“Men and women who dedicate their lives to the realization of their gifts tend the office of that communion by which we are joined to one another, to our times, to our generation, and to the [human] race.”
––Lewis Hyde (The Gift)
I am ending the year 2017 the same way I started it: by recommitting myself to life-affirming values and productive best-practices. The hope is such commitment will help me and others continue to steer our way past the debris of political chaos and social nihilism which characterized too much of 2017 and thereby make 2018 a time of much greater unity and productivity.
In 2017 this translated into doing anything and everything necessary to complete a nonfiction book project on which I had been working for nearly a decade. It also meant increasing efforts to encourage the use of compassion as a primary tool for nonviolent conflict resolution.
Being able to say I met with significant measures of success on both fronts is a good feeling. These individual accomplishments, however, become much less satisfactory when considering how little an impact the call for compassion had on those who throughout the year 2017 convinced themselves that mass murder, as uselessly insane as it is, was a viable approach to achieving some kind of victory. Or some form of favor with divine authority.
Historic Tipping Point
While striving to reach certain goals (about which more will be said a little later) that component of history known as current events frequently interrupted my plans with its own agenda. Like authors, journalists, and artists all over the world watching the clashes between political uprisings and humanitarian urgencies, I responded in the best ways I could.
Some, like the massacre of 305 people at the al Rawda Mosque in Egypt on November 24 and the killing of 58 people (along with the loss of millionaire gunman Stephen Craig Paddock’s life) on the Las Vegas Strip in Nevada (USA) on October 1 (just to give two examples) left me speechless for days; I was astounded at our collective inability to evolve beyond an apparent addiction to the cruelest kinds of pandemonium.
In addition: extreme alt right politics (often equated with white supremacy), scary fluctuations in the climate, and the ongoing disclosure of unacceptable sexual aggressiveness within business environments have created what many consider a historic tipping point for humanity. The question is whether we’re going to tip forward toward healing progression or tumble screaming backwards into even more aggravating mayhem. A certain president’s—that would be U.S. POTUS Donald Trump’s––decision to re-tweet inflammatory anti-Muslim videos and repeatedly bate unstable dictators has not been particularly comforting.
Various transgressions stirring furious indignation are not new. Does this mean they must remain unceasing? The level of expanded public outrage prompting corrective responses to perceived, and often confirmed, injustices represents a powerful shift in humankind’s shared awareness of its potential plight. And that in itself is reason to keep hope alive and kicking.
A Bridge of Silver Wings Reconsidered
Of all the issues worth pausing my writing and art projects long enough to join fellow citizens in public protests and advocacy, the one which actually prompted me to do so was the historic Renaming the Talmadge Bridge Symposium sponsored by the social justice advocacy group Span the Gap and the Beach Institute of Savannah, Georgia. Originally, I was slated to join participating panelists on stage at the Savannah Theatre along with the moderator, former Mayor Otis S. Johnson. Health issues, however, forced me to limit my participation to taking a front-row seat in the audience and accepting Span the Gap’s gracious acknowledgment of my contributions to the ongoing campaign.
The panelist who did go on stage included: civil rights attorney, pastor, and educator Francys Johnson, president of Georgia state NAACP; community organizer Bernetta B. Lanier; Connect Savannah’s community editor Jessica Leigh Lebos; former Chatham County commissioner John McMasters; Savannah Morning News columnist Dr. Mark Murphy; community activist Pamela Oglesby; and chairman of SCAD’s Architectural History Department Robin Williams.
My participation in discussing the need to change the name of the bridge from that of someone who openly championed white supremacy to one less racially antagonistic was less robust than I had preferred but I took some consolation in knowing I had helped create this momentous event through the publication of various essays and articles prior to it taking place. Among them:
The Renaming the Talmadge Bridge symposium did not end with any kind of firm commitment to immediately change the name of the causeway. The event did help raise public awareness of what’s at stake if it remains unchanged. It also inspired me to begin work on a play about the dynamics of inter-generational legacies and embracing the battle to correct social injustices.
Vigorous Applications of Compassion
The practice of compassion sat either at or near the top of the list of most crucial life-affirming values to which I re-committed myself in 2017. Working with partners at Charter for Compassion, I strove to drive home the point that a vigorous application of compassion in daily personal or professional encounters, the composition of government policies, and religious considerations could go a long way toward solving many of our most egregious dilemmas.
The following is a list of blog essays in which I attempted to present my case for advantages of applying a philosophy of universal compassion to everything from global warming and violent conflicts (domestic as well as international) to creative maladjustment, poem-making, and the agony of historic cultural shifts.
