What has been dubbed the second Golden Age of Television, the continuing growth of independent technology giants like Netflix and now Amazon, and independent digital media platforms have increased available outlets for adaptations of literary titles. That observation only matters if such titles themselves are also available. For the purposes of this discussion, it matters a great deal because of an abundance of such assets.
For potential impact on podcast industry please click here .
At Bright Skylark Literary Productions, I've been very fortunate in 2019 to see the following: planned publication of long-term projects, the unexpected publication of new book editions in new formats, work included in an important forthcoming art catalog, the continuation of major titles in progress, and the launch of dynamic new undertakings. All of these have put the year 2019--with the year 2020 likely to follow suit-- on track to become a banner year for literary productions:
The innate quality of each of the above literary texts, based on long-standing Bright Skylark values, practices, and goals, lends itself to very effective multi-media film, audio, or digital treatment. Moreover, the recent discovery of a virtual cache of materials utilized by diverse publishers at Issuu demonstrate potential creative uses of it (although sometimes unauthorized) in ways I had not considered.
Connecting with Millions via Issuu
The non-redacted fact of the matter is many publishers and fellow creatives leading up to this 2019 moment have honored my literary labors by requesting use of specific quotes or citations to lend stronger context and substance to particular projects. So it was not surprising to see those pop up in magazines such as the scholarly JSTOR, or in books like Australian novelist Dianne Wolfer's young adult thriller The Shark Caller.
I was surprised, however, when one of my friendly tech-angels took it upon herself to research inclusion of my work by publishers on the Issuu digital platform and discovered an impressive collection of journal credits had been building up for at least a decade. That meant, unknown to me during all that time, my work had been published in digital pages (please see part 2 for details and photo gallery) accessed by millions of readers around the world on a regular basis. This provided further confirmation of various catalogue titles' and in-progress works' adaptability not only to multiple media formats like podcasts but to different cultural demographic contexts.
So what did I think about that?
NEXT: How 2019 Turned into a Big Year for Literary Productions (part 2)
Harlem Renaissance Centennial
My personal observance of National Poetry Month got underway with the poem Inside Compassion’s Golden-Crystal Cottage posted on the Charter for Compassion blog website. In addition to helping pave the way for celebrations of the annual event, the poem also served to accomplish the following:
The poem itself was inspired to a large extent by my reading of poet Coleman Barks’ volume--Rumi, The Big Red Book. His lively probing multi-faceted version of Jalal al-Din Rumi’s “Great Masterpiece Celebrating Mystical Love & Friendship” has become a favorite point of critical reference while reading Brad Gooch’s biography of the exceptional Sufi Muslim genius. (I frequently find myself debating certain points proposed by Gooch in his book, titled Rumi’s Secret, but that’s a subject for a completely different essay which, it just so happens, I am writing.)
Video in Progress
Currently, I’m working with partners from Charter for Compassion and the Golden Rule Project to produce a video based on Inside Compassion’s Golden-Crystal Cottage. Hopefully, we will be able to debut it as part of the festivities presented for International Golden Rule Day 2018. For those who read the previous sentence and asked, “What’s he talking about?” it is this:
Global citizens for a period of 24 hours, beginning 9 PM Pacific Time on April 4 and running until 9 PM on April 5, will present a live stream of music, stories, art, and conversation all inspired by the Golden Rule and streamed on Facebook Live as well as the Golden Rule Day website.
Why such a major effort for such a simple principle? The answer is easy: It is to encourage application of this universal standard and help end the pandemic of violence––regardless of justifications offered as excuses–– needlessly destroying so many lives across the globe.
A Truly International Event
Among those expected to participate in the event are: Israeli-Australian singer and songwriter Lior, members of Japan’s Goi Peace Foundation, Indian pop singer Nimo Patel, and various contributors from New Zealand, Pakistan, England, the Middle East, Canada, South Africa, Brazil, Chile, the United States, and more.
A lot of people are excited about this occasion because it represents such a powerful example of what it means to wage peace instead of war. It also provides an excellent demonstration of something the world could stand to see a lot more of at this time: collective compassion in unified effective action.
