“It had been more than a year since the Joker’s conquest of America and we were all still in shock and going through the stages of grief but now we needed to come together and set love and beauty and solidarity and friendship against the monstrous forces that faced us. Humanity was the only answer to the cartoon. I had no plan except love. I hoped another plan might emerge in time but for now there was only holding each other tightly and passing strength to each other, body to body, mouth to mouth, spirit to spirit, me to you.” –Salman Rushdie (The Golden House)
Production-wise, in addition to the list of essays and poem noted in the previous post, 2017 will go down in my personal history as the year I completed the long-promised book of essays on different aspects of life in Savannah, Georgia (USA). Among the topics addressed in the book are: the increasing wrath of hurricanes, slavery of the past and present-day human-trafficking, the cultural arts, family life, the legacies of James Alan McPherson and Flannery O’Connor, John Berendt’s Midnight in the Garden of Good and Evil, and the enduring allure of the city of Paris, France.
Not too long ago, I responded to a tweet by fellow author J.K. Rowling in which she proposed something which prompted me to think about the scope of material covered in my book: “…If I had listened to 'the rules' back in 1990, there would be no Harry Potter. Stories about schools are passé. 95k words is too long” (https://twitter.com/jk_rowling/status/928688419332657153).
I thanked her with the following reply: @jk_rowling You just gave me a lot 2 think abt. I've been thinking my latest manuscript might actually be 2 #books, not 1. Btw I was a #bookseller in 1990 & HP [much later, around 1998] got me a sales bonus. #Thanks4That
Rowling’s comment––though she may have meant differently from how I first interpreted it–– made me wonder if, in my zeal to write a new kind of creative nonfiction about life in Southeast Georgia as it relates to a single individual and the larger world, I had overreached. She had noted the length specifically in regard to “Stories about schools.” But when I picked up copies of The World and Me, and The Beautiful Struggle by Ta-Nehisi Coates, I estimated each was no longer than 45,000 to 50,000 words. My manuscript by comparison was closer to what JK Rowling––or publishers responding to early Harry Potter manuscripts––had described as “too long.”
Then again, Ibram X. Kendi’s National book Award Winning volume, Stamped from the Beginning: The Definitive History of Racist Ideas, is almost 600 pages long. So which was preferable: concision or heft?
This quandary, I decided, is by no means a tragedy because the new manuscript is written in such a way that it can be published as either a single large edition suitable for attracting those impressed by authorial range, or, as two separate corresponding books attractive to readers who prefer more compact volumes. The popularity of having options could ultimately add to the votes in favor of two volumes rather than one. For right now, the forced considerations provide further evidence of a year which turned out to be exceptionally productive despite endless streams of political, financial, and other kinds of unruly disruption.
Rebirth of a Visual Artist
The other important production news of the year 2017 came from the launch of the Postered Chromatic Poetics store at Fine Art America. As happy as I am that the store opened, it was one of those developments which evolved naturally out of already-established activities as opposed to stemming from a planned enterprise.
Digital art, photography, and mixed media creations have expanded my capacities for communicating literary and philosophical observations about life as we experience it on different physical, mental, and spiritual levels. They increasingly provide frames, inspiration, and useful commentary for some of my most accessed writings.
It was quite an honor when supporters of the Renaming the Eugene Talmadge Memorial Bridge Symposium were presented with gift cards of my Savannah River Bridge The Morning after Hurricane Matthew No 2 as commemorative keepsakes for the historic event. (All of my Postered Chromatic Poetics artwork is currently available until January 7, 2018, at 40 percent off using promo code MEKCFJ). This specific piece formerly was named The Eugene Talmadge Memorial Bridge The Morning after Hurricane Matthew No. 2 for the sake of historical accuracy but more and more it seemed self-defeating to keep using Talmadge’s name while simultaneously calling for its removal from the bridge.
On Eulogies and Elegies
Diverse professional priorities and obligations made it impossible for me to respond, as I often have in the past, to the loss of every beloved figure in 2017 with individual poems or essays. Actress-singer Della Reese, actor Nelsan Ellis, playwright-actor Sam Shepard, actor Robert Gillaume, and rock and roll legend Fats Domino are only a few for whom I did not get a chance to write the kind of tribute I would have preferred. Thankfully, social media made it possible to at least acknowledge most of those to whom we bid farewell during the previous year. I did a little better when it came to jazz master Al Jarreau and the great human rights advocate Dick Gregory:
Prospects and Milestones
What does all of this mean as we settle into the year 2018? Simply that a lot good ground work has been laid to increase the potential for significant accomplishments over the next 12 months. In light of difficulties so many of us are facing on personal, local, national, and international levels, that is a valuable prospect to keep in mind. We can add to those prospects a number of notable milestones towards which we may look forward:
Positive as well as negative world events are going to have their say when it comes to whatever plans and resolutions we declare for this brand New Year 2018. That’s just the way reality rolls and it is all the more reason to salvage the best of everything worthwhile gained in 2017 while preparing to step up our games with just a little bit more inspired drive and determination for 2018.
