PLEASE NOTE: This book review is an extended version of the one previously published on Goodreads:
When I first learned the author of Already Here, the Matter of Love, had used quotes from my work in her new book, I thought for some reason that the entire project would be a collection of quotations by diverse individuals. I was definitely mistaken.
Moreover, I was pleasantly surprised by her choice to use the quote in the Postered Poetics art graphic above. It is from the poem “Angel of Healing: for the Living, the Dying, and the Praying.” The poem contains a number of haikus which readers seem fond of sharing on social media but this one is generally ignored and I sometimes if I possibly overreached with the imagery, which is in fact intended to encourage the kind of awakening discussed in the subject of this review.
Revising Your Habitual Life MO
Already Here is a passionately-considered and beautifully-presented work on staking your claim to joy and sanity in a world where so many are now convinced that the opposite must necessarily be the norm. From the book’s very first pages, Kelly Corbet invites her readers to “Think Again” and cautions them that, “What you’re about to catch a glimpse of will probably not match your habitual life MO.” Why does that turn out to be a good thing? Because the habitual life MO for so many of us denizens of Earth within these early years of the 21st century is one defined by war, terrorism, poverty, domestic violence, xenophobia, disease, and other atrocities that do not have to exist.
Imagine if we chose as eagerly to cultivate practices which increase the presence of Love and Joy in the world as we do to engage actions which hasten the destruction of our fellow human beings. That is within realm of possibility for everyone. Corbet is too wise a writer to promise a cure for all of humanity’s current failings. But she happily offers an important contribution to the body of literature illustrating ways to position ourselves to experience as great a sense of delight in our lives as we do sorrow or tragedy. For starters, she suggests the following 4 points as the “foundational essence” of Already Here:
Different wise souls have shared similar insights but when confronted by overwhelming chaos in the world (consider the gun violence crisis, the apparent total absence of ethics in various industries, mass kidnappings and epidemic rapes in different countries, etc.) many find themselves without the strength of any meaningful convictions. Then someone comes along to stoke the flames of forgotten wisdom and bit by bit we start to find our way back to more humane frames of mind.
If the author did nothing more than spout wishful generalizations throughout the pages of Already Here there would be little reason to take the book seriously. As it is, however, she backs up her core principles with rigorous (and yet somehow playful) examinations of language, philosophical ponderings strengthened by scientific reasoning, and short exercises intended to increase your capacity for experiencing a deeper sense of delight through everyday living.
On the Orlando Massacre and One Pet Peeve
I received a copy of Already Here (beautifully autographed with hand-scripted calligraphy) just a few days before the mass shooting at Pulse Nightclub in Orlando, Florida. While meditating upon the painful senselessness of the killings, I couldn’t help wondering if the shooter might not have made a profoundly different choice if he had taken time to tap into an innate sense of thrilling wonder within his own being instead of building up deadly rage against others based on imagined slights or rejections. Certainly he––and far too many like him––would have discovered more reasons to simply enjoy sharing the available music than latching onto delusional motives to end the lives of 49 people who had never caused him harm.
My primary criticism of Already Here, the Matter of Love, is that it deserves a good index but has none at all. That does not make reading the book or taking useful advantage of its exercises any less gratifying. It would simply provide a helpful tool for scholars and researchers looking to quickly locate specific exercises or key references.
Among those references is the highly-intriguing selection of authors quoted throughout the text. These include: Simone De Beauvoir, Pierre Theilhard de Chardin, Fyodor Dostoyevsky, Albert Einstein, Kahlil Gibran, Vincent Van Gogh, Dr. Amit Goswami, William James, Kabir, John Lennon, C.S. Lewis, Nelson Mandela, Jalal al-Din Rumi, Mother Theresa, Walt Whitman, Marianne Williamson, Pharrell Williams, and quite a few more.
Despite any purported shortcomings, there are those who may be inclined to describe Already Here as an instant modern classic of its kind. They just might be right in that assessment.
© July 2016
Bright Skylark Literary Productions
The cost of the public health crisis of gun violence in America grows more expensive by the day. It has surpassed even the mega-millions of dollars that gun advocates such as members of the National Rifle Association casually spend to counter efforts to implement the most basic sensible forms of responsible gun legislation.
