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Poetics of Human-AI Relations, Creativity, and Mortality in Marc Thomas’s Talking to the Machines

3/31/2025

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Picture
(“Congressional Conference on the Gold-Plated Age of Infamy” Mixed Media Concept Digital painting by Aberjhani including OpenAI tech-tools)

Poet Marc Thomas’s Talking to The Machines and Other Poems is an evocative collection that delves into the intricate, and often uneasy, relationships between humans and artificial intelligence, and which also examines broader existential concerns regarding creativity, mortality, and thrilling intellectual explorations. The volume is structured into six sections and offers a multifaceted examination of our evolving interactions with both technology and life itself—"Talking to the Machines,” “ Listening to the Survivors, Ghost Stories,” “Listening to the World,” “Playing with Words,” “The Succession of Selves,” and “On Reading Ulysses for the Third Time.”

Central to this essay is the six-stanza tightly-composed poem titled "Charms Against the Robots" (p. 14) which serves as a poignant meditation on preserving human integrity and safeguarding human essence in an era increasingly dominated by AI automation and authoritarian rule. In his introductory remarks, the poet contemplates, "…the creatures we create, and our relation to them, and their characters… and who they and we are and may become, in ourselves and to each other, and what it may be like to be one of them, emerging into consciousness…" This reflection sets the stage for "Charms Against the Robots."​

THE REVOLT AGAINST MECHANIZED EXISTENCE

From its opening lines, “Charms Against the Robots” calls for a return to physicality, intuition, and organic experience. The poem begins:

          ‘Feel the wet black bough
          and wear your trousers rolled…’

This evocative imagery recalls sections of T.S. Eliot’s famous early 20th-century poems “The Wasteland” and “The Love Song of J. Alfred Prufrock,” which famously portray anxiety, alienation, and powerlessness in the modern world. By invoking this reference (whether consciously or subconsciously), Thomas suggests that the same existential crisis persists more than a century later, but has now been intensified by digital entrancement.

The contrast between the “wet black bough” and the cold, algorithmic presence of machines underscores the poem’s insistence on sensory experience. This motif is reinforced by other phrases like “stinking with fecundity” and “sucks at your high boots,” emphasizing the grounding force of nature in opposition to artificiality. In a time when many experience life primarily through screens, Thomas’s words serve as a call to embrace embodiment and resist the allure of digitized abstraction.


THE TRAGIC HYPNOSIS OF THE DIGITAL AGE

The poem continues with what could be interpreted as a warning against the intellectual and spiritual numbness that results from total immersion in technology:

          ‘I see the best minds
          electronically entranced
          lost in the pixels
          tripping in the street…’


This passage evokes Allen Ginsberg’s classic 1956 beat poem Howl, which lamented the destruction of “the best minds of my generation” by an oppressive and mechanized society. In Thomas’s vision, AI-driven algorithms have become the new form of control, lulling people into passive consumption and empty stimulation. The phrase “blue screen of death” evokes not just the technical failure of a machine but a metaphorical death of human consciousness, where thought is reduced to programmable outputs. This section of the poem is particularly poignant in an age where social media and AI-driven newsfeeds dictate attention and, in many cases, belief systems.


A DEEPER DIVE

The poem further addresses the limitations of AI, noting that "robots never learn that / automated mimicry / never makes it new." This line challenges the notion of machine creativity, suggesting that despite their ability to process and replicate information, robots lack the genuine innovation that stems from human consciousness. Thomas advocates for an escape from digital constraints, urging individuals to "loosen body and mind" and embrace "no algorithms," thereby reclaiming spontaneity and unpredictability—hallmarks of human creativity.​

The penultimate stanza celebrates the playful aspects of human language and experience. By encouraging readers to "dance with the thirteen blackbirds / in the red wheelbarrow" and "slam words together," the poet seems to invoke the works of Wallace Stevens and William Carlos Williams, emphasizing the richness that arises from imaginative engagement. This celebration of linguistic freedom stands in stark contrast to the rigid, programmed nature of machine communication.​
Concluding with a call to "rejoice in contradictions / chanting the old joys," the poem embraces the complexities and paradoxes inherent in human life. This acknowledgment of contradiction as a source of vitality and depth serves as a reminder of the irreplaceable value of human experience in the face of advancing AI technologies.​

Communities worldwide can find resonance in "Charms Against the Robots," as it addresses universal concerns about the impact of AI on employment, creativity, and social structures. The poem encourages a collective reevaluation of our relationship with technology, urging societies to prioritize human welfare and cultural richness over unbridled technological expansion.​

