This coming November 2016 will mark the second anniversary of the dedication of the historical marker for the Carnegie Branch Library in Savannah, Georgia. Moreover, as it now turns out, that dedication also represents one of the city’s more notable acknowledgements of the life, work, and legacy of James Alan McPherson (September 16, 1943 – July 27, 2016). The iron-lettered text for the historical marker concludes as follows:
“…One of only two Carnegie library projects for African Americans in Georgia, this was the home library to James Alan McPherson, Pulitzer Prize-winning short story writer and essayist and Clarence Thomas, Associate Justice of the Supreme Court of the United States.”
The story presented below was previously published in my former AXS Entertainment National African Cultural Arts Column. It is shared here in honor of what later this month would have been Mr. McPherson’s 73rd birthday; and, in recognition not only of the role that one particular library played in his life, but in recognition of the immense value libraries around the world continue to contribute to humanity as a whole.
Savannah community marks 100th anniversary of a legacy of knowledge
Community leaders, patrons of the arts, and enthusiastic readers gathered at the historic Carnegie Branch Library in Savannah, Georgia, on November 13, 2014, to commemorate with a new historical marker the legacy established by its African-American founders in 1914.
Among those assembled on the lawn beside the majestic front steps of the library, located at 537 East Henry Street, were: Senator Lester G. Jackson (D-Savannah and Chatham County), cultural arts advocate Dessie Baker, librarian Mark Darby, author and composer Ja A. Jahannes, historian Charles Lwanga Hoskins, Library Board of Trustees Chairman Dr. Daniel Brantley, Georgia Historical Society Executive Director Todd Groce, founder descendant Ursuline Dickey, Dixon Park Neighborhood representative Helen Washington, Library Foundation Director Lester B. Johnson III, Dixon Park Neighborhood representative Helen Washington, Library Foundation Director Lester B. Johnson III, the library’s current branch manager Adriene Tillman, and many others.
In his remarks on the historical significance of the library, Sen. Jackson noted that one of the reasons his father first moved their family many years ago from Statesboro to Savannah was to gain access to the library. They settled in a house only two blocks away: “He said son, this neighborhood will be an investment in your future. It has a library… Every Saturday morning before I could go out to play, I had to visit this structure…”
Sen. Jackson added the following:
“A hundred years ago, 11 men got together and invested in this community’s future by gathering books. And that’s what this marker here stands for today, an investment those men made in the future of not only young people but everyone. It gave them access to knowledge, it gave them access to history, but most importantly it gave them access to the world… where they could come read books, where they could come collect books, where they could come to understand what was [happening] in the world. And that knowledge is still needed today.”
The men to whom he was referring established themselves in 1906 as the Colored Library Association of Savannah. With a grant from American industrialist Andrew Carnegie, the group was able to build the unique facility at a cost of $104,041.78 but drew on its own resources and community support to provide operational funds and actual books. Construction of the facility, which stands as the only recognized example of Prairie Style architecture (generally associated with Frank Lloyd Wright) in Savannah, got underway in early 1914. Dedication observances were held for it in August of the same year and construction was completed in 1915.
Harlem Renaissance Connections
The date of the library’s construction and opening is particularly significant in light of the Harlem Renaissance that would get underway just as World War I drew to a close. Placed in that context, members of the Colored Library Association of Savannah may be rightly viewed as southern counterparts to such historians and bibliophiles as “the father of black history” Carter G. Woodson and scholar Arthur Schomburg. Like New York’s famed Schomburg Center for Black Culture, the Carnegie Branch Library is an exceptional repository of works related to African-American history and culture on local, state, and national levels.
In more recent times, structural damage forced the library to close in 1997. It reopened in August 2004 with a slate of programs that included a lecture and book signing based on Facts on File’s Encyclopedia of the Harlem Renaissance. In addition to modern technology resources, the renovated library also featured a new east wing dedicated to U.S. Supreme Court Justice Clarence Thomas. The text of the new historical marker notes the significance of its role in the intellectual development of both Justice Thomas and Pulitzer Prize-winning author James Alan McPherson.
