by Jonathan Star and Shahram Shiva, utilized throughout, help make the novel as a whole an exceptional work of literary art well worth reading and cherishing.

Aberjhani
©
814th Anniversary of the Birth of Jalal al-Din Mohammad Balkhi/Rumi

​Author of The River of Winged Dreams
and Greeting Flannery O'Connor at the Back Door of My Mind

    Contact the Author at Bright Skylark Literary Productions

Submit
0 Comments

Morneweg's Penthe & Alphonse an Impressive Collage of Linguistic Versatility

3/4/2019

0 Comments

 
Picture
Literary style and form play important supporting roles almost as captivatingly heroic as those of the title characters in Mark Morneweg's highly-innovative novel: Penthe & Alphonse. A reader casually thumbing through the book's pages might do a double-take over the word "novel" on the front cover and wonder if it should be poems instead. Yet a second quick run through the book's 99 pages would reveal it is in fact comprised of 135 brief chapters anywhere from two single lines to three or four pages long.

Having explored fusions of poetry and prose in works of my own with varying levels of success, I wondered how well Morneweg had met this challenge he issued to himself. Once I began reading in earnest, the chapters seemed to alternate like sequences in a film. They moved back and forth between flickering flashes of moments and extended scenes from the characters' private lives and America's public tragedy, also known as the Civil War. It soon became apparent the author has struck a masterful balance of historical detail, lyrical rhythm, and finely-nuanced emotional intensity.

The book begins with Alphonse's older sisters looking from a window down on him and Penthe, two former childhood playmates now entering adulthood, in a New Orleans courtyard reading poetry by Francois Villon. The delicate intimacy between them is apparent and alluring. But because he is categorized racially as white and she, in the language of 1800s American south, as a biracial "octoroon" (meaning "three quarters French and one black") their intense intimacy is also dangerous. In addition, despite racial categorizations, they are second cousins.

The kind of relationship Penthe and Alphonse had during childhood was not uncommon for the time, but most children were expected to "grow out of it" as they matured and retreat to their respective black and white demographic niches. Alphonse's and Pense's relationship, however, continues to develop through a series of circumstances along a more sensuous, humane, and uncompromising trajectory.      


​Distance Making Hearts Grow Fonder

When Penthe is sent off to a girl's school in Paris, we witness through an exchange of letters how their attachment to each other intensifies rather than diminishes. Most are from Penthe to Alphonse and a couple give us some of the longer passages in the entire book. This is an excerpt from one of Penthe's:
Alphonse,

Penthe in Paris--A letter from a sweet girl to her
beloved friend back home in New Orleans.
You know I am not sweet.
Ha!

They want us to practice writing in a foreign language, so
I am writing this in English. We are trilingual, you and
I, -- our native Creole, French, and English.
That makes us complex...


            Adieu,
            Penthe

​​One letter comes from Alphonse after Penthe writes him to confess she may allow herself to be seduced by a "knucklehead...strapling youth" with a reputation for introducing willing young women to sex. It is not the response either Pense or the reader might have expected:
Penthe,

I will not come to Paris to save you.
Are you just trying to be funny with all of your ha-ha's?
Justine is barely a passing fancy. I cannot see you
with a knucklehead.

I will want you any way you are--
​

            Je t'aime,
            Alphonse


​Exchanging letters becomes a practice on which they depend during several trials of separation. It is to the author's credit that he fashions this technique as deftly as he does into an already impressive collage of linguistic versatility.

Complications of Love, War, and Race

If Morneweg had relied on nothing more than Penthe & Alphonse's ever-increasing passion for each other to give shape and substance to his story he likely would have ended up with just a cleverly-styled romance novel (a noble enough genre in its own right). But like certain masters of epic works before him--consider Gabriel Garcia Marquez's Love in The Time of Cholera, Shakespeare's Romeo and Juliet, or Zora Neale Hurston's Their Eyes Were Watching God--he establishes a series of contexts which threaten love's chances of survival.

Racism directed against Penthe is something Alphonse makes clear he will not tolerate. When another man calls her "a part-nigger whore," he challenges him to a dual and manages to shoot him without killing him. At the same time, he suffers through moral ambivalence when it comes to fighting in the Civil War, demonstrating how complex the issues behind it truly were: "If the Yankees invade, I will fight them. I will fight, but I am not too thrilled. I will not be morbid in front of Penthe Anne." Such reasoning brings to mind the song by Sade: Love Is Stronger Than Pride.