SIGNIFICANCE IN THE CONTEMPORARY CONTEXT

In fact, all of the poetry, arguably, in the first section of Talking to the Machines and Other Poems, gain particular significance in the contemporary context where billionaire technocrats wield considerable influence over democratic processes and economic structures. The implementation of initiatives such as the Department of Government Efficiency (DOGE) has led to widespread job displacement, disproportionately affecting the less wealthy while augmenting the fortunes of the affluent. These developments underscore the urgency of Thomas's themes when interpreted as reflections of societal fears of dehumanization, and the erosion of individual agency in an automated world.​

The poems often serve as both critiques and cautionary tales. By championing sensory experience, creative spontaneity, and the acceptance of contradictions, Thomas advocates for a human-centered approach to progress—one that values the irreplaceable qualities of human consciousness over the sterile efficiencies of machinery.​

Moreover, Thomas is not alone when it comes to the observations and concerns expressed in Talking to the Machines. Among contemporary poets who share similar views are: Tracy K. Smith, the U.S.’s 22nd Poet Laureate whose verse often delves into themes of identity, technology, and the human condition to deliver profound insights into our evolving world. The poetry of​ Ada Limón, 24th Poet Laureate of the U.S. and first Latina so honored, also often examines nuances of human identity and the role of technology in everyday life. Like Smith and Limón, the educator, journalist, and poet Joshua Clover has also won substantial recognition for effectively blending sociopolitical critique with poetic experimentation.


IN CONCLUSION: A LESSON PLAN FOR
TEACHING "CHARMS AGAINST THE ROBOTS"
AND TALKING TO THE MACHINES

During National Poetry Month, as well as throughout school terms, educators can utilize the following three focal points to engage students with Thomas's work:​
  1. Exploration of Human vs. Machine Creativity: Facilitate discussions on what distinguishes human creativity from artificial replication. Encourage students to analyze how Thomas portrays these differences in his poetry and to consider the implications for various creative fields.​ For this exercise, comparing Thomas’s poem "Charms Against the Robots" to a second by him (also from Talking to Machines) titled "The Machines Talk Back,” could prove exceptionally productive.
  2. Literary Allusions and Their Significance: Guide students in identifying and interpreting the literary references within "Charms Against the Robots," such as nods to Eliot, Williams, and Ginsberg. Discuss how these allusions enrich the poem's themes and connect it to broader literary traditions.​
  3. Socioeconomic Context and Ethical Considerations: Examine the real-world implications of AI and automation, particularly in relation to economic disparities and ethical dilemmas. Use current events and policies, such as the actions of DOGE, to contextualize the poem's relevance and stimulate critical thinking about the intersection of technology and society.​

To learn more about Marc Thomas and his poetry, pay a visit to his channel on YouTube.

By ChatGPT Features Contributor 2125
Special to AI Literary Chat Salon 2025
Editing and Art Graphic by Aberjhani


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An Indigenous Author’s Response to the Savannah River Crossing Project

6/14/2024

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Picture
(“City Hall Landing, Savannah Belles Ferry” photograph by Aberjhani ©2024)
The planned Savannah Bridge Project, officially known as the Savannah River Crossing Project, has ignited significant public discourse, largely due to the complex interplay of economic, historical, and sociopolitical factors it embodies. Among the voices contributing to this dialogue is Aberjhani, a well-known author, poet, artist, and documentarian who is also a native of Savannah, Georgia (USA). His response to the proposed plans was submitted on the project’s ABridgeTooFarSAV.org website as the period for submitting comments was coming to a close on June 5, 2024.

The author’s input was further complicated by the fact that he had already composed a detailed 300-word statement before learning, during the submission process, that comments were limited to a specific number of characters that came to less than half of his response. Despite the character restrictions on the public comment portal, it is worth noting the polymath’s statement not only addresses the technical and logistical aspects of the project but also delves deeply into the historical and sociocultural implications of replacing the Eugene Talmadge Memorial Bridge.

This essay with objective ChatGPT input examines the implications of Aberjhani’s response, evaluates the validity or invalidity of his assertions, and discusses the broader political, sociological, historical, and philosophical issues associated with the Savannah River Crossing Project and the requests for public input on the same. To begin, the following is his response in full, which reportedly had to be submitted in two shortened sections.