About the Author
Creator of Postered Chromatic Poetics and co-author of Encyclopedia of the Harlem Renaissance, Aberjhani may be found wearing any number of hats: historian, visual artist, poet, advocate for compassion, novelist, journalist, photographer, and editor. Having recently completed a book of creative nonfiction on his hometown of Savannah, Georgia (USA) he is currently writing a full-length play about the implications of generational legacies as symbolized by efforts to rename the Eugene Talmadge Memorial Bridge.
In the debate over the potential repeal of the American Care Act, popularly known as Obamacare, mainstream media commentators commonly refer to the law as President Barack Obama’s “signature achievement.” Whether you describe that tendency as guerrilla decontextualization or simple disrespect, it mostly adds up to a miscalculation of the assessment of President Obama’s impact on American and world history.
Said assessment is one which historians will be determining for decades, but for now, by way of introducing the 3 poems that will soon follow, it is enough to note that the American Care Act is only one of many key achievements spearheaded by Mr. Obama on behalf of his American constituents and his fellow leaders in the global community. How is it commentators so easily overlook the fact that under his leadership a downward spiraling recession which nearly brought the country to its red, white and blue knees was effectively strategically reversed, dropping unemployment figures from double digits to when he took office to the current figure below 5 percent? How can they so casually forget that his accomplishments earned him the Nobel Prize for Peace?
That he became the United States’ first African-American president at the age of 47 is possibly less remarkable than the full two terms during which one generation was born, and another grew into maturity living without the assumption that a black American president––this one accompanied by First Lady Michelle Obama and their two daughters–– was by default an anomaly. The observation is more than just the most commanding fact to cite for Black History Month every year from this point onward. It is one of the most compelling arguments for ramping up improved lessons worldwide in diversity, cultural literacy, and peaceful coexistence.
Add to the above the skillful application of leadership principles employed by Mr. Obama to repair diplomatic abroad and whether storms of race-fueled violence at home. Look closely at the risks he took in effort to achieve a diverse workforce with appointments of women, gays, Latinos, Asians, and African Americans to influential offices. And although he obviously boasted a bit when it came to his role as Commander-in-Chief, he was amazingly effective in his position as Chief Comforter following some of the most horrendous natural and man-inflicted disasters in history.
Of the poems below, the first was written to commemorate Barack Obama’s historic 2008 election to the presidency. The second and third were written as it became apparent that his presidency was going to meet with serious oppositions of every kind: political, racial, personal, military, betrays, and more. Each of the poems are available in the pages of The River of Winged Dreams.
Hope and Audacity Revisited
The poem titled “There Upon a Bough of Hope and Audacity” was first published in The Savannah Herald after Barack Obama’s first election to the U.S. presidency. Ironically enough, the poem proposed that Mr. Obama was not to be compared to the great Abraham Lincoln, and yet one of the more noted responses to his re-election in 2012 was a challenge much like one Mr. Lincoln faced a century and a half ago. It was the challenge, whether symbolic or literal, of a growing call for different states to secede from the U.S. President Obama’s re-election was by no means a given. The battle to win was as epic a political struggle as America has ever seen, but U.S. citizens in the end made their choice clear:
Angel of Hope’s Persistent Flight
“To continue one’s journey in the darkness with one’s footsteps guided by the illumination of remembered radiance is to know courage of a peculiar kind––the courage to demand that light continue to be light even in the surrounding darkness.”
Wreaths of nuclear ash
decorate civilian hearts
with unresolved blood.
Greed, crowned emperor,
rules the earth with cold disdain
for harmony’s path.
War poisons the land
like diseased minds downloaded
into bowls of tears.
Chaos, loving none
so much as itself, slurps and
spits dead souls like bones.
What is belief now?
What is faith that will not die?
What news from heaven?
In midnight’s orchard
rose’s blossom the secrets
that heal daylight’s wounds.
Beats of broken hearts
flow waves of revelation––
open gates to strength.
