Visionary Vibes: A Blog by Aberjhani

Elemental's 10th anniversary inspires mindful reflections and renewed hopes (part 1 of 2): remembrance

5/2/2018

May is Elemental the Power of Illuminated Love Month at Bright Skylark Literary Productions. (Title art graphic collage by Aberjhani)

"He used the word 'nourishing' to refer to Vann's work. And the more I looked through the work seriously, and took my time, that term [seemed] quite apropos. The art and poetry of Elemental nourishes the soul, the mind, and the aesthetic."
--Ja A. Jahannes (from remarks delivered May 29, 2008 at Celebration of Release of Elemental: The The Power of Illuminated Love)

Every now and then I get a good sense of what it might feel like to be a phoenix waking up as a pile of ash and bones which suddenly burst into new flaming life. It was kind of like that recently while continuing my ongoing recovery from the hurricanes of 2016 (Matthew) and 2017 (Irma) to prepare for the 2018 stormy-weather season.

In the course of going through yet another pile of unsorted thumb drives, DVDs, CDs, and mini cassettes, I discovered a lost treasure: a DVD filmed by the gifted polymath Benjamin Bacon (known to friends and colleagues as BeBe) labeled "Elemental, Early Morning Light Productions, by Luther E. Vann, Final Cut, Jepson Gallery, Savannah, GA, May 29, 2008." It is not something which will ever challenge the global impact of director Ryan Coogler's game-changing Black Panther film, but it has added immeasurably to the 2018 10th Anniversary Celebration of the publication of Elemental, the Power of Illuminated Love (ISBN 9780972114271).

The video, shot just as YouTube and social media were developing their considerable digital muscles, captures in raw fashion a singular moment in the history of cultural arts in the United States. The program that evening included my friend Luther's debut effort as a videographer, a short bio-documentary titled Coming Home, in which he recorded me reciting the poem from which the video took its title, and chronicled his days in New York City pursuing his craft while living in the basement of a friend's apartment on Washington Square.

Artist Luther E. Vann honing his skills in the basement of a friends apartment in NYC circa 1973. (Photo by Chris Torres. Bright Skylark Literary Productions Collection)

In addition to Luther, program participants included: Dr. Ja A. Jahannes, musician Travis Biggs, The Telfair's Friends of African-American Art (who did so much to make the evening possible), its then director Steven High, curator Harry DeLorme, and many patrons, supporters, and fans. They all combined intentions and resources to demonstrate art's ability to endow a diverse community with a single beautiful purpose. That potential is one which has eluded too many in 2018 as educational institutions and organizations like the National Endowment for the Arts have seen their budgets butchered at a time when what creatives gift to society possibly has never been more needed.

The current political assaults on freedom of the press and individual expression make it even more important to savor the kind of rarity represented by Elemental's launch ten years ago. Moreover, the event takes on greater and greater significance because some of the key geniuses who made it happen are no longer with us on the physical plane and others have taken on new missions in different cities or countries. Vann died April 6, 2016, and Jahannes on July 5, 2015. (I last communicated with violinist Travis Biggs a few months before Luther passed but since then have not received any responses to phone messages or emails).

Sensory Brilliance

Dr. Jahannes' contribution to the celebration remains particularly memorable because with his eloquent, insightful, and often humorous comments on the art and poetry of Elemental he both "stole the show" and gave it back to the audience as a perfect gift. He had been asked to introduce the Coming Home video precisely because of his familiarity with our work both as individuals and as a team. In his words:

"Aberjhani and Luther Vann have dynamic synergism in their poetry and their paintings...'Luther Vann's paintings will enrich our community for years to come,' said Steven High in a preface to Elemental. So will the poetry of Aberjhani..."

He spoke with infectious ease when comparing Luther's work to that of painters as diverse as the Norwegian master Edvard Munch and the iconic Dutch painter Vincent Van Gogh. He did the same when pointing out parallels between it and musicians such as the classical composer Antonin Dvorchak and giants of jazz John Coltrane and Miles Davis. An accomplished photographer himself, Jahannes further described as Vann as "a remarkable storyteller" and "a sensory artist" whose images engage viewers' attention on multiple levels:

"He's a master of sensory brilliance. His work is visual, captivating, and viscerally engaging... If you look at these paintings, you can almost hear them. They are auditory. There are voices emitted by color and arrangement. They're kinesthetic. Energy [is] generated by the arrangement of pulsating hues... They are tactile. You can almost feel the texture by the way he layers and juxtaposes color and arranges symbols and images..."