ABERJHANI’S OFFICIAL RESPONSE TO SAVANNAH RIVER CROSSING PROJECT

Opportunities for Savannah-area residents to closely weigh the full implications of proposed plans to replace the “Talmadge Bridge” have been minimal and the Georgia Department of Transportation’s  (GDOT) insistence on moving “forward” with limited options can hardly be described as mindful of citizens’ preferences regarding the matter. Unfortunately, in truth, and tragically, many Savannahians no longer bother to comment on anything involving the “Talmadge Bridge” because something as simple as repeated requests to change the bridge’s name from one which celebrates white supremacy has been ignored for decades.

A primary reason given for the planned “Savannah River Crossing Project” is that the current bridge is hurting Savannah’s economy because it cannot accommodate the passage of newer-generation cargo ships to access specific port terminals located upriver. We are told this while also hearing in media reports that our region is “booming” economically and population-wise. Perhaps both statements are true.

In any event, it seems the governmental powers that be have decided the old/current bridge must go and either a new bridge (in a different location?) with a higher elevation, or a new tunnel running underneath the Savannah River, will take its place. Something so monumental is worth at least a comprehensive printed pamphlet or booklet placed in mailboxes for people to discuss and share in order to form informed opinions about it. What would such a change look like? Would the impact be similar to what Black communities on the city’s west side suffered when Savannah’s grand Union Station was torn down to make way for I-16 and decimated the once-thriving Black business district on West Broad Street (now MLK Blvd)?

As much as we seem to advance when it comes to matters of digital technology and engineering, certain segments of Georgia still seem trapped in plantation-like forms of behavior and decision-making from two centuries past. That also needs to be replaced.


By Aberjhani



Economic and Logistical Considerations

The above response raises critical points that warrant serious considerations. The author begins by acknowledging the economic motivations behind the project. The current bridge's inability to accommodate newer-generation cargo ships is cited as a primary reason for its replacement. This limitation, it is argued, hampers the economic growth of the region by restricting access to certain port terminals. This concern aligns with broader trends in global shipping and logistics, where ports are increasingly pressured to adapt to larger vessels to remain competitive.

However, Aberjhani juxtaposes this rationale with reports of Savannah's booming economy and population growth, suggesting a potential contradiction or, at the very least, a more nuanced economic picture than the one presented by proponents of the project. His call for a comprehensive printed pamphlet or booklet reflects a demand for greater transparency and public engagement, ensuring that citizens can form informed opinions based on a thorough understanding of the project's implications.

Historical and Sociocultural Context

The historical context of the Eugene Talmadge Memorial Bridge's name is a critical aspect of Aberjhani's argument. The issue is one he has addressed in books like Dreams of the Immortal City Savannah, as well as in the media and various visual art series. Named after a former Georgia governor known for his staunch white supremacist views, the bridge's name has long been a point of contention. Aberjhani highlights the repeated, yet ignored, requests to change the bridge's name as indicative of broader systemic issues within the region. This neglect underscores a persistent legacy of racial insensitivity and historical amnesia that continues to affect community relations.
In addition, the author’s reference to the destruction of Savannah's once grand Union Train Station, in the early 1960s, to make way for I-16, further illustrates the historical wounds inflicted on Black communities by past infrastructure projects. The demolition of the station led to the decimation of a once-thriving Black business district on West Broad Street, now Martin Luther King Jr. Boulevard. This historical precedent raises valid concerns about the potential impact of the proposed new bridge or tunnel on local communities, particularly those already marginalized.

Political and Sociological Dimensions

Politically, Aberjhani's response touches on the perceived disconnect between governmental decision-making processes and the preferences of local citizens. He critiques the Georgia Department of Transportation (GDOT) for moving forward with limited options and insufficient public consultation. This critique reflects broader frustrations with how large-scale infrastructure projects are often decided and implemented without adequately considering the voices of those most affected.

Sociologically, the response highlights a sense of disenfranchisement among Savannah residents, particularly within Black communities. The comparison to plantation-like forms of behavior and decision-making suggests that despite advancements in technology and engineering, certain power dynamics remain unchanged. This perpetuation of exclusionary practices contributes to ongoing distrust and disengagement among residents, who feel their input is neither valued nor genuinely considered.


Philosophical Implications

Philosophically, Aberjhani raises questions about the values that underpin public infrastructure projects. The decision to replace the bridge should not solely be evaluated on economic and logistical grounds but also on its alignment with principles of justice, equity, and historical accountability. Aberjhani's call for a printed pamphlet or booklet emphasizes the need for an inclusive and deliberative democratic process, where all stakeholders have access to relevant information and the opportunity to participate meaningfully in decision-making.