The greater cost is in that of lives lost or irreparably damaged. Sometimes the damage takes the form of psychological trauma experienced by those who have lost loved ones to the violence and for whom monetary compensation does nothing to ease their inconsolable grief. Recent reports on an attempt by Gloria Darden, mother of the late Freddie Gray, to commit suicide, underscores that point. Moreover, it represents only one example.
What happened to Semaj Clark when he chose to speak out against the violence he saw destroying too many young lives represents another deeply troubling instance. Yet his story is one which this compelling millennial crusader for brotherhood refuses to allow to be defined by the word “tragedy.” Considering what doctors have said about the likely results of the gun violence inflicted upon Semaj, his amazing grace is truly inspiring.
The following is a post that I shared on Facebook in regard to someone whose faith and courage in the face of heartbreak is beginning to inspire people across the globe:
How You Can Help Semaj Clark Continue His Mission
“Death wins nothing here,
Continued from PART 1
Rodger told himself in particular that “women rejected” him and therefore deserved punishment while knowing nothing about these anonymous women’s personal realities. And most damning of all, the mental model on which he relied convinced him that destroying life was the only way to conquer life. The possibility that he might discover joy and live peacefully outside his extremely narrow conceptions seems to have never occurred to him.
I had undertaken the completion of Journey through the Power of the Rainbow in the first place partly to help individuals, in general, construct healthier perspectives for looking at and dealing with existence as we know it in the 21st century. Rodger’s deadly rampage was a vicious reminder––not that anybody required one with the civil disruptions in Ukraine and Syria still disturbing the collective peace–– that humanity itself still needs to “get the work done” when it comes to dismantling belief in violence as a solution to disagreements or disappointments.
An Affirmation of Humanity’s Potential
News of the massacre on May 23 shoved communities across the globe even deeper into pits of despair already made fatally toxic by escalating conflicts, the intensification of climate meltdown, and the heartbreak of #BringBackOurGirls. Yet, in one of those strange ironies that no one can ever anticipate, news of Angelou’s death gave the global village a reason to celebrate her astonishingly triumphant life. Hers was the towering example of a mental, spiritual, and literary model that affirmed humanity’s potential to transform the self-consuming shadows of emotional chaos into the healing light of inspired affirmation.
She had spent almost nine decades “getting the work done,” creating a legacy that enhanced rather than diminished people’s capacity for embracing faith in life. In Angelou’s own words, her mission was “not merely to survive, but to thrive; and to do so with some passion, some compassion, some humor, and some style.” Her example had been set as beautifully as a Thanksgiving table covered with a feast of grace large enough to feed an entire neighborhood. It should be easy enough to honor that example simply by enjoying the splendid wonder of its incredible beauty.
4 June, 2014
“My great hope is to laugh as much as I cry; to get my work done and try to love somebody and have the courage to accept the love in return.”
The death of author Maya Angelou on May 28 and the murderous massacre in Isla Vista in Santa Barbara County, California, on May 23, 2014, occurred within a week of each other. Both forced me to turn my attention away from work on the final proofs for Journey through the Power of the Rainbow, Quotations from a Life Made Out of Poetry. Then both, in the end, for different reasons, persuaded me to remain as focused as I could and to get the work done.
That last phrase in particular––“get the work done”––stood out because I recalled Angelou using it when noting how prolific James Baldwin (as an author of novels, plays, poems, essays, short fiction, and screenplays) had been in comparison to Ralph Ellison (celebrated during his lifetime mostly for a single history-making novel and collection of essays). Angelou acknowledged Ellison’s towering achievement with Invisible Man but also felt Baldwin deserved recognition for the more extensive body of critically acclaimed work. Therefore, upon her passing, those words thundered through my skull with the full volume of her majestic articulation: “Get the work done.”
It was a wholly different matter in the case of the misogynistic implosion that Elliot Rodger unleashed in the form of a psychotic detonation that took the lives of six people, wounded seven more, and scarred countless others. The introductory essay in Journey through the Power of the Rainbow talks about how the book was inspired largely by social media’s adoption of a certain quote that might have helped Rodger change his troubled mind. It is one that encourages individuals to seek, claim, and celebrate their innate value as human beings rather than suffer from––or make others suffer from––delusions of rejection and insignificance.
The Man in His Mental Mirror
Rodger acted from the perspective of a mental model––or image of the world held in his mind–– that gave him a lot of misleading assumptions and generally bad information. He assumed his experience of college life must necessarily mirror that of the stereotypical representations so often depicted in popular films and TV programs. Otherwise, it meant either he was failing as a human being or others were failing him.
