A few years ago while writing my former National African-American Cultural Arts column for AXS Entertainment, certain bloggers in Hong Kong started referring me to as a writer of conscience and commitment. They saw in my work strong parallels between the mission French authors––like Simone De Beauvoir, Jean Paul Sartre, and Albert Camus-- who emerged during and after World War II, had assigned themselves, and that which I had adopted in a relatively more peaceful time.
The defining elements in each case were uncontrollable currents of history. They convinced us in our separate eras and geographical regions, and in our determination to secure democracy and advocate struggles against tyranny, that apathy was not an acceptable option. That sentiment is a principle driver behind what many now refer to as the resistance movement in the United States.
The Hong Kong bloggers seemed to also like the fact that I was committed not only to the pursuit of social justice but to creating poems with a more expansive #creative or #spiritual concerns. Some were moved enough to translate some of my haiku verse, like Angel of Earth Days and Seasons, into Hans Chinese.
Then along came 2017 and the current debate over what to do or what not to do about Confederate Monuments in America’s public spaces. Amazingly enough, I knew nothing about the one in Forsyth Park in my hometown of Savannah, Georgia (USA), while growing up in the city. An informed awareness of what it represents came only after becoming a veteran of a kind myself.
Invitation to a Different Perspective
I first began giving serious thought to the implications of its gargantuan presence in such a public space after author George Dawes Green made reference to it in the inscription he included when autographing for me a copy of his novel, The Caveman’s Valentine. Later, when writing about reinterpretations of urban slavery in Savannah for Connect Savannah, the weekly entertainment news magazine, I delved more deeply into the subject. And then of course went to a completely different level while working on the Civil War Savannah Book Series project.
Consequently: the outlook and proposals expressed in my article, “Re-envisioning the Confederate Monument as a Portrait of Diversity”, is very different from what many are voicing about the subject. But I invite you to check it out along with the comments that follow by CLICKING RIGHT HERE.
Aberjhani's most-recently completed work is a book nonfiction on the cultural arts, race relations, and history in Savannah, Georgia (USA). He is currently at work on a play about how history and social movements such as the effort to rename the Eugene Talmadge Memorial Bridge intersect with family dynamics.
For the part 1 introduction to this blog on artwork which has recently become available please check it out right here. Part 2 begins right here right now:
Beauty of the World's Fountains
Fountains are among the most admired ornamental man-made structures because they combine the artistic beauty of refined sculpture with the precision of engineering and architecture. Celebrated examples can be found all over the world, including Savannah, Georgia. One of the city's most famous is the subject of two new Postered Chromatic Poetics images. Below is the accompanying text for the art and although I like both very much, I confess to being particularly pleased by the results achieved with Champagne Twilight:
Sepia Afternoon: Forsyth Park Fountain in Savannah, Georgia (USA)
A solitary figure stops in front the Forsyth Park Fountain to enjoy one of the city of Savannah's most popular and majestic attractions.
Ever since the days following the American Civil War, the fountain has been a favorite location for residents and visitors alike to take photographs. During the war, the park was known as the South Common military encampment where prisoners of war, a hospital, and poor house were maintained.
The fountain's spraying water is dyed green every year in celebration of St. Patrick's Day. In this image, late afternoon sunlight on a hot summer day creates an amber sepia haze that colors the air and water, slightly clarified and enhanced by digital filter.
Champagne Twilight: Forsyth Park Fountain in Savannah, Georgia (USA)
The elegantly-sculpted Forsyth Park Fountain, also referred to as the Versailles Fountain, dates back to the 1850s when model for it was derived from French-styled designs of the period. Along with the Confederate Monument, this is one of the primary centerpieces of Forsyth Park. The present-day fountain is the result of many renovations over the past century and a half, including a complete restoration in 1988.
A robed woman adorns the top of the fountain as water birds and tritons (or mermen) spout water below. In addition to benches that allow passersby to sit and enjoy the view, the fountain is surrounded by moss-covered oaks, palm trees, magnolias, and elms.
Prior to becoming known as Forsyth Park, the location during the Civil War was the South Common military encampment where POWS and a hospital were maintained.
Aberjhani is an American poet, historian, essayist, editor, journalist, social critic, and cautious artist. His many honors include the Choice Academic Title of the Year Award, the Notable Book of the Year Award, Outstanding Journalist, and Poet of the Year. He is currently completing final edits on a work of creative nonfiction about the cultural arts, race relations, immigration, and human trafficking in his hometown of Savannah, Georgia.
As much as we might talk about looking forward to the beginning of one year in order to forget about the atrocities accumulated during the previous 12 months, the truth is that all calendar years bring with them an arsenal of exploding curve balls. They are ready-made to fire off in our individual, or collective, directions at some point before the just-arrived year ends and totally demolish our carefully-designed plans and strategies.