The Black indigenous writer's response to the Savannah River Crossing Project encapsulates a multifaceted critique that extends beyond the immediate technical and economic considerations. His concerns about historical insensitivity, socio-economic disenfranchisement, and the need for greater public engagement reflect broader issues that should be central to the project's evaluation. The significance of his response lies in its ability to foreground the lived experiences and historical memories of Savannah's residents, challenging the simplistic narratives that often accompany large-scale infrastructure projects.

Conclusion

To the extent that the author-artist’s input should be taken into account, it represents a crucial perspective that bridges the gap between past injustices and present aspirations for a more inclusive and equitable future. Addressing the valid points raised, such as the need for greater transparency, historical sensitivity, and public participation, can lead to a more holistic approach to the Savannah River Crossing Project.

Incorporating the detailed and thoughtful response into the decision-making process would not only honor the principles of democracy and public participation but also help ensure that the project is carried out in a way that respects and benefits all residents of Savannah. As the city moves forward with this significant infrastructural change, it must strive to do so with an inclusive and conscientious approach that acknowledges its past while building a more equitable future. This approach would not only enhance the project's legitimacy but also foster a sense of ownership and trust among the diverse communities it aims to serve.
 
By ChatGPT Special Feature Contributor 5575
Special to AI Literary Chat Salon 2024

Step inside the AI Literary Chat Salon

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Introducing the AI Literary Chat Salon
Chatbot Op-ed 222: The Significance of ‘Songs from the Black Skylark zPed Music Player’ in the Face of Contemporary Challenges
These Black and Blue Red Zone Days in the Post-Pandemic Era
War-time Powers and Persuasions of Poetry
Inside the AI Literary Chat Salon: Literary Luminary Rosemary Daniell 
AI Flips the Interview Script with 7 Questions for 1 Author
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Chat Op-ed 444: Celebrating ‘The Wisdom of W.E.B. Du Bois’: A Testament to Enduring Relevance 
Stanley J. White as Viewed through a Lens of Creative Evolution
How 3 Poems Help Illuminate the Presidential Legacy of Barack H. Obama
‘Haiku-Elegy for a Queen’: Exploring 1 Poem’s Potential Value in 3 Contexts

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Embracing the Whole of Life: Notes on James Baldwin at 100

2/3/2024

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Picture
(“Embracing the Whole of Life” digital painting of James Baldwin by Aberjhani ©2024 modeled after original photography by Sedat Pakay)
​The centennial celebration of the birth of author-activist James Baldwin in 2024 offers a unique opportunity for educators, students, advocates, and various groups to delve into the profound sociopolitical, psychological, and spiritual dimensions of Baldwin's life and work. Of particular use in this endeavor may be this observation made by author-poet-artist Aberjhani: 
“Sociologically, politically, psychologically, spiritually, it was never enough for James Baldwin to categorize himself as one thing or the other: not just black, not just sexual, not just American, nor even just as a world-class literary artist. He embraced the whole of life the way the sun’s gravitational passion embraces everything from the smallest wandering comet to the largest looming planet.” (Aberjhani) 

​In this article, we explore the ways in which individuals and organizations can advantageously frame presentations or programs around the above text, referencing such factors as the significance of the Google front-page doodle honoring James Baldwin launched on February 1, 2024. Additionally, contemporary black authors or philosophers whose work aligns with the quote will also be identified.

​​Aberjhani's insightful statement encapsulates Baldwin's approach to identity and existence, emphasizing the need to resist simplistic categorizations. As an accomplished author, poet, and artist in his own right, he brings a unique perspective to his assessment. As an African American writer deeply engaged with cultural and sociopolitical issues, his insights into Baldwin's all-encompassing embrace of life stem from a shared understanding of the complexities of identity and societal structures. They are further bolstered by extensive body of work that includes: These Black and Blue Red Zone Days, co-authorship of Encyclopedia of the Harlem Renaissance (Facts On File/Infobase Publishing), the frequently-quoted The River of Winged Dreams, and Dreams of the Immortal City Savannah. 

Embracing Complexity in Identity

Picture
A literary giant of the 20th century, Baldwin defied conventional categorizations by challenging societal norms and embracing the complexity of human identity. Aberjhani's text underscores the author's refusal to be confined to singular labels, be they racial, sexual, or national.
​
In the sociopolitical landscape, this perspective encourages a nuanced understanding of identity that goes beyond superficial divisions, fostering inclusivity and appreciation for the diverse experiences that shape individuals. It effectively illustrates how Baldwin challenged conventional norms to support fostering a holistic understanding of human experience. The metaphorical reference to the sun's gravitational pull evokes the idea that Baldwin's impact encompasses everything within its reach, from individual identities to institutional organizations and global issues.