Cradled in scorched arms,
a soldier’s moon keeps its vows––
shines persistent hope.
This love that God is
curves in figure eights greater
than both time and space.
Death wins nothing here,
gnawing wings that amputate––
then spread, lift up, fly.
(from The River of Winged Dreams)
“It was a savage scene, and we stayed there for a long time, watching life feed on itself, the silence interrupted only by the crack of bone or the rush of wind, or the hard thump of a vulture’s wings as it strained to lift itself into the current, until it finally found the higher air and those long and graceful wings became motionless and still like the rest.”
––Barack Obama, Dreams from My Father
What once was blood streaks
your face with indigo tears
and lush midnight tunes.
Holding silver hands,
you compose a Tao of art
that heals broken wings.
Lips glow violet,
open to reveal tongues bright
with pearl metaphors.
A speckled halo
handcuffs the world’s best liars
to soft dark passions.
Music’s sweet labors
give birth to a springtime rush
of sighs rippling dreams.
Out of your mouth rhymes
blossom like warm paradigms
already in flight.
Golden, your songs,
and noble; spinning stars on
their axis of love.
On faith’s battered back
calm eyes etch prayers that cool
a nation’s hot rage.
Inside these scarred hearts
genius flows incandescent
waves of truth made real.
Hope drowned in shadows
emerges fiercely splendid––
(The River of Winged Dreams)
From the History Channel: “The 44th President: In His Own Words”
Author-Poet Aberjhani is currently completing a collection of nonfiction narratives on the cultural arts, history, race relations, literature, and social and political conditions in Savannah, Georgia (USA).
Bright Skylark Literary Productions
© 9 January, 2017
Compassion provides the means by which we walk a mile in each other’s shoes and learn to value our common humanity enough to invest in its immense potential. This is something many of us know very well, but which a lot of people choose to avoid for different reasons.
One motive behind the choice to sidestep this awareness is because when walking, or recognizing the value of, the path of another person’s life we sometimes discover tracks leading back to our own door. When such trails take us to the beginning of a joyful or healing experience in someone else’s life, it is easy to smile at the revelation and quietly celebrate the triumph.
But if they guide us to a point of disempowering trauma which our actions, words, or biases helped trigger in the existence of an individual or the collective being of a nation, acknowledging one’s role in the creation of their suffering can become more difficult. Apply this idea to a variety of scenarios and we begin to see why many might have a problem approaching situations from a perspective based on compassion:
Shaka Senghor and the Transformational Power of Compassion
A second reason someone might hesitate to embrace exercising compassion as a basic component of their daily practices is the perceived price we pay when holding ourselves accountable for causes as well as effects. That price may be viewed as an existential risk, or a stress-laden sacrifice that could comprise anything from hard-earned financial resources to time-consuming labor and fragile relationships.
Why? Because practicing compassion in the 21st century means going beyond logging accusations of social, political, or domestic injustices, and taking the additional step of volunteering ways to correct them. Holding oneself accountable for producing a healing or restorative effect upon deteriorating lives or conditions can be a difficult thing to do. And yes: a challenging sacrifice to make.
Settling into the Year 2017
As the world settles into 2017, opposition opposed to presidential administrations even before they get underway, war-hawks eager to assert dominance over distant lands, increasing disease, and expanding poverty provide many opportunities for modeling what President Abraham Lincoln called the better angels of our nature. Taking the risks and confronting the agonies, however, is not something we do to proclaim ourselves as heroic or saintly. We do it in answer to the needs and demands of our times, following the examples set by so many before this present hour.
For men and women to comfortably adapt to a state of nihilistic indifference is to declare hope itself a sad delusion and compassion a spiritual fantasy. None of us are wealthy enough to pay such a fatal cost.
We declare a partnership in mindfulness with citizens of the global community because these words remain true: Compassion saves lives, builds communities, and restores nations by minimizing tendencies to glamorize hatred, and by maximizing the capacity for manifesting love. Compassion––keeps hope alive.