I never expect anything less but am also inclined to hope for better. With all the awareness raised during the last several years to correct gun violence in American communities in general, and as a major cause of death among African Americans in particular, it was not unreasonable to think 2016 might show some significant improvements. It hasn’t.
Mounting death tolls in cities like Chicago and Savannah are one part of the reason 2016 has not proven any more promising than 2015. Accumulating deaths from excessive force used by police, as in the cases of Keith Lamont Scott in Charlotte, NC, and Terence Crutcher in Tulsa, Oklahoma, is another. Growing interest in Campaign Zero does offer a reason to believe in better possibilities but the best ideas are only as valuable as an individual’s or community’s willingness to commit real time and resources to its application.
At this point marking three-quarters of the way through the year 2016 and inching ever-closer to the election of a new president in the United States, I feel as if more than the usual number of curve balls have been blazing like meth-infused comets from corner to corner of the global community. From the refugee crisis and the never-ending heartbreak known as Syria to the political uncertainty presented by Brexit and the forthcoming presidential election in the United States, the word volatile seems a fairly good one to describe the current 2016 state of affairs.
The Job Facing Voters in 2016
Any number of political pundits have offered theories on why and how Donald Trump was able to secure the Republican nomination for the presidency. Most Americans know it came down to one thing: money.
In the U.S. and elsewhere overflows of cash, stock, and real estate often equate to political clout and social influence. Yet even with that awareness I was among those who found it incomprehensible that millions of people were supporting his bid for the highest office in the land and could actually put him there. What were/are they thinking? That he would revive his Apprentice reality show and invite them on as contestants?
A particularly scary moment came when Mr. Trump’s team received a suggestion that it adopt one of my quotes as a campaign slogan. How was that supposed to work? But whereas one political strategist proposed use of a certain quote to promote the Great Donald, cartoonist Vishavjit Singh adopted a different quote from my work to use in his #SendSikhNoteToTrump campaign. Funny how quotations lend themselves to different interpretations and applications.
And Then There’s Madame Secretary Clinton
Is Hillary Rodham Clinton necessarily a better candidate for the U.S. presidency than Donald Trump? Polls indicate many Americans feel she is the better available option but also imply the best possible choices are currently not on the ballots. Maybe that’s worth thinking about.
Maybe it is also worth considering that, at some point, history is bound to have its say regarding the matter of a woman president in America. How is that Germany, Great Britain (twice now), Australia, Brazil, Liberia, and any number of others all reached that point before the country so frequently proclaimed as the greatest democracy in the world?
Looking at her work as a first lady, senator, and secretary of state, it becomes hard to refute the proposal that Hillary Clinton truly is the better option. President Barack H. Obama spoke more than hyperbolically when he stated during the Democratic convention that her qualifications while running for the presidency surpassed those of both himself and former President Bill Clinton when they ran for the office.
In addition, I have long believed that in order for a democratic republic like the United Sates to have any true right to call itself a democracy, its leaders should reflect the diversity of the population. The glass ceiling blocking women’s path to the White House has to break sometime and right now would probably be an especially good one.
© September 2016
Bright Skylark Literary Productions
This coming November 2016 will mark the second anniversary of the dedication of the historical marker for the Carnegie Branch Library in Savannah, Georgia. Moreover, as it now turns out, that dedication also represents one of the city’s more notable acknowledgements of the life, work, and legacy of James Alan McPherson (September 16, 1943 – July 27, 2016). The iron-lettered text for the historical marker concludes as follows:
“…One of only two Carnegie library projects for African Americans in Georgia, this was the home library to James Alan McPherson, Pulitzer Prize-winning short story writer and essayist and Clarence Thomas, Associate Justice of the Supreme Court of the United States.”
The story presented below was previously published in my former AXS Entertainment National African Cultural Arts Column. It is shared here in honor of what later this month would have been Mr. McPherson’s 73rd birthday; and, in recognition not only of the role that one particular library played in his life, but in recognition of the immense value libraries around the world continue to contribute to humanity as a whole.
Savannah community marks 100th anniversary of a legacy of knowledge
Community leaders, patrons of the arts, and enthusiastic readers gathered at the historic Carnegie Branch Library in Savannah, Georgia, on November 13, 2014, to commemorate with a new historical marker the legacy established by its African-American founders in 1914.
Among those assembled on the lawn beside the majestic front steps of the library, located at 537 East Henry Street, were: Senator Lester G. Jackson (D-Savannah and Chatham County), cultural arts advocate Dessie Baker, librarian Mark Darby, author and composer Ja A. Jahannes, historian Charles Lwanga Hoskins, Library Board of Trustees Chairman Dr. Daniel Brantley, Georgia Historical Society Executive Director Todd Groce, founder descendant Ursuline Dickey, Dixon Park Neighborhood representative Helen Washington, Library Foundation Director Lester B. Johnson III, Dixon Park Neighborhood representative Helen Washington, Library Foundation Director Lester B. Johnson III, the library’s current branch manager Adriene Tillman, and many others.