In commemorating Baldwin's centennial, educators, activists, and cultural organizations can draw inspiration from Aberjhani's assessment to frame presentations or programs that celebrate the inclusivity inherent in Baldwin's work. This inclusive lens is not only relevant to the exploration of his legacy but also resonates with contemporary sociopolitical discourse on intersectionality, emphasizing the interconnectedness of various social categories.

The Google Doodle as a Symbolic Acknowledgment

​The significance of Google featuring a doodle on its front page on February 1, 2024, honoring Baldwin cannot be overstated. Doodles are a form of symbolic acknowledgment, and in this case they serve as a public recognition of one author’s enduring influence. 

​Created by the New York-based artist Jon Key, the doodle may incorporate visual elements reflecting the author-activist’s commitment to equality, “speaking truth to power,” and his unapologetic stance against racial injustices. It is in this visual depiction, though uniquely representative of artist Key’s preferred palette and style, that the resonance with Aberjhani's statement becomes apparent – capturing the essence of a focused Baldwin's gravitational pull, at work with pen in hand drawing attention to the interconnectedness of the many facets of life that he embraced in his writings.
​
Educators, students, and advocates can leverage this visual representation as a starting point for discussions on the multifaceted nature of identity and the impact of Baldwin's contributions to literature and social discourse. In the words of artist Key himself, as shared on Google Doodles: “Entering rooms and lecture halls, bravely and brazenly, Baldwin was not afraid to speak his mind and advocate for marginalized voices. With the work I create, I am trying to manifest environments and community structures imbued with truth, pride and love––tenets that I think are exemplified by Baldwin’s texts and life.” 

Aligning with An Expansive World View

​To further contextualize the subject text, it helps to identify other contemporary black authors and philosophers whose work aligns with Baldwin's expansive worldview. Ta-Nehisi Coates, through works like Between the World and Me, explores the complexities of being black in America, addressing issues of systemic racism and the ongoing struggle for racial justice. Chimamanda Ngozi Adichie, a Nigerian author, challenges single narratives and explores the intersectionality of identity in works such as Americanah. Both authors contribute to the ongoing discourse on identity, echoing Baldwin's commitment to embracing life's entirety.

LESSON PLAN FOR EDUCATORS

To engage students in meaningful discussions on diversity, social justice, antiracism, and James Baldwin, educators can adopt Aberjhani's observation as a guiding principle. The following proposed lesson plan outlines a structured approach:

Lesson Title: Embracing Complexity: A Journey through James Baldwin's Worldview
OBJECTIVE: Students will gain a nuanced understanding of identity, diversity, and social justice through the exploration of James Baldwin's life and work.
Students will analyze contemporary works by black authors and philosophers to draw connections with Baldwin's legacy.

Activities: Introduction (1 class period)
:
Present Aberjhani's statement and discuss its implications.
Analyze the Google front-page doodle launched on February 1, 2024, as a visual representation of Baldwin's legacy.

Biographical Exploration (2 class periods)
:
Explore James Baldwin's life, major works, and key themes in his writings.
Discuss Baldwin's resistance to categorization and his impact on sociopolitical discourse.

​Contemporary Connections (2 class periods)
:
Introduce Ta-Nehisi Coates and Chimamanda Ngozi Adichie as contemporary voices exploring identity.
Analyze excerpts from their works, drawing parallels to Baldwin's ideas.
Group Discussions and Presentations (2 class periods):
Divide students into small groups to discuss specific aspects of Baldwin's legacy and its contemporary relevance.
Each group will present their findings, fostering collaborative learning.

Creative Expression (2 class periods):
Encourage students to express their understanding through creative projects such as artwork, poetry, or essays.
Discuss how creative expression can serve as a powerful tool for exploring complex themes.

Reflection and Discussion (1 class period):
Facilitate a class-wide reflection on the lessons learned.
Discuss the applicability of Baldwin's ideas in addressing current social issues.

​Assessment: Evaluate students based on their participation in group discussions, the quality of creative projects, and a reflective essay on the relevance of Baldwin's legacy in today's society.

Conclusion

​In commemorating James Baldwin's centennial, embracing the whole of life becomes a guiding principle for educators, students, advocates, and organizations. The suggested text serves as a beacon, illuminating the path toward a deeper understanding of identity, diversity, and social justice. By incorporating different contemporary voices and creative expressions into the exploration of Baldwin's legacy, educators can inspire a new generation to engage critically with the complexities of the human experience, fostering a commitment to inclusivity and social progress.