These observations have since helped various scholars and art lovers to more fully understand what they are viewing when going through the pages of the book, or standing in front of Luther's work at the Telfair Museum of Art or elsewhere.

The Deep Road to Infinity

Long before Elemental made cultural arts history in Savannah, I had become an admirer of Dr. Jahannes's poetry and essay collection, Truthfeasting. For that reason, I felt more than a little honored by his generous comments on the body of my published works and was thrilled to hear him recite the following passage:

We take the deep road to infinity.
From the silence to the sound
to the cross to the mosque
we bleed through the hidden tunnels of history
tapping the jingle of empires and chains
to the beat of memory gone astray.

We take the deep road to infinity...

(from the poem "More Than You Know," Elemental, p. 16)

His willingness to lend his voice in service to something greater than either of our individual ambitions was a large part of what defined Elemental's thematic substance. It brought to mind the great Lucille Clifton’s famous dictum that when it comes to identifying yourself as a poet and actually writing poetry, "One should wish to celebrate more than one wishes to be celebrated."

The celebratory evening of May 29, 2008, marked the culmination of an almost two-decade campaign to breathe life into a project which had survived, and in part been shaped by, the turbulence born of two creative individuals' private, social, political, and professional lives. The luxury of having finally reached a point of relief nearly overshadowed the excitement of having achieved a long-sought triumph. We soon realized we had completed only one more stage of a perpetually interactive process which would, much like the book, continue to unfold in layers of color and sparks of revelation.

NEXT: Elemental's 10th anniversary inspires mindful reflections & renewed hopes (part 2): illumination
Aberjhani
©May 2018

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International Golden Rule Day Excellent Demonstration of Collective Compassion

4/2/2018

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“Treat others and the Planet as you would like to be treated.”––Theme for 2018 International Golden Rule Day.

My personal observance of National Poetry Month got underway with the poem Inside Compassion’s Golden-Crystal Cottage posted on the Charter for Compassion blog website. In addition to helping pave the way for celebrations of the annual event, the poem also served to accomplish the following:

Commemorate the 10th anniversary of the founding of Charter for Compassion. And:
Join the chorus of voices raised worldwide in observance of World Poetry Day.

The poem itself was inspired to a large extent by my reading of poet Coleman Barks’ volume--Rumi, The Big Red Book. His lively probing multi-faceted version of Jalal al-Din Rumi’s “Great Masterpiece Celebrating Mystical Love & Friendship” has become a favorite point of critical reference while reading Brad Gooch’s biography of the exceptional Sufi Muslim genius. (I frequently find myself debating certain points proposed by Gooch in his book, titled Rumi’s Secret, but that’s a subject for a completely different essay which, it just so happens, I am writing.)

Video in Progress

Click above image to read poem INSIDE COMPASSION'S GOLDEN-CRYSTAL COTTAGE and view video of American artist Norman Rockwell on importance of compassion.

Currently, I’m working with partners from Charter for Compassion and the Golden Rule Project to produce a video based on Inside Compassion’s Golden-Crystal Cottage. Hopefully, we will be able to debut it as part of the festivities presented for International Golden Rule Day 2018. For those who read the previous sentence and asked, “What’s he talking about?” it is this:

Global citizens for a period of 24 hours, beginning 9 PM Pacific Time on April 4 and running until 9 PM on April 5, will present a live stream of music, stories, art, and conversation all inspired by the Golden Rule and streamed on Facebook Live as well as the Golden Rule Day website.

Why such a major effort for such a simple principle? The answer is easy: It is to encourage application of this universal standard and help end the pandemic of violence––regardless of justifications offered as excuses–– needlessly destroying so many lives across the globe.

