World-changing catastrophes––like the earthquake that struck Mexico on September 7, and the back-to-back twin maelstroms, Hurricane Harvey and Hurricane Irma, that rocked the United States this month––have a way of bringing to the surface humanity’s innate, but too often dormant, capacity for compassion. The life-and-death dilemmas they create strip us of the conditioned tendencies that cause people to fixate on superficial differences which encourage needless conflict rather than focus on shared commonalities that make community-building possible.
In their aftermath, we often see concrete demonstrations of exceptional considerations not only through the actions of celebrities like Beyoncé and Stevie Wonder who donate their time and talents to raise millions of dollar to support relief efforts. We also see it in the less glamorous actions performed by ordinary citizens contributing in whatever humble way they can.
Varieties of Angels and Monster Truck Drivers
On September 4, famed British author of the Harry Potter series, J.K. Rowling, shared this quote by me on Twitter: “Varieties of angels, like varieties of love, are many” (Aberjhani). The quotation was posted along with a video, from AFP News Agency, in which the driver of a mega truck, a bearded white male, is seen wheeling his way through the flooded streets of Port Arthur, Texas, helping people cope with the ravages of Hurricane Harvey.
In this day and age of strained racial anxieties in America and around the world, many people would hesitate to associate the driver in the video with the concept of angelic behavior. As he admits himself, the gargantuan-wheeled trucks are something he and others usually utilize for fun in ways rarely considered heroic. However, the aftermath of Hurricane Harvey provided an opportunity to employ the vehicles in a completely different and literally life-saving kind of way:
“You know,” he said, “we’ve had people trying to pay us, but we’re not taking any money. The hugs and the kisses, and watching a grown man cry when you come save him, it’s all worth it.”
Such is the kind of disposition that makes an everyday culture of compassion both credible and possible. Like the giant truck seen in the video, compassion equips us with the means to move past the destructive elements that prevent us from connecting with the potential for greater higher good residing within everyone.
That a global culture of compassion is needed now more than ever has become increasingly evident from by the nonstop talk of possible war between the U.S. and North Korea, and the string of terrorist attacks in London and elsewhere throughout the year 2017. The only thing standing in the way of citizens worldwide making it real is citizens worldwide making the choice to do so.
Most importantly, a true culture of compassion goes beyond basic acts of kindness to encompass mindful considerations of how everyday human activities, such as work, political engagement, social interactions, and economic enterprises either enhance or diminish the quality of human lives. In addition: it takes into account how our actions and aspirations impact the Earth’s ever-evolving biodiversity and general global environment.
One Good Quotation Deserves Another
Some have wondered what prompted celebrity author J.K. Rowling to use my specific quote and whether I had anything to do with the choice. My guess is her informed humane instincts were simply leaning in the same direction as the mega-truck driver’s in the video: toward compassion. It is not exactly something I could have influenced other than, like Rowling, by always striving to communicate something of value to humanity and hoping someone finds meaning in the attempt.
And in this case, thus far some 11,094 re-tweeters have found the shared words valuable and more than 37,970 Twittizens have expressed appreciation by clicking the like button. That being said, the quotation was particularly apt for this specific video because both negate assumptions and prejudices, and both propose exercising a more expanded form of awareness.
My response to Rowling’s tweet was also an acknowledgement of the Dalai Lama’s observation that “we all possess the seeds of love and compassion.” Whether we take time to cultivate their growth, however, tends to be another matter. And where that is concerned, the tweet with which I replied to Rowling was a quote by her: “It is our choices... that show what we truly are, far more than our abilities” (J.K. Rowling).
We can choose to evoke the angels our better nature because doing so makes life more joyfully sustainable for humanity as a whole, or we can choose to demonize each other based on such superficial differences as nationalities, religion, or race for no beneficial reason whatsoever. When tempted to give in to the latter, it is worth remembering that catastrophic events such as hurricanes, earthquakes, tsunamis, and wildfires don’t ask for immigration papers, birth certificates, or bank account balances before bringing on the full unrelenting force of pure non-discriminating pain.