So: why all these diverse explorations of the application of the golden rule? Because there’s a lot more wisdom in doing unto others as we would have them do unto us than most people take time to consider.
NEXT: Chaos of 2017 sets stage for growth and greater unity in 2018 (part 2 of 2)
On any given day of the week, the creator of Postered Chromatic Poetics and co-author of Encyclopedia of the Harlem Renaissance, Aberjhani, may be found wearing any number of hats: historian, visual artist, poet, advocate for compassion, novelist, journalist, photographer, and editor. Having recently completed a book of creative nonfiction on his hometown of Savannah, Georgia (USA) he is currently writing a full-length play about the implications of generational legacies as symbolized by efforts to rename the Eugene Talmadge Memorial Bridge.
A few years ago while writing my former National African-American Cultural Arts column for AXS Entertainment, certain bloggers in Hong Kong started referring me to as a writer of conscience and commitment. They saw in my work strong parallels between the mission French authors––like Simone De Beauvoir, Jean Paul Sartre, and Albert Camus-- who emerged during and after World War II, had assigned themselves, and that which I had adopted in a relatively more peaceful time.
The defining elements in each case were uncontrollable currents of history. They convinced us in our separate eras and geographical regions, and in our determination to secure democracy and advocate struggles against tyranny, that apathy was not an acceptable option. That sentiment is a principle driver behind what many now refer to as the resistance movement in the United States.
The Hong Kong bloggers seemed to also like the fact that I was committed not only to the pursuit of social justice but to creating poems with a more expansive #creative or #spiritual concerns. Some were moved enough to translate some of my haiku verse, like Angel of Earth Days and Seasons, into Hans Chinese.
Then along came 2017 and the current debate over what to do or what not to do about Confederate Monuments in America’s public spaces. Amazingly enough, I knew nothing about the one in Forsyth Park in my hometown of Savannah, Georgia (USA), while growing up in the city. An informed awareness of what it represents came only after becoming a veteran of a kind myself.
Invitation to a Different Perspective
I first began giving serious thought to the implications of its gargantuan presence in such a public space after author George Dawes Green made reference to it in the inscription he included when autographing for me a copy of his novel, The Caveman’s Valentine. Later, when writing about reinterpretations of urban slavery in Savannah for Connect Savannah, the weekly entertainment news magazine, I delved more deeply into the subject. And then of course went to a completely different level while working on the Civil War Savannah Book Series project.
Consequently: the outlook and proposals expressed in my article, “Re-envisioning the Confederate Monument as a Portrait of Diversity”, is very different from what many are voicing about the subject. But I invite you to check it out along with the comments that follow by CLICKING RIGHT HERE.
Aberjhani's most-recently completed work is a book nonfiction on the cultural arts, race relations, and history in Savannah, Georgia (USA). He is currently at work on a play about how history and social movements such as the effort to rename the Eugene Talmadge Memorial Bridge intersect with family dynamics.
The United Nations may have officially tagged 2017 as The Year of Sustainable Tourism for Development and the Chinese dubbed it Year of the Fire Rooster, but I am inclined at this point to declare it: Year of the Rising Tide of Multicultural Voices.
Sounds a little awkward I know. However, it is fairly accurate and the poetic quality lends to the description an aspect of hopefulness as opposed to a smell of certifiable doom.
The tones of the Rising Tide of Multicultural Voices range from the humanely compassionate and passionately engaged to the apathetically detached and dangerously dictatorial. They include, but certainly are not limited to, the following:
Add to the above chorus Native Americans and committed environmentalists taking a stand against the on-again Keystone and Dakota Access pipelines, women across the globe convinced they have been cheated of their time to shine in history, and Millennials struggling to find the right balance between trust placed in technology and the flaring passions of their innate humanity.
In truth, members of any number of various demographic groups who thought they had gained solid social and political ground on which to stand for the rest of their lives during former U.S. president Barack Obama's administration are now screaming "Oh hell no!" as the new commander-in-chief --doing exactly as he promised to when campaigning for the job--steers America toward the far right.
Allowing Ourselves to Hear Each Other
Probably the biggest mistake anyone can make when wishing for his or her voice to be heard and respected is to ignore the voices of everyone else. That observation helped drive the launch and growth of the Creative Thinkers International (CTI) online community 10 years ago.
The sharing of visions and voices for the purpose of inspiring unity in a world turned morbidly cynical by 9/11 was what made the community possible and drove it to thrive for nearly a decade. At a time when hatred threatened to permanently erase the potential for any meaningful cooperation between cross-cultural populations, Creative Thinkers International demonstrated the exact opposite: unity in the name of shared humanity.