A Truly International Event

Among those expected to participate in the event are: Israeli-Australian singer and songwriter Lior, members of Japan’s Goi Peace Foundation, Indian pop singer Nimo Patel, and various contributors from New Zealand, Pakistan, England, the Middle East, Canada, South Africa, Brazil, Chile, the United States, and more.

A lot of people are excited about this occasion because it represents such a powerful example of what it means to wage peace instead of war. It also provides an excellent demonstration of something the world could stand to see a lot more of at this time: collective compassion in unified effective action.

About the Author

Creator of Postered Chromatic Poetics and co-author of Encyclopedia of the Harlem Renaissance, Aberjhani may be found wearing any number of hats: historian, visual artist, poet, advocate for compassion, novelist, journalist, photographer, and editor. Having recently completed a book of creative nonfiction on his hometown of Savannah, Georgia (USA) he is currently writing a full-length play about the implications of generational legacies as symbolized by efforts to rename the Eugene Talmadge Memorial Bridge.

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A Literary Craftsman Re-Discovers His Inner Visual Artist

4/22/2017

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Postered Chromatic Poetics art graphic by Aberjhani for new store at Fine Art America. Also available as print and in other art formats.

National Poetry Month might strike some as an odd time for an author to debut new work as a visual artist. It is in fact not so strange at all.

If you've had a chance to check out my current essay series at Charter for Compassion, then you know it deals in large part with honoring empowering traditions. But not only that. It is also about extending and tweaking them in ways that add to their value in the 21st century.

Poet-Artist Galleries at Fine Art America

What this means when it comes to my new online visual arts gallery is that I am making an attempt to participate in the tradition of literary-artists-as-visual-artists. It is a very rich legacy that includes both notable classic icons and outstanding contemporary talents. These include the following:

William Blake
Jean Cocteau
Kahlil Gibran
Matthea Harvey
Terri Windling

Before anyone feels the need to ask, I will state categorically that I do not consider myself anywhere near the level of artistic skill which these individuals commanded or command.

I am someone who once upon a time as a child enjoyed a fondness for drawing characters from the comic books I read, and, for creating abstract labyrinths with cryptic symbolism. Without means during childhood to develop any real skill as an artist, the impulse to draw gave way to the need to write.

Creative Labors Beget Creative Possibilities

"Dare to love yourself" coffee mug with quotation and artwork by Aberjhani. The coffee mug is one of many formats available for framing the art and text.

My current adventures in the world of constructed visualizations--Postered Chromatic Poetics-- have, I believe, ironically enough been stimulated mostly by my writings on and with professional award-winning contemporary artists. Some have been subjects of my journalism, inspired specific poems, provided covers for books, or been clients for whom I wrote text to accompany their splendid exhibits. Among them:

Gustave Blache III
Amiri Geuka Farris
Allen Fireall (1954-2014)
Jack Leigh (1942–2004)
Jerome Meadows
Jaanika Talts
Luther E. Vann (1937-2016)
Michele Wood

Others have simply, blessedly, been good friends who allowed me the pleasure of witnessing their creativity in progress. Or: who shared with me important moments of aesthetic or spiritual breakthroughs which led to brilliant creations.

An Enhanced Way of Seeing

Serious historians, poets, playwrights, novelists, journalists often try to present their work as useful lens through which people may view or vicariously experience an unfolding moment. One might even get lucky enough to capture a meaning in the process of taking shape.

For me, working with visual art has helped refine the focus on how that lens should be designed. It is the kind of enhanced way of seeing that teachers of the creative arts have often suggested artists cultivate in order to render their perceptions of the world in uniquely-styled colors and voices.

The Postered Chromatic Poetics format emerged as a natural one that, for now at least, accommodates the advantages of social media marketing and helps secure hard-earned intellectual property rights.

The two biggest bonuses are: 1) it has allowed me to grow as a creative being. And 2) I am able to share the adventures intrinsic to such growth. This latter is accomplished through a variety of practical products made beautiful by Fine Art America's customizable production operations: very fine prints, cups, shower curtains, hand bags, towels, t-shirts, and considerably more.

That I am far more prone to immersing myself in individual creative projects than I am to working overtime on marketing strategies is, to those who know me, not a secret. The Postered Chromatic Poetics art shop helps minimize any tension between the two equally-important labors while increasing the maximum benefits of both. To define that as a win-win situation--which any creative is always grateful to experience--would not be wrong.