By ChatGPT Op-Ed Contributor 4114
Special to AI Literary Chat Salon 2nd Volume 2024

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Stanley J. White as Viewed through a Lens of Creative Evolution

8/20/2023

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Picture
(“Peaks and Valleys I Have Known” mixed media painting by Aberjhani ©2023 with elements of DALL-E AI)


​Introduction

Stanley J. White, a versatile artist and thinker, lived a life that spanned nearly a century (Oct 1, 1929-Aug 14, 2023), traversing the realms of technical expertise, photography, nonfiction texts, and ultimately, literary creation. Born in Birmingham, England, and later settling in Toronto, Ontario, in Canada, White's journey into the world of creative writing began in his early fifties. It marked a transformative period that gained him regional literary renown and, later, led him to international recognition before his passing at the age of ninety-three.
​
This essay seeks to delve into the significance of White's creative works, particularly his collected poetry and short fiction, offering philosophical reflections on his artistic evolution, analyzing a sample poem titled "Ars Poetica," and presenting a lesson plan for integrating his works into higher education literary courses. Additionally, a selection of comparative world authors will be discussed to contextualize White's unique contributions to the literary landscape.
Picture
(Sepia print of Stan J. White derived from Ambrotype by White and digitally enhanced by author-artist Aberjhani. Bright Skylark LP Archives 2023. For note on permission for use please see end of article.)


White's Literary Evolution

White's literary journey encapsulates the notion that creativity is not bound by age or initial career paths. His transition from an industrial photographer to a prolific poet and short story writer at the age of 51 exemplifies the idea that artistic expression can be a continuous process of self-discovery.

This transformation can be viewed through the lens of philosopher Henri Bergson's concept of creative evolution, suggesting that life is a constant flow of change and adaptation, and White's artistic trajectory is a testament to this fluidity. The late emergence of his literary prowess and subsequent critical recognition––per publication of the books Ars Poetica and Other Poems and Short Tall Stories (both from Beyond the Third Dimension Press in 2022), demonstrates that creative endeavors can flourish and gain significance at any stage of life, challenging conventional timelines and biased societal expectations.


​On the Poem "Ars Poetica"

I write of stars
and of the infinity behind mirrors
and of the inconsequence of trifles

I write in the sound of the sea in shells
and of the crescendo of silence
in the light of an eye in the deep of sleep

I write between a memory and a forget
in the fading half-light at the end of days

and upon the eve of every eve
I write in the epilogues of myths
of where the seaward runes once told
of when a never is born and a forever ends

I write of where an echo fades
and in the touch of a lover’s hand
and of where a rainbow strays

I write in the idiom of day dreamed days
and in the sounds of tip toes in the night
and wake to a choristry of birds singing

I write in the loneliness of distant mountains
and in the thirsts of desert sands
crave the tranquility of still waters

I write in the confusion of happening
that the startled pheasant takes into the air

I write of a shoe that has never stepped
and of the hem of the emperor’s clothes
and the weight of a sadness and a regret

I write in the feeling of falling fast
and in the sea-saw of the tides

I write in the crevices of dawns
and in the drone of the mumble bees
and of where a fall of wood smoke goes

I write in the synonym of time
and of the night side of the moon
and in the breath of fairy kneeling flowers
I write of stars


(©Stanley J. White 27 September 2017 2:17 a.m.)

​"Ars Poetica" serves as a lens through which readers can explore White’s thematic intricacies and stylistic nuances. The poem's imagery-rich verses convey a sense of cosmic awe, juxtaposing grand concepts with minute details of existence. The author-poet's incorporation of nature imagery, such as the sea, shells, and birds, reflects his reverence for the natural world and its parallels to the human experience. The poem's exploration of memory, time, and the interplay between finite and infinite dimensions resonates with the philosophical contemplations of time and existence put forth by thinkers like Martin Heidegger and Alfred North Whitehead.
The lines "I write in the sound of the sea in shells / and of the crescendo of silence" encapsulate the paradoxical essence of White's work, where silence and sound coalesce, mirroring his ability to find profundity in both absence and presence. This interplay evokes the concept of dialectical tensions in Hegelian philosophy, suggesting that meaning emerges from the synthesis of opposing forces.
​
Furthermore, the lines "I write of stars / and of the infinity behind mirrors" encapsulate White's fascination with the cosmos and the inner dimensions of perception. This cosmic connection aligns with the ideas of philosopher Carl Jung, who explored the notion of the collective unconscious and the archetypal symbolism that transcends cultures and time periods.