In his remarks on the historical significance of the library, Sen. Jackson noted that one of the reasons his father first moved their family many years ago from Statesboro to Savannah was to gain access to the library. They settled in a house only two blocks away: “He said son, this neighborhood will be an investment in your future. It has a library… Every Saturday morning before I could go out to play, I had to visit this structure…”
Sen. Jackson added the following:
“A hundred years ago, 11 men got together and invested in this community’s future by gathering books. And that’s what this marker here stands for today, an investment those men made in the future of not only young people but everyone. It gave them access to knowledge, it gave them access to history, but most importantly it gave them access to the world… where they could come read books, where they could come collect books, where they could come to understand what was [happening] in the world. And that knowledge is still needed today.”
The men to whom he was referring established themselves in 1906 as the Colored Library Association of Savannah. With a grant from American industrialist Andrew Carnegie, the group was able to build the unique facility at a cost of $104,041.78 but drew on its own resources and community support to provide operational funds and actual books. Construction of the facility, which stands as the only recognized example of Prairie Style architecture (generally associated with Frank Lloyd Wright) in Savannah, got underway in early 1914. Dedication observances were held for it in August of the same year and construction was completed in 1915.
Harlem Renaissance Connections
The date of the library’s construction and opening is particularly significant in light of the Harlem Renaissance that would get underway just as World War I drew to a close. Placed in that context, members of the Colored Library Association of Savannah may be rightly viewed as southern counterparts to such historians and bibliophiles as “the father of black history” Carter G. Woodson and scholar Arthur Schomburg. Like New York’s famed Schomburg Center for Black Culture, the Carnegie Branch Library is an exceptional repository of works related to African-American history and culture on local, state, and national levels.
In more recent times, structural damage forced the library to close in 1997. It reopened in August 2004 with a slate of programs that included a lecture and book signing based on Facts on File’s Encyclopedia of the Harlem Renaissance. In addition to modern technology resources, the renovated library also featured a new east wing dedicated to U.S. Supreme Court Justice Clarence Thomas. The text of the new historical marker notes the significance of its role in the intellectual development of both Justice Thomas and Pulitzer Prize-winning author James Alan McPherson.
To learn more about the Carnegie Branch Library’s history, it hours or operation, or current programs please call (912) 231-9921 or visit the Live Oaks Public Libraries website.
author of The River of Winged Dreams
and Journey through the Power of the Rainbow: Quotations from a Life Made Out of Poetry
Members of the U.S. Congress rarely make it a point to enter an acknowledgment of a writer’s birthday into the official Congressional Record. Why should they? Writers have birthdays, get stomach aches, laugh through good days, and moan through bad days just everybody else. No big deal.
But author, poet, playwright, and social activist Miriam K. Center is far from typical and U.S. Representative Earl L. “Buddy” Carter felt her 90th birthday, on August 10, was worth officially noting during the second session of the 114th Congress on July 18, 2016 (See complete statement below).
While I may not see eye-to-eye with Congressman Carter when it comes to political matters (I admit to being challenged that way when it comes to Republicans) I do appreciate his cultural instincts where Miriam K. Center is concerned.
Literary Adventures in 1990s Savannah
It was my blessed good fortune to befriend Ms. Center during the mid-1990s in Savannah, Georgia. We shared a lot of good classically-themed literary adventures together, including, as members of the Savannah Writers’ Workshop, organizing and producing the city first literary festival in 1998. Participants on that notable occasion included authors Terry Kay, Rosemary Daniell, Bruce Feiler, Iris Formey Dawson, and Michael Porter.
We were also fortunate to still have with us at the time: the late Margaret Wayt DeBolt (1930-2009), Arthur Gordon (1912-2002), Ja A. Jahannes (1942-2015), and Tom Coffey (1923-2015).
Center also served with Robert Keber, Carolyn Siefferman, and me on the editorial board for the 1999 Savannah Literary Journal. In 2000, I had the honor (some might say “nerve to”) of publishing her boldly-titled maybe-or-maybe-not autobiographical novel Scarlett O’Hara Can Go to Hell as part of the developing Black Skylark Singing imprint. One has to give Rep. Carter kudos for mentioning the book in his birthday acknowledgement and resisting any urge to modify the title:
RECOGNIZING MIRIAM CENTER'S 90TH BIRTHDAY
Contemporary award-winning author of classically-styled works in history, poetry, creative nonfiction, speculative fiction, and journalism.