He convinced himself that being a virgin at the ripe old young adult age of 22 was a reason for self-condemnation. He persuaded himself––while enjoying forms of privilege and luxury unknown to most––that others disliked him when he probably spent too little time actually communicating with anyone to learn whether they truly did or not. Or to determine if it mattered as much as he apparently thought.
Please Click to Read Part 2: Maya Angelou, Elliot Rodger, and Getting the Work Done Part 2
One need not, after all, call oneself an artist in order to embrace either the beauty that roses give to the world or the genius that one’s love does. (Aberjhani)
I. ENCOUNTER WITH BEAUTY
When viewing a recent untitled painting by Dublin artist Jaanika Talts a strange thought came to me. It was this: Between the elegant reach of an artist’s color-stained fingers toward her canvas and the haunted explosion of a soldier’s bullet inside his brother’s chest, somewhere a terrified soul is seeking shelter inside the warmth of a stranger’s voice, or an infant is squealing at the incomprehensible delight of discovering it is alive.
As I said, it was a strange thought.
Talts’ painting depicts a cluster of multi-colored roses in different stages of blossoming, nestled against the flesh of dark green leaves and framed by deep brooding shades of emerald, bronze, gold, ruby, and amethyst. There is no description (please see comments below) of the medium but it appears to be mixed acrylic and might include photography as well as an actual rose or two.
The painting caught my attention only partly because it was accompanied by this quote: “Beauty will snatch us by the heart and love us until we are raw with understanding.” The words come from the poem “Calligraphy of Intimacy,” first published in 1996 in a small press magazine called Out of the Blue and later in the book I Made My Boy Out of Poetry. But the image drew my gaze mostly because it was something new from Ms. Talts and then because of what struck me as a sustained tension between persistent beauty and grace asserting itself while under fire.
II. THE POEM
The poem “Calligraphy of Intimacy” is about how relationships anchored in mutual need and affection sometimes turn unexpectedly into battlefields. The relationship might be between two people or two nations, two dreams or two cultures. At their core, they are defined by a gravitational pull toward the best within each other but superficial externals repeatedly block or sever their connection. That could, in many ways, describe the international community’s centuries-year-old waltz with peace and non-peace, and it consequently makes this poem a good one to share for World Poetry Day (March 21) and National Poetry Month (April) 2014:
Calligraphy of Intimacy
III. STARTLING SPLENDOR
Some may recall that when writing about Talts’ art in Sensualized Transcendence, I described her two dominant styles as emergent expressionism and transformative impressionism :
If emergent expressionism lends chromatic form and substance to in-between states of metamorphosis, then transformative impressionism may be described as endowing such stages of transition with metaphorical narrative. (from Sensualized Transcendence: Editorial and Poem on the Art of Jaanika Talts)
Those qualities, along with the artist’s penchant for juxtapositions of unpredictable colors, remain evident in the new canvas. At first glance, the flowers almost appear to be trapped in a net of barely-visible anguish. Then take a second look and they could be resting inside a cosmic field of painted ecstasy, quietly breathing in the profound joys and smoldering sorrows that give them their startling splendor.
As over-the-top as the above statement might sound to certain ears, it is no more so than the events and circumstances that have come to shade the character of the year 2014 thus far. On the day that I became aware of the painting, the mystery of Malaysia’s Flight MH370 had just grown considerably deeper, Russia’s military presence in Crimea had become more unsettling, and the Syrian landscape continued to overflow with blood as the region headed into the fourth year of its civil war.
In fact, the previously-noted concepts of persistent beauty and grace asserting itself while under fire could serve as apt descriptions of how Earth continues to spin and dance through the cosmos while humanity carries on with struggles to give a living functional meaning to the word Love.
At any moment within any hour or day or week or year, we are positioned between opportunities to affirm beauty and wonder in the world, and opportunities to assist in humanity’s needless destruction. Some might argue that the latter is not an opportunity at all but an unfortunate faith in self-annihilation and a dangerously macabre addiction to toxic nightmares. One need not, after all, call oneself an artist in order to embrace either the beauty that roses give to the world or the genius that one’s love does. You only need to allow it, and yourself, the respect and chance they deserve.
World Poetry Day 2014
Contemporary award-winning American author of classically-styled works in history, poetry, creative nonfiction, speculative fiction, and journalism.