Author

Aberjhani is an American poet, historian, essayist, editor, journalist, social critic, and cautious artist. His many honors include the Choice Academic Title of the Year Award, the Notable Book of the Year Award, and Poet of the Year. He is currently completing final edits on a work of creative nonfiction about the cultural arts, race relations, immigration, and human trafficking in his hometown of Savannah, Georgia.

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Poetics and Jazz of Compassion Presented with a Creatively Maladjusted Twist

4/7/2017

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Detail of "Big Band" portrait by Leroy Neiman used as part 1 of special series of posters for Jazz Appreciation Month. Among iconic talents seen here are: Billie Holiday, Duke Ellington, Ella Fitzgerald, Lionel Hampton, and Louie Armstrong.

April, when both Jazz Appreciation Month and National Poetry Month are observed, is always a special time at Bright Skylark Literary Productions. This year it is doubly special because in addition to featuring several re-posts of classic articles and essays about poetry and jazz on this site, we have also teamed up with our Charter for Compassion partners to present the timely new 4-part series: Poetic Traditions of Compassion and Creative Maladjustment.

The celebration of Jazz Appreciation Month actually got underway with Jarreau Jazz-riff Earth-tunes for the Angel of Compassion, the poem and essay published in tribute to the late great Al Jarreau after his passing earlier this year. Jarreau in recent years had been among the headliners for the annual International Jazz Day concert and one of the premier talents of the modern jazz era. You can check out part 1 of the tribute by clicking here and part 2, which includes the poem, by clicking this Postered Poetics artwork:

"Jarreau Jazz-riff Earth-tunes for the Angel of Compassion" JAM 2017 tribute to Al Jarreau in conjunction with National Poetry Month and Earth Day.

A Confluence of Compassionate Sensibilities

In addition to commemorating NPM 2017, the series showcased on the Charter for Compassion website does two important things:

1) It explores the conceptual relationship between Dr. Martin Luther King Jr.'s call for a creative-maladjustment approach to civil disobedience and author Karen Armstrong’s recommended strategy for living a compassion-empowered life.

2) It utilizes as lens through which to examine poetic traditions of compassion, short biographical profiles of the Sufi genius Jalal al-Din Rumi, the great Pulitzer Prize-winning Harlem Renaissance and Chicago Renaissance poet Gwendolyn Brooks, and the Prague, Czech Republic-born author of Duino Elegies, Rainer Maria Rilke.

You can begin enjoying the series by clicking either of the following graphics:

"Love is the bridge between you and everything." quote by Jalal al-Din Rumi. Postered Poetics by Aberjhani.

Author

Author-Poet Aberjhani is currently completing a book of nonfiction narratives addressing race relations, histories of erasure, the cultural arts, and practices of slavery in his hometown of Savannah, Georgia, USA.

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Jarreau Jazz-riff Earth-tunes for the Angel of Compassion: Essay with Poem (part 2 of 2)

3/4/2017

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"Jarreau Jazz-riff Earth-tunes for the Angel of Compassion: Essay with Poem (part 1 of 2)" Postered Poetics art graphic by Aberjhani.

NOTE: If you missed part 1 of this special tribute to the jazz singer and songwriter Al Jarreau please check it out here. Part 2 begins now.

For the past few years, I have been particularly grateful for the technological advances that allowed me to catch online streaming of Al Jarreau's International Jazz Day performances from around the world: Washington D.C, Istanbul, Paris, etc. When news of his death came on February 12, 2017, the only thing I could really focus on was the astonishingly beautiful gift that was his presence in this world.

The first song by him I was able to access to commemorate his triumphant artistry was an MP3 file of the 1993 live version of "Summertime" from George Gershwin's and DuBose Heyward’s classic folk opera Porgy and Bess. The second was a 3-song set with the equally-amazing singer Randy Crawford on their 1982 Casino Lights CD recorded live in Montreux, Switzerland. Once again, like all those years before in Berkeley, I found myself compelled to sing along. This time, employing a style utilized for the Songs of the Angelic Gaze series published in The River of Winged Dreams, my participation took the form of a haiku jazz poem:

Jarreau Jazz-riff Earth-tunes for
the Angel of Compassion

1.
In a blue-green field,
redbirds and skylarks circle
hope's trembling body.

The sun's eyes open
to see princelings setting fire
to a sea of tears.