Poet-Author-Artist Aberjhani spend almost a decade writing his most recently-completed manuscript on culture, history, and race relations in his hometown of Savannah, Georgia (USA). He is currently at work on a play about attempts to change the name of the Eugene Talmadge Memorial Bridge.
April, when both Jazz Appreciation Month and National Poetry Month are observed, is always a special time at Bright Skylark Literary Productions. This year it is doubly special because in addition to featuring several re-posts of classic articles and essays about poetry and jazz on this site, we have also teamed up with our Charter for Compassion partners to present the timely new 4-part series: Poetic Traditions of Compassion and Creative Maladjustment.
The celebration of Jazz Appreciation Month actually got underway with Jarreau Jazz-riff Earth-tunes for the Angel of Compassion, the poem and essay published in tribute to the late great Al Jarreau after his passing earlier this year. Jarreau in recent years had been among the headliners for the annual International Jazz Day concert and one of the premier talents of the modern jazz era. You can check out part 1 of the tribute by clicking here and part 2, which includes the poem, by clicking this Postered Poetics artwork:
A Confluence of Compassionate Sensibilities
In addition to commemorating NPM 2017, the series showcased on the Charter for Compassion website does two important things:
1) It explores the conceptual relationship between Dr. Martin Luther King Jr.'s call for a creative-maladjustment approach to civil disobedience and author Karen Armstrong’s recommended strategy for living a compassion-empowered life.
2) It utilizes as lens through which to examine poetic traditions of compassion, short biographical profiles of the Sufi genius Jalal al-Din Rumi, the great Pulitzer Prize-winning Harlem Renaissance and Chicago Renaissance poet Gwendolyn Brooks, and the Prague, Czech Republic-born author of Duino Elegies, Rainer Maria Rilke.
You can begin enjoying the series by clicking either of the following graphics:
Author-Poet Aberjhani is currently completing a book of nonfiction narratives addressing race relations, histories of erasure, the cultural arts, and practices of slavery in his hometown of Savannah, Georgia, USA.
The first time I became aware of the name Al Jarreau was when receiving a letter (of the old-school variety penned by hand) from a former college roommate exclaiming how thrilled he and his girlfriend had been to attend one of his concerts. Despite my former roommate's enthusiasm, which rarely bubbled over so heatedly for anything other than football and slightly-older women, I did not really understand all the fuss over Jarreau.
Then a couple of years later, in the early 1980s, I got to see the rhythm-bending phenomenon myself in Berkeley, California, on a bill that also featured Carlos Santana and Frankie Beverly and Maze. The world by then had come to know him as the Grammy Award-winning talent behind the albums Look to the Rainbow (1977) and All Fly Home (1978). For my part, I finally got to experience the truth of a statement Jarreau would make many years later:
“I have missed the boat over my career by not doing every second or third CD live, because things happen on stage that don't happen in the studio.” (Al Jarreau Biography.com)
By its accommodating democratic nature, live jazz is often a music of improvisation. And by his brilliant fluid aesthetics, Al Jarreau was able to adapt his vocal vibrations to whatever genre he chose. But he was also, in essence a flesh, blood, and soul embodiment of jazz. It would not be absolutely wrong to describe him as a male Ella Fitzgerald or as a contemporary Cab Calloway, both of Harlem Renaissance fame, rolled into one. It might be more accurate, however, to say he was a once-in-a-lifetime kind of talent.
Among the things to which he alluded that could "happen on stage" was for him to suddenly turn his chest and rib cage into a drum set, transform his clapping hands into tambourines, or absorb an inspiration from the improvisational moment and blast it out of his lungs like a laser cannon lighting up multiple Sonny Rollins solos.
What happened on the stage was the kind of inexplicable enchantment that made music journalists rush to describe the "quintessential jazz musician" who could duplicate the superlative performance of a brilliant quartet, or even an entire orchestra, with just his singular voice and body carved from music. Think of him this way--Al Jarreau did not just perform his music: right before your astonished eyes and heart he brought it to kicking, shouting, dancing, holy cosmic life that left you breathless with wonder.