From one minimalist chapter to the next, they love their way through war, two epidemics of Yellow Fever, race riots, the demands of grandchildren, and old age. Looking at a printed copy of Penthe & Alphonse, or even just the cover on a screen after reading the book, gives the feeling of staring at an optical illusion because Morneweg has managed, somehow, to deliver much more than what appearance promises. The range of time covered, scope and depth of emotions engaged, and intricacy of styles employed seem too much for the pages containing them. 


​What Geek Bookaholics Often Do

Morneweg, who died almost three years ago, was apparently of the class of authors whose relationship with literature was so unabashedly personal and organic that whether he dressed his text in hard blocks of layered prose or shimmering veils of poetry, it revealed meanings both hauntingly familiar and astonishingly new. What came burning through more clearly than anything else was an authentic original vision of literary possibilities and human values.

In the course of reading Penthe & Alphonse, I began to do what geek bookaholics often do when sensing that within their hands is not just a good book but a rare and beautiful kind of priceless mind. I began attempting to discern who the author's strongest literary influences had been. I could hear William Faulkner's spirit wandering between lines while meditating on the nature and traumas comprising the identity (or should we now say identities?) of the American south. But who were the others?
​
The answer came one day when I was discussing the title with a friend and she loaned me a copy of a booklet about one Mark Louis Morneweg published by El Portal Press. In it, he noted his passion for "Miss Emily [Dickinson]"along with deep appreciation for others who had also helped stir to action my own pen. Among them: Federico Garcia Lorca, Pablo Neruda, James Joyce, Shakespeare, Franz Kafka, Marcel Proust, and Albert Camus. 
Picture
Mark Louis Morneweg: December27, 1951 -July 9, 2016. (Image courtesy of El Portal Press @ http://www.elportalpress.com)

​He shared these words in regard to his approach to writing fiction: "Unplanned adventures in literature. An idea pops into your head and you go from there. Nothing structured or laid out beforehand. Just one word comes and you have an entire chapter to write and that is great..." (The only time I had ever allowed myself that kind of compositional freedom was while writing Christmas When Music Saved the World, later titled Songs from the Black Skylark zPed Music Player.)

Maybe even more importantly for the purposes of this essay, he told us this: "...I am a prose stylist with some amazingly short chapters. Some chapters that are poems. Prose poems." And added: "Penthe is about taking risks. Artistic risks. Passion..." The risk was one that paid off extremely well because ultimately Penthe & Alphonse succeeds as both an epic poem and an amazing novel.
​
Moreover, in addition to taking risks, it is also about what Lady Gaga refers to as the right to curate one's life as one sees fit. Along those same lines, Morneweg chose not to douse the flames of his startling creative literary inventiveness. He chose instead to feed the fire with boldness sufficient enough to increase its light and heat so others could gather around and savor the prize of unexpected beauty.

By Aberjhani
Harlem Renaissance Centennial
Co-author of Encyclopedia of the Harlem Renaissance  
​
Author of Greeting Flannery O'Connor at the Back Door of My Mind


    Contact the Author

Submit
0 Comments

    Archives

    November 2023
    June 2023
    February 2023
    December 2022
    June 2022
    February 2022
    November 2021
    September 2021
    April 2021
    March 2021
    December 2019
    November 2019
    June 2019
    May 2019
    March 2019
    January 2019
    October 2017
    July 2017
    August 2012