To learn more about the Carnegie Branch Library’s history, it hours or operation, or current programs please call (912) 231-9921 or visit the Live Oaks Public Libraries website.
author of The River of Winged Dreams
and Journey through the Power of the Rainbow: Quotations from a Life Made Out of Poetry
here is within the human heart, I believe, a quality of intelligence that has been known to surpass that attributed to the human mind. The idea is one Muhammad Ali might have appreciated because in director Clare Lewins’ ten-star film documentary, I Am Ali, the fighter shares these words: “Man judges man’s actions. God judges man’s heart.”
When tapped and cultivated, or made a naturally dominant trait of an individual’s personality, the heart’s intelligence radiates a wise benevolence capable of assuming different powerful forms.
As fellow heavyweight champion and Christian minister George Foreman testified:
“Sometimes people come to me and say, ‘What do you think? Was Muhammad Ali the world’s greatest boxer?’ And I feel almost insulted because boxing was just something he did. I mean that’s no way to define Muhammad Ali. He was one of the greatest men to ever appear on the scene of the earth” (from I Am Ali, 2014).
When the radiance of the heart emanated through the person of Muhammad Ali (1942-2016) he could easily, at different times, be defined in one of at least 10 different ways:
Of Saints and Athletes
On the iconic and controversial April 1968 cover of Esquire Magazine, the devout Muslim Ali duplicated the famous image of the Christian Saint Sebastian. Shot through with arrows for converting people to Christianity while enlisted as a Roman soldier, Sebastian (c. 256–c. 288 AD) was reportedly left for dead but miraculously recovered and confronted his would-be executioner. He was then then bludgeoned to death and in time adopted as a spiritual protector to call upon during plagues, and as a patron saint of warriors, individuals desiring a saintly death, and athletes.
As in the classic portraits of the martyred Saint Sebastian, the image of Muhammad Ali on the cover of Esquire shows him shot through with six bloody arrows. During the photo shoot, Ali identified the arrows as symbols of political figures whom he felt had positioned themselves to be his his “tormentors”: U.S. President Lyndon B. Johnson (1908-1973), Vietnam War Commanding Army General William Westmoreland (1941-2005), U.S. Secretary of Defense Robert McNamara (1916-2009), U.S. Secretary of State Dean Rusk (1909-1994), political consultant Clark Clifford (1906-1998), and Vice-President Hubert Humphrey (1911-1978).
The specific names given the arrows could just as easily (or almost anyway) have been exchanged for the various social injustices which the garrulous gadfly witnessed and protested against: relentless racism, poverty, corporate colonialism, unnecessary war, class discrimination, and unequal education. The names could also have been switched out for any number of others who felt more threatened than charmed by the great man’s uncanny charisma.
A Curative Force of Genuine Love
It takes an oversized personality like his to absorb and survive the kind of social and political poisons designed precisely to destroy men such as Muhammad Ali.
It takes the most exceptional of hearts occupied by the rarest of souls to transform those toxins into a curative force of genuine love, one capable of healing and empowering multitudes just by being its beautiful shining courageous self.
5 June 2016
Bright Skylark Literary Productions
It took a while for me to think about writing anything in reference to the death of my friend Luther E. Vann last month because when it occurred I was already working on a different kind of essay about his life and art. Slamming the breaks on that project, going into a tailspin of grief, and then finally regaining focus took some work.
These days a lot of people––maybe too many people––know that feeling of sanity-shattering loss. Surely, even as I type these words, the tens of thousands fleeing the inferno in Fort McMurray in Alberta, Canada, can feel the pain of it.
So can others around the globe who find their attention directed toward the news of a toddler killed while fleeing a war zone with siblings not yet in their teens, a mother or father lost to yet another mass shooting, or a pestilential outbreak that suddenly changed with no warning whatsoever the spiraling course of human history.
Psychic Interiors, Cityscapes, and Multiverses
It is because of examples parallel to the ones just given that I could not write a simple mournful remembrance of Luther. Like the psychic interiors, cityscapes, and multiverses painted in his work, he would have preferred words that reached beyond sorrow centered on him to communicate something beneficial to others.
Consequently, I had to wait. But soon enough it became apparent that, more than anything else, he would have wanted an article (or two or three or more) that extended our conversations on the pitfalls and triumphs of living lives immersed in pursuits of inspired creative visions.
Chronicling Legacies of Black Artists in Savannah-Georgia
Contemporary award-winning author of classically-styled works in history, poetry, creative nonfiction, speculative fiction, and journalism.