I'm a big fan of those moments when a proven best practice confirms its value by yielding the kind of positive results I like to refer to as: sweet serendipity.
The best practices in this instance are revisiting, revising, and relaunching a promising book project which stalled for one reason or another. The concluding sweet synchronicity is that instead of engaging readers this summer with just the single newly-released nonfiction title, Dreams of the Immortal City Savannah, I am now able to broaden the spectrum of interaction with the first trade paperback release of my high-fantasy novel, Songs from the Black Skylark zPed Music Player.
The Practice of Persistence
This is how it all happened: about three years ago I announced on LinkedIn that Songs from the Black Skylark zPed Music Player had become part of a then innovative book streaming service. Many readers were therefore able to enjoy the adventures and misadventures of its young offbeat characters online. But those who prefer the experience of holding a physical book while reading were unable to do that with the digital innovation.
Overwhelming competition caused the streaming service to shut down. Should that have meant the end of the book's accessibility as well? Not hardly.
I communicated with members of Amazon's Kindle Direct Publishing team about releasing a trade paperback edition of the novel. At the time, the work I'd already started on the Postered Chromatic art galleries combined with deadlines to complete chapters for Dreams of the Immortal City Savannah (ISBN 9789388125956) made it impossible to spend the time needed to make changes requested for Songs from the Black Skylark zPed Music Player (ISBN 9781977037473).
However, once the number of prints in the art gallery reached an acceptable level and DREAMS made its initial debut with a respectable sales ranking and promising focus group feedback, after some three years I was able to turn my attention back to SONGS. Last week, the folks at Kindle informed me the title had gone live and was now available.
Even readers who are not lit nerds like me and certain friends can appreciate the virtually simultaneous release of a memoir like DREAMS and a novel like SONGS. Such synchronicity is not completely unheard of in publishing but unusual without the influence of a major traditional organization.
Adapting to Multiple Format
Although the novel's paperback release was delayed, the issues with which it deals makes it exceptionally timely. The impact of celebrities on everyday culture, effects of war on individual lives, the pull of suicide on fragile psyches, and the persistence of love in the face of relentless horror are realities to which many can relate. Even when they unfold on more than one plane of existence.
Imagine combining the new reality TV show Songland with the paranormal series The InBetween with some metaphysical rock and roll and evolving superheroes thrown into the mix. That will give you some idea of what makes the book unique and why different readers have been drawn to it in different formats.
The 514-page trade paperback represents more than just a single win for a single individual. With today's numerous media producers (Hollywood, Netflix, etc.) in constant search of stories adaptable to films, podcasts, and audio-books, the musical component of the title makes for some exciting possibilities.
Hashtags like #StoriesOutOfGeorgia (despite threats of decreased production due to Georgia Governor Brian Kemp’s controversial “Heartbeat” abortion law) and #ItHappenedInTheSouth have become useful for introducing production reps to the novel as well as to Dreams of the Immortal City Savannah. We can call that kind of exceptional combined potential one more example of sweet serendipity deriving from a steady application of best practices.
NOTE: This article was first published here on LinkedIn.
Harlem Renaissance Centennial 2019
Presented with the choice between wholly committing my pen to writing about current waves of shock and awe stemming from political shenanigans on the world stage, or sticking to processes for meeting specific goals, I chose the latter. My choice should not be taken as indifference to what many have interpreted as pow-wows between world dictators leading to accusations of treason against at least one of them whose full name currently begins with POTUS. It is in fact a way of responding to those history-making upheavals in a manner which hopefully will last much longer than a 24-hour news cycle.
As promised early in 2018, I have increased the number of images in my online art galleries, continued communication with publishing industry reps about publication of recently-completed manuscripts, furthered development of plays in progress, and extended promotion of observances related to the 100th anniversary of the Harlem Renaissance.
Reflecting on all these plans at this moment, I have to admit the get-it-done list assigned to me by me is quite a handful. Even for a workaholic. However, a little pressure can sometimes inspire a lot of rewarding productivity.
Harlem Renaissance Deja Vu
The visual arts component of my cultural labors took over in the inspiration department this summer of 2018 as I found myself immersed in an abundance of visual works--some halting at the first-draft stage, others completed--for different projects. The creative intensity has been comparable to the experience which produced my books, The Bridge of Silver Wings and The River of Winged Dreams, in 2008 and 2010. The obvious difference is the previous results of the creative energy were literary.
But in some ways a number of the new visual pieces are also literary because they have been created as important parts of one of my in-progress plays (those cannot be sold at this time). Creating images for inclusion in a play has prompted me to revise the definition of a literary artist previously applied to myself. Whereas I formerly considered the term as indicating someone producing notable written works within different genres, in the current instance an accurate description would be: an author who is also a visual artist.
One of the new prints, Song of Love and Compassion, marks a divergence in style which surprised me and put a smile on my face. Another, Harlem Renaissance Deja Vu Number 1, is part of the 100th Anniversary of the Harlem Renaissance Initiative. Inspiration for it came from several sources, including works by Romare Bearden and Lois Mailou Jones, as well as from old photographs of the model. As indicated by the descriptive "Number 1" in the artwork's title, this is the first of a series.
Whether new prints from the series will also be offered through Fine Art America and Pixels.com has yet to be determined. However, a new blog series titled Art-Notes, which collectors, journalists, bloggers, and readers in general might appreciate has launched on the sites to share background info on images as they are posted. You can check them out by clicking the image below:
Contemporary award-winning author of classically-styled works in history, poetry, creative nonfiction, speculative fiction, and journalism.