Quotation Art on birth , rebirth, and poetry: “Born once of flesh, then again of fire, I was reborn a third time to the sound of my name humming haikus in heaven’s mouth.” Text and Self-portrait art by Aberjhani–– (from The River of Winged Dreams) copyright 2017 (Postered Poetics by Aberjhani @ Bright Skylark Literary Productions 2017)
The diamonds referenced in the above title symbolize two concrete objectives as well as the more metaphysically metaphorical interpretations some might glean from it.
The first among the two material objectives is an examination of themes, meanings, and historical events that have provided some degree of context for my life up until this point. These are the subject of my current 4--part blog series on Charter for Compassion titled: Notes on Compassion in the Summer of a Life Infused with Democratic Vistas and Creative Resistance. So far we are up to part 3 and you can check them out by clicking the images in this post.
The second objective is a serious consideration of creative projects recently-completed and others just getting underway. Of these, the most immediate is a book of creative nonfiction on cultural arts, history, and race relations within Savannah, Georgia (USA).
This is one of those books which had to be lived before it could be written. And I admit the living was not always easy but I celebrate having come this far to share the tales told in its pages.
Additional components of the second wave of planned goals include: ongoing development of the Chromatic Poetics art project; and––a big drum-roll here—completion of at least one of the two plays currently sitting on my desk waiting for characters to take the stage.
For those who wonder why or how it is the engine room of my creative output remains so productive, the answer is more simple than complex. When looking at everything going on socially, politically, spiritually, economically, and otherwise-ly in our extraordinary world, it becomes impossible for me not to contribute in some way to the many dialogues that could make a powerful positive difference.
Aberjhani is an American poet, historian, essayist, editor, journalist, social critic, and cautious artist. His many honors include the Choice Academic Title of the Year Award, the Notable Book of the Year Award, Outstanding Journalist Award, and Poet of the Year Award. He is currently completing final edits on a work of creative nonfiction about the cultural arts, race relations, immigration, and human trafficking in his hometown of Savannah, Georgia.
National Poetry Month might strike some as an odd time for an author to debut new work as a visual artist. It is in fact not so strange at all.
If you've had a chance to check out my current essay series at Charter for Compassion, then you know it deals in large part with honoring empowering traditions. But not only that. It is also about extending and tweaking them in ways that add to their value in the 21st century.
Poet-Artist Galleries at Fine Art America
What this means when it comes to my new online visual arts gallery is that I am making an attempt to participate in the tradition of literary-artists-as-visual-artists. It is a very rich legacy that includes both notable classic icons and outstanding contemporary talents. These include the following:
Before anyone feels the need to ask, I will state categorically that I do not consider myself anywhere near the level of artistic skill which these individuals commanded or command.
I am someone who once upon a time as a child enjoyed a fondness for drawing characters from the comic books I read, and, for creating abstract labyrinths with cryptic symbolism. Without means during childhood to develop any real skill as an artist, the impulse to draw gave way to the need to write.
Creative Labors Beget Creative Possibilities
Contemporary award-winning author of classically-styled works in history, poetry, creative nonfiction, speculative fiction, and journalism.