The glorification of hatred is predicated on a foundation of fear-induced ignorance venomous to haters and those they believe they hate. Without awareness of root causes inflating their fears, prejudices, and destructive actions, it is easy for someone such as an alt-right terrorist, or a jihadist more faithful to a love of violence than love for Allah, to misinterpret aggravated frustrations as saintly devotion. Given the chance to do so, their own hearts can provide the insight necessary to correct themselves.
For Creative Thinkers International in 2007, allowing ourselves to hear each other and work together to identify the common ground on which we could build trust and cooperation was a matter of working to either: 1) sustain humanity; or 2) watch it simultaneously implode and explode. It is not so different at this 2017 moment in history when words like "polarization," "fake news," and "alternative facts" shape stories heard, viewed, and read every day.
Most people understand achieving unification is more complicated than sticking labels on entire populations and trusting in bias or bigotry to solve the world's most existential dilemmas. Many, however, do not bother to consult any kind of discerning social or political analyses of the turmoil raging around them like the very real tornadoes that slammed New Orleans East on February 7, 2017 (twelve years after Hurricanes Katrina and Rita caused historical damage from which the city is still recovering). To them it is a simple matter of opposing dichotomies: good versus evil, white versus black, the past versus the future, the aged versus youth, East/West, Christian/Muslim, nationalism/globalism, and so on.
What does it take for us to hear each other clearly enough to not only respect what is being said but understand that often the concerns of one group or individual mirror those of "the other." How do we recognize and remove the most unyielding roadblocks to harmonious coexistence between nations and communities?
We begin by acknowledging the reality of the need to do so. We begin by setting aside denials of truth blazing like wildfires right in front of our faces.
In addition, for example, to xenophobia and cultural bias, we know the so-called wealth gap and insufficient education all fall in the same category of oppressive strategies that do not work. We know also that a predatory instinct prompts some power-brokers to use divisiveness as a tool to manipulate social unrest for personal financial benefit. That is a sadly-cruel non-alternative fact we are able to improve with the kind of empowered consciousness represented by the 2017 Rising Tide of Multicultural Voices.
Author-Poet Aberjhani is currently completing a book of nonfiction narratives about race relations, histories of erasure, the cultural arts, and practices of slavery in his hometown of Savannah, Georgia, USA.
Trends in demographic shifts, progressive grass roots movements aimed at correcting blatant social injustices, and social media have had transformative effects that strongly encourage revisiting and reflecting on images of Black men's realities in 2017. The prototypes identified in "The Many Ways of Looking at Black Man" are still important. They have, however, expanded considerably.
Signs of Our Changing 2017 Times
Both before and during the Harlem Renaissance of the 1920s through the 1940s gifted African-American actors and performers like Ira Aldridge and Paul Robeson at times left the States to find outlets for their talents where they could work without the hindrances of extreme racism. In 2017, that scenario has reversed as performers of African descent from countries outside the U.S. make their way to Hollywood, Broadway, and central strongholds of hip-hop to reap the financial rewards of professional gains made during Blacks' historic struggles for equality.
When giving interviews about his 2013 Academy-award-winning film, 12 Years a Slave, director Steve McQueen Afro-Britain noted he was able to adapt Solomon Northup’s book for the screen as successfully as he did because of the Transatlantic slave trade common to the history of Black people on different continents in the western hemisphere. That simple acknowledgment underscored an aspect of African American men’s' identity often overlooked: that African Americans are also members of the African Diaspora, or, if you will, African Diasporans. Despite the United Nations-endorsed 2011 International Year of People of African Descent, the profound implications and potential of the McQueen's observation is routinely overlooked.
In addition to McQueen, actors David Oyelowo, Idris Elba, DelRoy Lindo Del, and Chiwetel Ejiofor are only a handful of British actors of African descent whose artistry has been employed to dramatize interpretations of African-American men's lives. Such interpretations have ranged from Elba's portrayal of druglord Russell “Stringer” Bell to Oyelowo's acclaimed performance as Martin Luther King Jr. in the film Selma, directed by Ava DuVernay.
Echo Kellum's recurring role as Curtis Holt, a gay Black man married to a Latino on the hit television show ARROW, reflects an aspect of one population subgroup which many in the larger community still have extreme difficulty accepting. Yet, so far as popular television series go, Jesse L. Martin's role as Joe West in The Flash is no less a challenge to stereotypes and assumptions. As the Black adoptive father of a White son––Barry Allen (a.ka The Flash, a.k.a. actor Grant Gustin) who is involved in a romantic relationship with West's biological daughter Iris (Candice Patton )––his is a comic-book world where race is defined not so much by color as by those who have super powers and those who do not.