January 1, 2017
Bright Skylark Literary Productions
PLEASE NOTE: This book review is an extended version of the one previously published on Goodreads:
When I first learned the author of Already Here, the Matter of Love, had used quotes from my work in her new book, I thought for some reason that the entire project would be a collection of quotations by diverse individuals. I was definitely mistaken.
Moreover, I was pleasantly surprised by her choice to use the quote in the Postered Poetics art graphic above. It is from the poem “Angel of Healing: for the Living, the Dying, and the Praying.” The poem contains a number of haikus which readers seem fond of sharing on social media but this one is generally ignored and I sometimes if I possibly overreached with the imagery, which is in fact intended to encourage the kind of awakening discussed in the subject of this review.
Revising Your Habitual Life MO
Already Here is a passionately-considered and beautifully-presented work on staking your claim to joy and sanity in a world where so many are now convinced that the opposite must necessarily be the norm. From the book’s very first pages, Kelly Corbet invites her readers to “Think Again” and cautions them that, “What you’re about to catch a glimpse of will probably not match your habitual life MO.” Why does that turn out to be a good thing? Because the habitual life MO for so many of us denizens of Earth within these early years of the 21st century is one defined by war, terrorism, poverty, domestic violence, xenophobia, disease, and other atrocities that do not have to exist.
Imagine if we chose as eagerly to cultivate practices which increase the presence of Love and Joy in the world as we do to engage actions which hasten the destruction of our fellow human beings. That is within realm of possibility for everyone. Corbet is too wise a writer to promise a cure for all of humanity’s current failings. But she happily offers an important contribution to the body of literature illustrating ways to position ourselves to experience as great a sense of delight in our lives as we do sorrow or tragedy. For starters, she suggests the following 4 points as the “foundational essence” of Already Here:
Different wise souls have shared similar insights but when confronted by overwhelming chaos in the world (consider the gun violence crisis, the apparent total absence of ethics in various industries, mass kidnappings and epidemic rapes in different countries, etc.) many find themselves without the strength of any meaningful convictions. Then someone comes along to stoke the flames of forgotten wisdom and bit by bit we start to find our way back to more humane frames of mind.
If the author did nothing more than spout wishful generalizations throughout the pages of Already Here there would be little reason to take the book seriously. As it is, however, she backs up her core principles with rigorous (and yet somehow playful) examinations of language, philosophical ponderings strengthened by scientific reasoning, and short exercises intended to increase your capacity for experiencing a deeper sense of delight through everyday living.
On the Orlando Massacre and One Pet Peeve
I received a copy of Already Here (beautifully autographed with hand-scripted calligraphy) just a few days before the mass shooting at Pulse Nightclub in Orlando, Florida. While meditating upon the painful senselessness of the killings, I couldn’t help wondering if the shooter might not have made a profoundly different choice if he had taken time to tap into an innate sense of thrilling wonder within his own being instead of building up deadly rage against others based on imagined slights or rejections. Certainly he––and far too many like him––would have discovered more reasons to simply enjoy sharing the available music than latching onto delusional motives to end the lives of 49 people who had never caused him harm.
My primary criticism of Already Here, the Matter of Love, is that it deserves a good index but has none at all. That does not make reading the book or taking useful advantage of its exercises any less gratifying. It would simply provide a helpful tool for scholars and researchers looking to quickly locate specific exercises or key references.
Among those references is the highly-intriguing selection of authors quoted throughout the text. These include: Simone De Beauvoir, Pierre Theilhard de Chardin, Fyodor Dostoyevsky, Albert Einstein, Kahlil Gibran, Vincent Van Gogh, Dr. Amit Goswami, William James, Kabir, John Lennon, C.S. Lewis, Nelson Mandela, Jalal al-Din Rumi, Mother Theresa, Walt Whitman, Marianne Williamson, Pharrell Williams, and quite a few more.
Despite any purported shortcomings, there are those who may be inclined to describe Already Here as an instant modern classic of its kind. They just might be right in that assessment.
© July 2016
Bright Skylark Literary Productions
Contemporary award-winning author of classically-styled works in history, poetry, creative nonfiction, speculative fiction, and journalism.