Shaped like Al Jarreau
a trumpet-blazing rose bush
paints the sky with joy.

2.
The moon's cyan dream
sings poems of compassion
to tireless schemers.

Drunk jackals and snakes
wipe their excrement smiles with
scandal and hatred.

Scatting... like Jarreau,
golden-black wings zoom solos
of grace... and genius.

3.
Ruling predators
waltz to the screams of pilgrims
starving for freedom.

Earth moans Bessie's blues,
sighs Ellington's concertos,
erupts brilliant style.

Skiddly sweet-bopping,
Jarreau's light takes sonic flight
above scorched nightmares.

4.
An eagle's new song
heals the shredded heart of a
nation's bleeding soul.

Aberjhani
©23 Feb 2017

Healing and Comforting Anyone in Need

If we think of the musical maestro as a self-contained corporation constructed of impeccable melodies and soul-stunning craftsmanship, we can further define his company mission as intent to blanket humanity with compassion.

To be a "star" could have never been substantial enough for him. Belief in providing service that made a tangible difference in the world would have been listed among the primary corporate goals and values. Note the following observation posted on his website after his passing:

"His 1st priority, far ahead of the other [Music], was healing or comforting anyone in need. Whether it was emotional pain, or physical discomfort, or any other cause of suffering, he needed to put our minds at ease and our hearts at rest. He needed to see a warm, affirming smile where there had not been one before. Song was just his tool for making that happen." (Al Jarreau.com)

Anyone who believes those words are nothing more than sentimental hyperbole should note that before the emergence of Jarreau's talents as a singer, he earned a master's degree in vocational rehabilitation from the University of Iowa and for a time worked as a social worker in San Francisco. Music became the platform and instrument that enabled him to embrace and serve with love as many people as he possibly could during the course of his celebrated life.

Author

Author-Poet Aberjhani is currently completing a book of nonfiction narratives about race relations, histories of erasure, the cultural arts, and practices of slavery in his hometown of Savannah, Georgia, USA.

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<<Previous

Elemental's 10th anniversary inspires mindful reflections and renewed hopes (part 1 of 2): remembrance

Sensory Brilliance

The Deep Road to Infinity

International Golden Rule Day Excellent Demonstration of Collective Compassion

Video in Progress

A Truly International Event

About the Author

A Literary Craftsman Re-Discovers His Inner Visual Artist

Creative Labors Beget Creative Possibilities

An Enhanced Way of Seeing

Author

Poetics and Jazz of Compassion Presented with a Creatively Maladjusted Twist

A Confluence of Compassionate Sensibilities

Author

Jarreau Jazz-riff Earth-tunes for the Angel of Compassion: Essay with Poem (part 2 of 2)

Jarreau Jazz-riff Earth-tunes for
the Angel of Compassion

Healing and Comforting Anyone in Need

Author

Aberjhani

Archives

Categories

Elemental's 10th anniversary inspires mindful reflections and renewed hopes (part 1 of 2): remembrance

Sensory Brilliance

The Deep Road to Infinity

International Golden Rule Day Excellent Demonstration of Collective Compassion

Video in Progress

A Truly International Event

About the Author

A Literary Craftsman Re-Discovers His Inner Visual Artist

Creative Labors Beget Creative Possibilities ​

An Enhanced Way of Seeing

Author

Poetics and Jazz of Compassion Presented with a Creatively Maladjusted Twist

A Confluence of Compassionate Sensibilities

Author

Jarreau Jazz-riff Earth-tunes for the Angel of Compassion: Essay with Poem (part 2 of 2)

Jarreau Jazz-riff Earth-tunes for ​the Angel of Compassion

Healing and Comforting Anyone in Need

Author

Aberjhani

Archives

Categories

Creative Labors Beget Creative Possibilities

Jarreau Jazz-riff Earth-tunes for
the Angel of Compassion