April, when both Jazz Appreciation Month and National Poetry Month are observed, is always a special time at Bright Skylark Literary Productions. This year it is doubly special because in addition to featuring several re-posts of classic articles and essays about poetry and jazz on this site, we have also teamed up with our Charter for Compassion partners to present the timely new 4-part series: Poetic Traditions of Compassion and Creative Maladjustment.
The celebration of Jazz Appreciation Month actually got underway with Jarreau Jazz-riff Earth-tunes for the Angel of Compassion, the poem and essay published in tribute to the late great Al Jarreau after his passing earlier this year. Jarreau in recent years had been among the headliners for the annual International Jazz Day concert and one of the premier talents of the modern jazz era. You can check out part 1 of the tribute by clicking here and part 2, which includes the poem, by clicking this Postered Poetics artwork:
A Confluence of Compassionate Sensibilities
In addition to commemorating NPM 2017, the series showcased on the Charter for Compassion website does two important things:
1) It explores the conceptual relationship between Dr. Martin Luther King Jr.'s call for a creative-maladjustment approach to civil disobedience and author Karen Armstrong’s recommended strategy for living a compassion-empowered life.
2) It utilizes as lens through which to examine poetic traditions of compassion, short biographical profiles of the Sufi genius Jalal al-Din Rumi, the great Pulitzer Prize-winning Harlem Renaissance and Chicago Renaissance poet Gwendolyn Brooks, and the Prague, Czech Republic-born author of Duino Elegies, Rainer Maria Rilke.
You can begin enjoying the series by clicking either of the following graphics:
Author-Poet Aberjhani is currently completing a book of nonfiction narratives addressing race relations, histories of erasure, the cultural arts, and practices of slavery in his hometown of Savannah, Georgia, USA.
NOTE: If you missed part 1 of this special tribute to the jazz singer and songwriter Al Jarreau please check it out here. Part 2 begins now.
For the past few years, I have been particularly grateful for the technological advances that allowed me to catch online streaming of Al Jarreau's International Jazz Day performances from around the world: Washington D.C, Istanbul, Paris, etc. When news of his death came on February 12, 2017, the only thing I could really focus on was the astonishingly beautiful gift that was his presence in this world.
The first song by him I was able to access to commemorate his triumphant artistry was an MP3 file of the 1993 live version of "Summertime" from George Gershwin's and DuBose Heyward’s classic folk opera Porgy and Bess. The second was a 3-song set with the equally-amazing singer Randy Crawford on their 1982 Casino Lights CD recorded live in Montreux, Switzerland. Once again, like all those years before in Berkeley, I found myself compelled to sing along. This time, employing a style utilized for the Songs of the Angelic Gaze series published in The River of Winged Dreams, my participation took the form of a haiku jazz poem:
Jarreau Jazz-riff Earth-tunes for
Contemporary award-winning author of classically-styled works in history, poetry, creative nonfiction, speculative fiction, and journalism.