The Obama Legacy Effect
In his farewell addess, President Barack Obama quoted the late great novelist Harper Lee in which her character Atticus Finch states the following in To Kill a Mockingbird: “You never really understand a person until you consider things from his point of view…until you climb into his skin and walk around in it.”
Finch's words may contain the wisdom necessary to help members of an increasingly diverse democracy better support one another as Americans rather than continually battle each other as cultural and political separatists. The president also wisely pointed out the need for African Americans to recognize the value of adopting the following practice:
"...Tying our own struggles for justice to the challenges that a lot of people in this country face – the refugee, the immigrant, the rural poor, the transgender American, and also the middle-aged white man who from the outside may seem like he’s got all the advantages, but who’s seen his world upended by economic, cultural, and technological change...." (Barack Obama)
Mr. Obama's commentaries on race and the American identity over the past nearly 10 years have not brought about an end to racial divisiveness or violence in the country. But they have played a major role in helping to decrease the magnitude of assumptions and racial bias that seemingly prompt the dismissal of Black folks' lives. His two-term presidency has allowed Americans and citizens of the global community to experience a black man as a "leader of the free world." That singular comprehensive achievement surpasses any categorical way of looking at African-American men that would have been considered possible in 1997.
If, however, someone did feel inspired to duplicate "The Many Ways of Looking at a Black Man" with fresh 2017 faces, it would be easy enough to do with another seven individuals such as: Chance the Rapper, Colson Whitehead, T.D. Jakes, Semaj Clark, Jay Z, Michael B. Jordan, and Tyler Perry. Their celebrity or non-celebrity status would not really comprise the core issue. The main point would be a definitive demonstration that as catastrophic as violence and oppression have been in our lives, they have not and will not erase the most beautiful and essential truths represented by our stories and realities.
Author-Poet Aberjhani is currently completing a book of nonfiction narratives about race relations, histories of erasure, the cultural arts, and practices of slavery in his hometown of Savannah, Georgia, USA.
Compassion provides the means by which we walk a mile in each other’s shoes and learn to value our common humanity enough to invest in its immense potential. This is something many of us know very well, but which a lot of people choose to avoid for different reasons.
One motive behind the choice to sidestep this awareness is because when walking, or recognizing the value of, the path of another person’s life we sometimes discover tracks leading back to our own door. When such trails take us to the beginning of a joyful or healing experience in someone else’s life, it is easy to smile at the revelation and quietly celebrate the triumph.
But if they guide us to a point of disempowering trauma which our actions, words, or biases helped trigger in the existence of an individual or the collective being of a nation, acknowledging one’s role in the creation of their suffering can become more difficult. Apply this idea to a variety of scenarios and we begin to see why many might have a problem approaching situations from a perspective based on compassion:
Shaka Senghor and the Transformational Power of Compassion
A second reason someone might hesitate to embrace exercising compassion as a basic component of their daily practices is the perceived price we pay when holding ourselves accountable for causes as well as effects. That price may be viewed as an existential risk, or a stress-laden sacrifice that could comprise anything from hard-earned financial resources to time-consuming labor and fragile relationships.
Why? Because practicing compassion in the 21st century means going beyond logging accusations of social, political, or domestic injustices, and taking the additional step of volunteering ways to correct them. Holding oneself accountable for producing a healing or restorative effect upon deteriorating lives or conditions can be a difficult thing to do. And yes: a challenging sacrifice to make.
Settling into the Year 2017
As the world settles into 2017, opposition opposed to presidential administrations even before they get underway, war-hawks eager to assert dominance over distant lands, increasing disease, and expanding poverty provide many opportunities for modeling what President Abraham Lincoln called the better angels of our nature. Taking the risks and confronting the agonies, however, is not something we do to proclaim ourselves as heroic or saintly. We do it in answer to the needs and demands of our times, following the examples set by so many before this present hour.
For men and women to comfortably adapt to a state of nihilistic indifference is to declare hope itself a sad delusion and compassion a spiritual fantasy. None of us are wealthy enough to pay such a fatal cost.
We declare a partnership in mindfulness with citizens of the global community because these words remain true: Compassion saves lives, builds communities, and restores nations by minimizing tendencies to glamorize hatred, and by maximizing the capacity for manifesting love. Compassion––keeps hope alive.
January 1, 2017
Bright Skylark Literary Productions
Contemporary award-winning author of classically-styled works in history, poetry, creative nonfiction, speculative fiction, and journalism.