Geographically, the killing of Ahmaud Arbery was closer than that of Elijah McClain because it occurred only an hour’s drive from where I grew up and where people who mean a great deal to me have family members. But for some reason McClain’s death, although it occurred all of 1,600 miles away in Aurora, Colorado, felt closer. I did not understand why until recalling two poems written more than a decade ago. The memory of both forced me to sit down and wonder how it was something written so far in the past was having such a powerful impact on my life in 2020.
The first composition is a song lyric titled “ELI-JAH” originally published in the first edition of the novel Songs from the Black Skylark zPed Music Player (sung by a character named Ruzahn), and later in the poetry collection titled Visions of a Skylark Dressed in Black. It is about a man who refuses to accept reports his brother has been killed so he keeps singing his name, Eli-Jah, to let him know he’s committed to finding him. The complete lyric is too lengthy for the purposes of this post but these are the last 2 verses:
The second text which surprised me with an unexpected emotional connection to McClain is 2 lines at the end of the poem “Vampire Song: The Last Bloodfeast,” also from Visions of a Skylark Dressed in Black. I recalled when writing the lines that they sounded strange and I changed them several times but always switched back because somehow they felt honest. Reading them, now, I’m stunned at how close they come to an image combination frequently associated with Elijah McClain: the violin and kittens, for his compassionate practice of playing for them on his lunch breaks. This is the quote from “Vampire Song”:
“Soft upon my right thigh, an oddly-colored kitten
There is a possibility I’m making more of these parallels than I should and some might even argue I am forcing them where there are none. They would have a right to that belief.
Before identifying the subconscious links stirring within me such a strong response to the shooting death of McClain, I considered writing a blog titled Music for a Black Skylark in Mourning to express the lingering grief. So I looked for a music video with the words “Black Skylark” in the title and found two. Either one, I felt, could serve as a worthy tribute to McClain and believe he would have appreciated either. The one with which I’ve chosen to close is from volume 5 of the China Meditation Ethno Music Project and titled “A Black Skylark.”
Author of Dreams of the Immortal City Savannah and co-author of Encyclopedia of the Harlem Renaissance.
Some of the publications at Issuu, like CONNECT Savannah, are simply digital editions of magazines for which I've written feature stories or poetry. Others employing my writings are new to me. What probably amazes me more than anything else is the scope of their ideological --from politics and social justice issues to spirituality and the creative arts--application of the works.
More often than not, their assessments of certain situations align with mine. Although we have not formally partnered to include my voice in various photo spreads, feature articles, or special sections, the sense of balanced perspectives sometimes creates the feeling we have.
It has been just as revealing to learn how much international territory the different publications cover as it has been to check out their aesthetic strategies. For example, both the Daily Times (April 2019) in Lagos, Nigeria, and African-American News & Issues (March 2019) have based themes of entire editorials on concepts expressed in a single quote which serves as the lead statement or primary point of discussion. One addresses political freedoms and responsibilities in a democratic society while the other focuses more specifically on the Black Lives Matter movement.
The AssiégéEs Citadel des Resistance (June 2015), based in France, employed my Guerrilla Decontextualization philosophy to enhance a penetrating (some might say crushing) ideological critique. Going in a completely different direction, popular writings from different books were also presented in publications like One Curvy Boutique (Feb 2018) in Florida, USA, with images celebrating healthy self-esteem in women:
The September 11 edition of OPUS 2016 features a well-known maxim from ELEMENTAL, The Power of Illuminated Love, alongside the photographic artistry (referred to as "Burtography") of Brazil's (by way of New York) Burt Sun. Mr. Sun's incorporation of the text is particularly intriguing due to the fine art photographer's skillful juxtaposition of nude figure with apocalyptic environments. His work forces us to challenge definitions of obscenity and question the honesty of declaring the nude human form as indecent while granting license for the destruction of communities in the name of political, military, or monetary gain. In short, his images provoke the kind of reflections I generally hope my pen does.
This fine art photograph by Burt Sun, as indicated by the text on the left side, is titled Syrian Kitchen. The quote beneath the title, "This world’s anguish is no different from the love we insist on holding back," is from the poem "The Homeless, Psalm 85:10," published in ELEMENTAL, The Power of Illuminated Love.