Forced to Make a Difficult Decision
The horrible dilemma with which I had to deal the night I saw Jarreau at the Berkeley Coliseum was that he had already been onstage for an hour, took a very short break, then came back for an additional set that lasted even longer. Dependent as I was on the Bay Area Rapid Transit (BART) subway system to get me back to San Francisco, I could not ignore the fact that it was close to midnight and, according to my schedule, the last train to the city would leave at that time.
Thoroughly immersed in the essential work of channeling raw creative energy into musical genius, the singer himself clearly had no use for clocks or schedules and the band seemed happy to match him song for song. Knowing no one from whom I could beg for a ride if I chose to stay, I forced myself to leave and head for the subway.
Just as I was about to enter the station some blocks away, something incredible caught my attention. It was his voice. Whether due to the unique acoustics of the coliseum or the undiminished intensity of his performance, I could still hear him. It was if the night itself with the surrounding buildings, street lamps, trees, and sweet cool air had become his microphone and speakers. I smiled, then laughed out loud, and then laughed some more while simultaneously trying to sing along with him and hurry down the subway steps.
NEXT: Jarreau Jazz-riff Earth-tunes for the Angel of Compassion: Essay with Poem (part 2)
Bright Skylark Literary Productions
Author-Poet Aberjhani is currently completing a book of nonfiction narratives about race relations, histories of erasure, the cultural arts, and practices of slavery in his hometown of Savannah, Georgia, USA.
Compassion provides the means by which we walk a mile in each other’s shoes and learn to value our common humanity enough to invest in its immense potential. This is something many of us know very well, but which a lot of people choose to avoid for different reasons.
One motive behind the choice to sidestep this awareness is because when walking, or recognizing the value of, the path of another person’s life we sometimes discover tracks leading back to our own door. When such trails take us to the beginning of a joyful or healing experience in someone else’s life, it is easy to smile at the revelation and quietly celebrate the triumph.
But if they guide us to a point of disempowering trauma which our actions, words, or biases helped trigger in the existence of an individual or the collective being of a nation, acknowledging one’s role in the creation of their suffering can become more difficult. Apply this idea to a variety of scenarios and we begin to see why many might have a problem approaching situations from a perspective based on compassion:
Shaka Senghor and the Transformational Power of Compassion
A second reason someone might hesitate to embrace exercising compassion as a basic component of their daily practices is the perceived price we pay when holding ourselves accountable for causes as well as effects. That price may be viewed as an existential risk, or a stress-laden sacrifice that could comprise anything from hard-earned financial resources to time-consuming labor and fragile relationships.
Why? Because practicing compassion in the 21st century means going beyond logging accusations of social, political, or domestic injustices, and taking the additional step of volunteering ways to correct them. Holding oneself accountable for producing a healing or restorative effect upon deteriorating lives or conditions can be a difficult thing to do. And yes: a challenging sacrifice to make.
Settling into the Year 2017
As the world settles into 2017, opposition opposed to presidential administrations even before they get underway, war-hawks eager to assert dominance over distant lands, increasing disease, and expanding poverty provide many opportunities for modeling what President Abraham Lincoln called the better angels of our nature. Taking the risks and confronting the agonies, however, is not something we do to proclaim ourselves as heroic or saintly. We do it in answer to the needs and demands of our times, following the examples set by so many before this present hour.
For men and women to comfortably adapt to a state of nihilistic indifference is to declare hope itself a sad delusion and compassion a spiritual fantasy. None of us are wealthy enough to pay such a fatal cost.
We declare a partnership in mindfulness with citizens of the global community because these words remain true: Compassion saves lives, builds communities, and restores nations by minimizing tendencies to glamorize hatred, and by maximizing the capacity for manifesting love. Compassion––keeps hope alive.