    Categories

    All
    1950s
    1960s
    2022 Russia Ukraine War
    20th Century Authors
    21st Century Artists
    21st Century Authors
    21st Century Poets
    Aberjhani
    Aberjhani Observance Of National Poetry Month
    Aberjhani On Aurie Cole
    Aberjhani On Brad Gooch
    Aberjhani On Chinese Famine
    Aberjhani On Dick Gregory
    Aberjhani On Duncan McNaughton
    Aberjhani On Eugene Talmadge
    Aberjhani On Flannery O'Connor
    Aberjhani On Immigration
    Aberjhani On Jean-Paul Sartre
    Aberjhani On Mao Zedong
    Aberjhani On Mark Morneweg
    Aberjhani On Maya Angelou
    Aberjhani On Otis S. Johnson
    Aberjhani On Paul Laurence Dunbar
    Aberjhani On PT Armstrong
    Aberjhani On Russia Ukraine Was
    Aberjhani On Savannah Georgia
    Aberjhani On Savannah-Georgia
    Aberjhani On Yang Jisheng
    Adapting Books For Film
    Africa
    African American Authors
    African-American Authors
    African-American Comics
    African American History Month
    African American Men
    African-American Men
    African Americans
    African Americans Abroad
    African Americans In Japan
    African Americans Living Outside America
    African American Writers In Savannah GA
    African Diaspora
    African Engineers
    African Writers
    AI Literary Chat Salon
    Alice Walker
    Amanda Gorman
    American Artists
    American Authors
    American Civil War
    American PEN Video
    Andrew Davidson
    Angel Art
    Angel Lore
    Angel Meme
    Angel Of War And The Year 2022
    Angelology
    Annie Cohen-Solal
    Antiracism
    Archangel Michael
    Art By Aberjhani
    Art By Christia Cummings-Slack
    Artist-Author Aberjhani
    Artist James Russell May
    Artist Marcus Kenney
    Asian Authors
    Audio Podcast
    Aurie Cole
    Author Brad Gooch
    Author Connie Zweig
    Author Franklin D. Lewis
    Author Interview
    Author Mark Morneweg
    Author Poet Aberjhani Official Site
    Author-Poet Aberjhani - Official Site
    Authors
    Authors From Savannah Georgia
    Ava DuVernay
    Benjamin Hollander
    Benjamin Van Clark Neighborhood
    Ben Okri
    Ben Okri Videos
    Best Interviews Of 2023
    Bill Berkson
    Biography
    Biracial Relationships
    Biracial Women
    Black History Month
    Black Men Who Write
    Black Movie Directors
    Black Women Authors
    Blogs By Aberjhani
    Booker Prize For Literature
    Booker Prize Winners
    Book Industry
    Book Publishing
    Book Reviews
    Book Reviews By Aberjhani
    Books
    Books About Rumi
    Books About Savannah-Georgia
    Books About Sufism
    Books And Authors
    Books By Aurie Cole
    Books By Darrell Gartrell
    Books By Flannery O'Connor
    Books By Patricia Ann West
    Books By PT Armstrong
    Books By Robert T.S. Mickles Sr.
    Books By Rotimi Ogunjobi
    Books On Flannery O'Connor
    Brad Gooch
    Brad Gooch Audio Podcast
    Brunswick Georgia
    Canadian Authors
    Canadian Novelists
    Carlos Ruiz Zafon
    Caste The Origins Of Our Discontents
    Celebrity Authors
    Children's Literature
    Chinese Authors
    Chinese History
    Christia Cummings-Slack
    Christina Cummings-Slack
    Christine Cummings
    Classic Authors
    Connie Zweig
    Contemporary African Literature
    Contemporary African Writers
    Contemporary Artists
    Contemporary Authors
    Contemporary Canadian Authors
    Contemporary Literature
    Contemporary Southern Literature
    Cormac Mccarthy
    Cornel West
    Creative Nonfiction
    Creative Thinkers
    Cultural Demographics
    Cultural Heritage
    David Gordon Green
    Dick Gregory Videos
    Digital Publishing
    Director Regina King
    Director Steve McQueen
    Doctorate In Literature
    Dreams Of The Immortal City Savannah Book By Aberjhani
    Duncan McNaughton
    Ebooks
    Education
    El Portal Press
    English As A Second Language
    English Learning Students
    Essay On 21 Years Of Wisdom
    Essays By Aberjhani
    Essays On Ben Okri
    Essays On Duncan McNaughton
    Essays On Flannery O'Connor
    Essays On Immigration
    Eugene Talmadge
    Eugene Talmadge Memorial Bridge
    Evolving Cultures
    Existential Creativity
    Existentialism
    Fall Of The Rebel Angels
    Famous Women Artists
    Fiction
    Filming Movies In Savannah-Georgia
    Flannery O'Connor
    French Authors
    French Literature
    Genre Bending Literature
    Genre-bending Literature