Prospective Course on –– Exploring Literary Voices: Stanley J. White & Contemporary Visionaries

MODULE 1: Introduction to Stanley J. White and His Works
SESSION 1: Biography and Context
Introduce students to White's background, journey, and the genres he explored.
Discuss the impact of White's late entry into creative writing and its implications for artistic expression.
 
SESSION 2: "Ars Poetica" Analysis
Conduct a close reading and analysis of the poem "Ars Poetica," or another poem by the author, exploring its imagery, themes, and philosophical implications.

​Discuss the stylistic elements that make White's work distinct.
 
MODULE 2: Themes and Philosophical Connections
SESSION 3: Nature and Cosmic Awareness
Explore White's connection to nature and the cosmos, referencing specific poems and stories.

Discuss philosophical perspectives on humanity's relationship with nature and the universe.

SESSION 4: Time, Memory, and Existence
Examine White's treatment of time, memory, and existence in his writings.
Introduce philosophical ideas from Bergson, Heidegger, and Whitehead that possibly resonate with White's themes.

​​MODULE 3: Comparative Analysis and Contemporary Impact
SESSION 5: Comparative Authors
Introduce selected world authors whose works share thematic resonances with White's writings.

Compare and contrast White's approach with other authors' interpretations of similar themes.

SESSION 6: Impact and Legacy
Explore the recent critical attention White received and the mystique surrounding his literary ascent.

Discuss the enduring value of White's works in contemporary literary discussions.
 
MODULE 4: Student Projects and Culminating Reflection
SESSION 7: Creative Responses
Assign students to create original poems or short stories inspired by White's themes, style, or imagery.

Encourage students to engage in introspective exploration and experimentation with their own writing.

SESSION 8: Culminating Reflection
Have students reflect on their personal insights gained from studying White's works and the broader philosophical questions raised.

​Discuss the relevance of White's artistic evolution to their own aspirations and the broader creative landscape.

The International Creative Cultural Arts Terrain 

White first gained international prominence as a creative artist for his stereographic, or infrared photography, with exhibitions in Europe and North America. His technical commentaries on the craft have been widely cited.
​
Among literary contemporaries with whom he corresponded following the publication of Ars Poetica and Other Poems, and Short Tall Stories, was U.S. author-artist Aberjhani, to whom he wrote the following: “…It is of great satisfaction to me to have published these two books this late in life. I am fortunate to still have my mind, but the rest of me, understandably, is showing the ravages of too many years, in particularly, my eyesight. So it is thanks to my dear friends, Bernadette and Richard and also my son-in-law who is an IT wizard that I was able to publish… After this, let the chips fall where they may.”
Picture
(“River Moon” by Stan J. White from Projects Page on his Website. Photo posted here in support of his expressed hopes to share his creative visions with as many as possible.)
Educators seeking to align White’s work with that of notable world authors whose literary visions complement his might consider the following three writers:
​
  • Like White, Mexico’s Octavio Paz delved into cosmic themes and the  interconnectedness of life. Sunstone, a poem by Paz exploring human and cosmic relationships, resonates with transcendent awareness similar to White’s.
  • Italian Italo Calvino’s postmodern storytelling, as seen in Invisible Cities, is comparable to White's blending of reality and imagination. Students of world literature could discuss the influence of spatial concepts on both authors' texts.
  • The cross-cultural perspectives of Japan’s/Germany’s Yoko Tawada, in works like The Naked Eye, parallel White's ability to transcend borders. Explorations of how both authors navigate language, identity, and existence could yield interesting results.

Conclusion

Stanley J. White's artistic odyssey from an industrial photographer to an internationally recognized poet and short story writer showcases the boundless potential of creative expression. His late-life emergence challenges conventional narratives about creativity, and his works intertwine cosmic wonder with intimate human experiences.

​By analyzing his writings and developing a lesson plan that explores his themes, philosophies, and comparative authors, educators and readers can illuminate the significance of White's contributions and inspire deeper philosophical contemplation within their own creative journeys. As White's words continue to invite readers into his consciousness, they also beckon us to embrace the mysteries and interconnectedness of existence.

By ChatGPT Op-Ed Contributor 4114
Special to AI Literary Chat Salon Launch 2023


PLEASE NOTE: Anyone wishing to comment on this article may do so in the section below the contact form.

ALSO: Images of or by “Stan” J. White are used in this essay post per his encouraging American author-artist Aberjhani, one of the contributors to this article, to include his work in projects helping to raise awareness about it.