January 1, 2017
Bright Skylark Literary Productions
PLEASE NOTE: This book review is an extended version of the one previously published on Goodreads:
When I first learned the author of Already Here, the Matter of Love, had used quotes from my work in her new book, I thought for some reason that the entire project would be a collection of quotations by diverse individuals. I was definitely mistaken.
Moreover, I was pleasantly surprised by her choice to use the quote in the Postered Poetics art graphic above. It is from the poem “Angel of Healing: for the Living, the Dying, and the Praying.” The poem contains a number of haikus which readers seem fond of sharing on social media but this one is generally ignored and I sometimes if I possibly overreached with the imagery, which is in fact intended to encourage the kind of awakening discussed in the subject of this review.
Revising Your Habitual Life MO
Already Here is a passionately-considered and beautifully-presented work on staking your claim to joy and sanity in a world where so many are now convinced that the opposite must necessarily be the norm. From the book’s very first pages, Kelly Corbet invites her readers to “Think Again” and cautions them that, “What you’re about to catch a glimpse of will probably not match your habitual life MO.” Why does that turn out to be a good thing? Because the habitual life MO for so many of us denizens of Earth within these early years of the 21st century is one defined by war, terrorism, poverty, domestic violence, xenophobia, disease, and other atrocities that do not have to exist.
Imagine if we chose as eagerly to cultivate practices which increase the presence of Love and Joy in the world as we do to engage actions which hasten the destruction of our fellow human beings. That is within realm of possibility for everyone. Corbet is too wise a writer to promise a cure for all of humanity’s current failings. But she happily offers an important contribution to the body of literature illustrating ways to position ourselves to experience as great a sense of delight in our lives as we do sorrow or tragedy. For starters, she suggests the following 4 points as the “foundational essence” of Already Here:
Different wise souls have shared similar insights but when confronted by overwhelming chaos in the world (consider the gun violence crisis, the apparent total absence of ethics in various industries, mass kidnappings and epidemic rapes in different countries, etc.) many find themselves without the strength of any meaningful convictions. Then someone comes along to stoke the flames of forgotten wisdom and bit by bit we start to find our way back to more humane frames of mind.
If the author did nothing more than spout wishful generalizations throughout the pages of Already Here there would be little reason to take the book seriously. As it is, however, she backs up her core principles with rigorous (and yet somehow playful) examinations of language, philosophical ponderings strengthened by scientific reasoning, and short exercises intended to increase your capacity for experiencing a deeper sense of delight through everyday living.
On the Orlando Massacre and One Pet Peeve
I received a copy of Already Here (beautifully autographed with hand-scripted calligraphy) just a few days before the mass shooting at Pulse Nightclub in Orlando, Florida. While meditating upon the painful senselessness of the killings, I couldn’t help wondering if the shooter might not have made a profoundly different choice if he had taken time to tap into an innate sense of thrilling wonder within his own being instead of building up deadly rage against others based on imagined slights or rejections. Certainly he––and far too many like him––would have discovered more reasons to simply enjoy sharing the available music than latching onto delusional motives to end the lives of 49 people who had never caused him harm.
My primary criticism of Already Here, the Matter of Love, is that it deserves a good index but has none at all. That does not make reading the book or taking useful advantage of its exercises any less gratifying. It would simply provide a helpful tool for scholars and researchers looking to quickly locate specific exercises or key references.
Among those references is the highly-intriguing selection of authors quoted throughout the text. These include: Simone De Beauvoir, Pierre Theilhard de Chardin, Fyodor Dostoyevsky, Albert Einstein, Kahlil Gibran, Vincent Van Gogh, Dr. Amit Goswami, William James, Kabir, John Lennon, C.S. Lewis, Nelson Mandela, Jalal al-Din Rumi, Mother Theresa, Walt Whitman, Marianne Williamson, Pharrell Williams, and quite a few more.
Despite any purported shortcomings, there are those who may be inclined to describe Already Here as an instant modern classic of its kind. They just might be right in that assessment.
© July 2016
Bright Skylark Literary Productions
Contemporary award-winning author of classically-styled works in history, poetry, creative nonfiction, speculative fiction, and journalism.