    Global Community
    Grandmothers
    Great Sufi Poets
    Greeting Flannery O'Connor At The Back Door Of Mind Book By Aberjhani
    Gullah Geechee Culture
    Gustave Flaubert
    Halloween's End
    Hector France
    Historical Fiction
    Historical Poetry
    History
    History Of Civil Rights Movement
    History Of Famines
    History Of Literature
    History Of Racism
    Human Cannibalism
    Iconic Authors
    Immigrant Experience
    Immigration Policies
    Influential Authors
    International Authors
    International Poets
    Interracial Relationships
    Interview
    Isabel Wilkerson
    Jalal Al-Din Mohammad Balkhi
    Jalal Al Din Mohammad Rumi
    Jalal Al-Din Mohammad Rumi
    James Joyce
    Jean Genet
    Jean-Paul Sartre
    Jelaluddin Rumi
    Jim Crow Racism
    Lady Gaga
    Latino Ficiton
    Leadership Philosophy
    Leadership Theory
    Life And Legacy Of Dick Gregory
    Life And Legacy Of Flannery O'Connor
    Lillian Gregory
    Literary Biographies
    Literary Community
    Literary Criticism
    Literary Essays
    Literary Friendships
    Literary History
    Literary Honors
    Literary Influencers
    Literary Influences
    Literary Legacies Of The South
    Literary Prizes
    Literary Traditions
    Literary Translations
    Literature Of Immigration
    Luca Giordano
    Memoir
    Memoir By Darrell Gartrell
    Michal Majernik
    Movie Sets
    Mythology
    National Poetry Month
    Naturalism Fiction
    New Orleans
    Nicanor Parra
    Nigerian Authors
    Nigerian Literature
    Nigger By Dick Gregory
    Nobel Laureates
    Nonfiction
    Novels
    Official Site For Author Poet Aberjhani
    Official Site For Author-Poet Aberjhani
    Official Website Of Author Poet Aberjhani
    Official Website Of Author-Poet Aberjhani
    Oklahoma City
    Oprah Winfrey
    Patricia Ann West
    PEN America
    PEN International
    Philosophy
    Podcast On Literature
    Poems About Savannah-Georgia
    Poems By Patricia Ann West
    Poetry
    Poetry By Aurie Cole
    Poetry By Duncan McNaughton
    Poets Against War
    Poets From
    Poets From Afghanistan
    Poets From Boston
    Poets From Savannah Georgia
    Poets From Savannah-Georgia
    Poets On War
    Political Activism
    Political Biographies
    Political Strategies
    Political Theories
    Postered Poetics Art By Aberjhani
    Predatory Gentrification
    Preventing Erasures Of History
    Prose And Poetry
    Prose Poem
    Public Intellectuals
    Public School System
    Publishers
    Publishing
    Publishing Options
    Putin Attacks Ukraine
    Q&A With Author
    QOTD Quote Of The Day
    Quentin Tarantino
    Quotations
    Quotes By Dick Gregory
    Quotes By Flannery O'Connor
    Quotes By Mark Morneweg
    Race In America
    Race In Japan
    Racism In Georgia
    Racism In Savannah
    Racism In The United States
    Reiki Master
    Richard Wright
    Rotimi Ogunjobi
    Rumi Day
    Rumi's Birthday
    Russian Invasion Of Ukraine
    Russia Ukraine Conflict 2022
    Russia Ukraine Video
    Russia Ukraine War
    Salman Rushdie
    Sandfly In Savannah Georgia
    San Francisco Poets
    Savannah College Of Art And Design Graduates
    Savannah Georgia
    Savannah-Georgia
    Savannah River
    Savannah State University
    SCAD Graduates
    Shams Of Tabriz
    Singer Sade
    Social Activism
    Social Realism
    Somewhere In The Stream By Duncan McNaughton
    South Carolina
    Southern Legacies
    Spike Lee
    Spiritual Counseling
    Spirituality
    Starvation
    Still Water Words
    Sufi Literature
    Talks Between My Pen And Muse
    Teachable Take-Aways
    Text And Meaning Series By Aberjhani
    The American Poet Who Went Home Again
    The Angel's Game
    The Famished Road
    The Gargoyle By Andrew Davidson
    The River Of Winged Dreams
    The Word "Nigger"
    Toni Morrison
    Transgression Fiction
    Transgression Literature
    Transgressive Literature
    Tribute To Dick Gregory
    Ukraine Russia Crisis 2022
    Video
    Video Podcast
    Video Poem
    Videos About Rumi
    Videos On Literature
    Wakanda Forever
    War And Peace
    William Anderson
    Wisdom21
    Women Artists
    Women Authors
    Women Poets
    Women's Voices
    World Community
    World History
    World Poetry Day
    Writers And Writing
    Xenophobia
    Yang Jisheng
    Year 2022 In Review
    Yoko Ono
    YouTube Videos