8 January 2018
Bright Skylark Literary Productions
On any given day of the week, the creator of Postered Chromatic Poetics and co-author of Encyclopedia of the Harlem Renaissance, Aberjhani, may be found wearing any number of hats: historian, visual artist, poet, advocate for compassion, novelist, journalist, photographer, and editor. Having recently completed a book of creative nonfiction on his hometown of Savannah, Georgia (USA) he is currently writing a full-length play about the implications of generational legacies as symbolized by efforts to rename the Eugene Talmadge Memorial Bridge.
World-changing catastrophes––like the earthquake that struck Mexico on September 7, and the back-to-back twin maelstroms, Hurricane Harvey and Hurricane Irma, that rocked the United States this month––have a way of bringing to the surface humanity’s innate, but too often dormant, capacity for compassion. The life-and-death dilemmas they create strip us of the conditioned tendencies that cause people to fixate on superficial differences which encourage needless conflict rather than focus on shared commonalities that make community-building possible.
In their aftermath, we often see concrete demonstrations of exceptional considerations not only through the actions of celebrities like Beyoncé and Stevie Wonder who donate their time and talents to raise millions of dollar to support relief efforts. We also see it in the less glamorous actions performed by ordinary citizens contributing in whatever humble way they can.
Varieties of Angels and Monster Truck Drivers
On September 4, famed British author of the Harry Potter series, J.K. Rowling, shared this quote by me on Twitter: “Varieties of angels, like varieties of love, are many” (Aberjhani). The quotation was posted along with a video, from AFP News Agency, in which the driver of a mega truck, a bearded white male, is seen wheeling his way through the flooded streets of Port Arthur, Texas, helping people cope with the ravages of Hurricane Harvey.
In this day and age of strained racial anxieties in America and around the world, many people would hesitate to associate the driver in the video with the concept of angelic behavior. As he admits himself, the gargantuan-wheeled trucks are something he and others usually utilize for fun in ways rarely considered heroic. However, the aftermath of Hurricane Harvey provided an opportunity to employ the vehicles in a completely different and literally life-saving kind of way:
“You know,” he said, “we’ve had people trying to pay us, but we’re not taking any money. The hugs and the kisses, and watching a grown man cry when you come save him, it’s all worth it.”
Such is the kind of disposition that makes an everyday culture of compassion both credible and possible. Like the giant truck seen in the video, compassion equips us with the means to move past the destructive elements that prevent us from connecting with the potential for greater higher good residing within everyone.
That a global culture of compassion is needed now more than ever has become increasingly evident from by the nonstop talk of possible war between the U.S. and North Korea, and the string of terrorist attacks in London and elsewhere throughout the year 2017. The only thing standing in the way of citizens worldwide making it real is citizens worldwide making the choice to do so.
Most importantly, a true culture of compassion goes beyond basic acts of kindness to encompass mindful considerations of how everyday human activities, such as work, political engagement, social interactions, and economic enterprises either enhance or diminish the quality of human lives. In addition: it takes into account how our actions and aspirations impact the Earth’s ever-evolving biodiversity and general global environment.
One Good Quotation Deserves Another
Some have wondered what prompted celebrity author J.K. Rowling to use my specific quote and whether I had anything to do with the choice. My guess is her informed humane instincts were simply leaning in the same direction as the mega-truck driver’s in the video: toward compassion. It is not exactly something I could have influenced other than, like Rowling, by always striving to communicate something of value to humanity and hoping someone finds meaning in the attempt.
And in this case, thus far some 11,094 re-tweeters have found the shared words valuable and more than 37,970 Twittizens have expressed appreciation by clicking the like button. That being said, the quotation was particularly apt for this specific video because both negate assumptions and prejudices, and both propose exercising a more expanded form of awareness.
My response to Rowling’s tweet was also an acknowledgement of the Dalai Lama’s observation that “we all possess the seeds of love and compassion.” Whether we take time to cultivate their growth, however, tends to be another matter. And where that is concerned, the tweet with which I replied to Rowling was a quote by her: “It is our choices... that show what we truly are, far more than our abilities” (J.K. Rowling).
We can choose to evoke the angels our better nature because doing so makes life more joyfully sustainable for humanity as a whole, or we can choose to demonize each other based on such superficial differences as nationalities, religion, or race for no beneficial reason whatsoever. When tempted to give in to the latter, it is worth remembering that catastrophic events such as hurricanes, earthquakes, tsunamis, and wildfires don’t ask for immigration papers, birth certificates, or bank account balances before bringing on the full unrelenting force of pure non-discriminating pain.
Poet-Author-Artist Aberjhani spend almost a decade writing his most recently-completed manuscript on culture, history, and race relations in his hometown of Savannah, Georgia (USA). He is currently at work on a play about attempts to change the name of the Eugene Talmadge Memorial Bridge.
Contemporary award-winning author of classically-styled works in history, poetry, creative nonfiction, speculative fiction, and journalism.