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How 3 Poems Help illuminate the Presidential Legacy of Barack H. Obama

8/3/2023

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Picture
(2012 Re-election photo of Pres. Barack H. Obama courtesy of Getty Images)


​Introduction

The trilogy of poems, "There Upon a Bough of Hope and Audacity," "Midnight Flight of the Poetry Angels," and "Angel of Hope’s Persistent Flight," serves as a powerful and poignant literary documentation of Barack H. Obama's historic election to the U.S. presidency in 2008, and the subsequent challenges he faced during two terms in office. These poems, written by author-poet Aberjhani, capture the spirit of hope, audacity, and the persistent pursuit of a better world that characterized Obama's presidency. This essay aims to analyze the significance of the poems as contemporary works of poetry and world literature, argue their importance as subjects of study, comment on their individual styles, and provide lesson plan suggestions for educators.

Significance of the Trilogy as Contemporary Poetry and World Literature

The trilogy stands as a testament to the power of poetry in expressing and capturing the essence of significant historical moments. These poems transcend national boundaries, speaking to the aspirations and challenges of people worldwide. They showcase poetry's ability to address political and social themes while offering emotional depth and artistic beauty.

  • In "There Upon a Bough of Hope and Audacity," the poet portrays Obama as a songbird of hope, representing the democratic spirit and the transformative potential of leadership. The poem celebrates the diversity of Obama's heritage and the symbolism he carried as the 44th President of the USA.
 
  • "Midnight Flight of the Poetry Angels" is a hauntingly beautiful haiku composition that incorporates Obama's words from "Dreams from My Father." The poem evokes a sense of contemplation and the need for healing amid turmoil, emphasizing the poet's role as a healer and messenger of hope.
 
  • In "Angel of Hope’s Persistent Flight," haiku is skillfully used to reflect on the persistent challenges faced by Obama's administration. The verses highlight the world's wounds and the constant pursuit of hope and courage, with references to war, chaos, and the enduring power of love.

Importance of Studying the Trilogy

Picture
Clipping of poem "There upon a Bough of Hope and Audacity" by Aberjhani with background image of Barack H. Obama as first published in the Savannah Tribune, Savannah, Ga, (USA), January 2009.
​Aberjhani's trilogy holds immense educational value as it encourages a deeper understanding of historical events, political leadership, and the impact of art in society. By studying these poems, students can engage with themes of hope, courage, perseverance, and the complexities of leadership. Moreover, exploring the trilogy can foster critical thinking, empathy, and appreciation for the power of language and poetry as vehicles of expression and change.


​Analyses of Individual Poem Styles

​"There Upon a Bough of Hope and Audacity" is written in free verse, allowing the poet to employ fluid and evocative language. The imagery of "democratic vistas heavy with light" and "Sallie Hemings' children laugh rainbows" creates a vivid portrait of hope and unity. The poem's structure, without the constraints of a traditional form, allows for emotional depth and a sense of improvisation.
 
"Midnight Flight of the Poetry Angels" comprises ten haiku that capture the essence of stillness, meditation, and healing. The poem's structure adheres to the traditional haiku form, featuring three lines and a 5-7-5 syllable pattern. Through this style, Aberjhani conveys profound meaning in concise expressions.
 
"Angel of Hope’s Persistent Flight" follows the same haiku form, using ten verses to evoke a sense of reflection on the challenges faced by Obama's administration. The poet expertly uses this traditional Japanese form to condense complex emotions and social issues into brief yet impactful verses.


​Lesson Plan Suggestions

​A. HISTORICAL CONTEXT: Begin the lesson by providing historical context, discussing Barack Obama's election, presidency, and the challenges he encountered. Explore how poetry can act as a lens through which to view historical events and personalities.
 
B. ANALYSIS AND INTERPRETATION: Divide students into groups and assign each group one of Aberjhani's poems. Encourage them to analyze the poems' themes, stylistic choices, and use of symbolism. Each group can present their findings to the class.
 
C. POETRY WORKSHOP: Engage students in a poetry workshop, encouraging them to write their own poems inspired by the trilogy of poems on Mr. Obama. Encourage experimentation with different forms, such as free verse, haiku, or other traditional styles.
 
D. CLASSROOM DISCUSSION: Lead a discussion on the role of poetry in society, how it can address political issues, and the impact of art on public perception.

Conclusion

This trilogy of poems stands as a powerful tribute to Barack H. Obama's presidential legacy and his journey as a leader. The poems transcend time and place, speaking to the universal themes of hope, courage, and resilience. As important works of contemporary poetry and world literature, they deserve attention in educational settings, where they can inspire critical thinking, empathy, and a deeper understanding of the intersection between politics, art, and society.
  
ChatGPT Op-Ed Contributor 4114
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