    RSS Feed

  • Bright Skylark Literary Productions Sitemap
  • Author Statement
    • Blog: Visionary Vibes >
      • Aberjhani - Author Biography
      • Bright Skylark News Notes
      • Blog: Cultural Arts Reviews and Remembrances
      • Blog: Sonic Delight Music Reviews >
        • Summer-Song Rhapsody for Michael Jackson: Editorial with Poem
      • Shifting Points of View and the Massacre in Charleston, South Carolina (USA) >
        • Author-Poet Aberjhani in the News
      • 7 Ways to Help Replace Legislated Fear with Informed Compassion
    • Greeting Flannery O'Connor at the Back Door of My Mind >
      • Tribute to Savannah Author Robert T.S. Mickles Sr.
    • Dreams of the Immortal City Savannah >
      • Podcast Prospects 504
      • More Books by Aberjhani >
        • Readers & Reviewers on the Writings of Aberjhani
        • Checking in at Goodreads
        • Editing Credits
        • ELEMENTAL: The Power of Illuminated Love (Art and Poetry Gift Book)
        • The River of Winged Dreams
        • The Wisdom of W.E.B. Du Bois
        • Songs from the Black Skylark zPed Music Player: A Novel by Aberjhani
        • I Made My Boy Out of Poetry
        • Journey through the Power of the Rainbow: Quotations from a Life Made Out of Poetry
        • Buy Books by Aberjhani on Amazon
        • 10th Anniversary of Encyclopedia of the Harlem Renaissance
  • AI Literary Chat Salon
  • Carousel of Sustainable Compassion
  • Working Scribe Carousel Number 2
    • Awards & Honors
    • My LinkedIn Portfolio Sampler
    • Pop Icon Michael Jackson in Life & Legend
    • Creative Thinkers International
  • Art and Poster Store
    • Blog: Silk-Featherbrush Art and Style
    • Postered Poetics
    • Your Introduction to Original Silk-Featherbrush Art & Style
  • Choose a Cultural Arts Heritage Project to Support
  • Working Scribe Image Carousel 2
  • About Bright Skylark Literary Productions
    • Bright Skylark Values and Motto
  • Famous Quotes of Note
    • Pinterest Page of Quotations
  • Charter for a More Compassionate World
  • As a Poet Thinketh: Poetry by Aberjhani
    • The Bridge of Silver Wings
    • Rainbow-Song for the Angel of Tao by Aberjhani
    • Ode to the Good Black Boots that Served My Soul So Well (poem by Aberjhani)
    • Angel of Remembrance: Candles for September 11, 2001
    • Rainbow-Song for the Angel of Tao: Verse 1
  • Articles and Essays
    • Abbreviated Minds in the News for Wreaking Havoc Worldwide editorial by Aberjhani
    • Iconic Authors Toni Morrison's and Harper Lee's New Works Likely to Influence Dialogues on Race
    • Red Summer: Text and Meaning in Claude McKay’s poem ‘If We Must Die’” part 1 of special 4-part series by Aberjhani
    • A Writer's Journey to Selma, Alabama
    • Justice Remains Elusive in Case of Newly-freed Louis C. Taylor (Part 1 of 2)
    • Sensualized Transcendence: Editorial and Poem on the Art of Jaanika Talts (Part 1)
    • Realms of Emerging Light (Sensualized Transcendence Editorial and Poem on the Art of Jaanika Talts Part 2)
    • Notes on the 150th Anniversary of the Emancipation Proclamation
    • Why Race Mattered in Barack Obama's Re-Election: Editorial and Poem
    • Posted Perspectives on America's 2012 Presidential Election
    • 47 Percenters and Guerrilla Decontextualization: Dreamers and Nightmares
    • Considering Michael Clarke Duncan: Big Black Man Within A Nonsociopoliticohistorical Context (Editorial with Poem)
  • Video Pen & Ink
  • Links and Connections
    • Aberjhani's Guerrilla Decontextualization
  • Contact the Author
  • Working Scribe Image Carousel 2
  • Working Scribe Image Carousel 2
  • Bright Skylark LP Storefront