These observations might strike some as stretching small events to make big statements. They are in fact much more than that. It means, and suggests, a great deal when an editor of Pakistan Today (June 2019) in Karachi, Pakistan, the fifth largest city in the world (est. population 14.91 million), employs an author's literary voice to launch a powerful examination of “The Politics of Megalomania.”
There are, however, certain kinds of enchantment which may rightfully be described as small because they likely mean more to me than anyone else. Such an instance occurred upon discovering the popular quotation, 'Hearts rebuilt from hope resurrect dreams killed by hate,' had been published in Revista Medalhão Persa (January 2019) as part of a somewhat lyrical celebration of the city of Tabriz. Fans of the poetry of Jalal al-Din Muhammad Rumi will forever recognize Tabriz as a place associated with Rumi's great spiritual companion: Shams. But according to the publication, Tabriz "for some scholars was also the site of no less than the Garden of Eden.”
Familiar Touchstones of Cultural Awareness
The simple point of all this is not only to further highlight for podcast and film producers the advantages of adapting for their platforms materials from the Bright Skylark Literary Productions catalog. It is to confirm the demonstrated appeal of a catalog of contemporary works to populations across the globe.
While I welcome the prospects of adaptation different works to podcasts and/or film, one of my primary goals as a writer has always been to help foster dialogues which strengthen humanity's capacity for world-sustaining co-existence. Years of producing unique literary compositions which evolved into familiar touchstones of cultural awareness have created an exciting momentum from which many can benefit. That would be a good thing to keep going as we approach the final quarter of 2019 and prepare to accomplish a potentially much stronger surge forward in the year 2020.
If you missed part 1 of this post please check it out by clicking right here. Below is the promised image gallery of some of the publications at Issuu featuring my work.
Harlem Renaissance Centennial
What has been dubbed the second Golden Age of Television, the continuing growth of independent technology giants like Netflix and now Amazon, and independent digital media platforms have increased available outlets for adaptations of literary titles. That observation only matters if such titles themselves are also available. For the purposes of this discussion, it matters a great deal because of an abundance of such assets.
For potential impact on podcast industry please click here .
At Bright Skylark Literary Productions, I've been very fortunate in 2019 to see the following: planned publication of long-term projects, the unexpected publication of new book editions in new formats, work included in an important forthcoming art catalog, the continuation of major titles in progress, and the launch of dynamic new undertakings. All of these have put the year 2019--with the year 2020 likely to follow suit-- on track to become a banner year for literary productions:
The innate quality of each of the above literary texts, based on long-standing Bright Skylark values, practices, and goals, lends itself to very effective multi-media film, audio, or digital treatment. Moreover, the recent discovery of a virtual cache of materials utilized by diverse publishers at Issuu demonstrate potential creative uses of it (although sometimes unauthorized) in ways I had not considered.
Connecting with Millions via Issuu
The non-redacted fact of the matter is many publishers and fellow creatives leading up to this 2019 moment have honored my literary labors by requesting use of specific quotes or citations to lend stronger context and substance to particular projects. So it was not surprising to see those pop up in magazines such as the scholarly JSTOR, or in books like Australian novelist Dianne Wolfer's young adult thriller The Shark Caller.
I was surprised, however, when one of my friendly tech-angels took it upon herself to research inclusion of my work by publishers on the Issuu digital platform and discovered an impressive collection of journal credits had been building up for at least a decade. That meant, unknown to me during all that time, my work had been published in digital pages (please see part 2 for details and photo gallery) accessed by millions of readers around the world on a regular basis. This provided further confirmation of various catalogue titles' and in-progress works' adaptability not only to multiple media formats like podcasts but to different cultural demographic contexts.
So what did I think about that?
NEXT: How 2019 Turned into a Big Year for Literary Productions (part 2)
Harlem Renaissance Centennial
I'm a big fan of those moments when a proven best practice confirms its value by yielding the kind of positive results I like to refer to as: sweet serendipity.
The best practices in this instance are revisiting, revising, and relaunching a promising book project which stalled for one reason or another. The concluding sweet synchronicity is that instead of engaging readers this summer with just the single newly-released nonfiction title, Dreams of the Immortal City Savannah, I am now able to broaden the spectrum of interaction with the first trade paperback release of my high-fantasy novel, Songs from the Black Skylark zPed Music Player.
The Practice of Persistence
This is how it all happened: about three years ago I announced on LinkedIn that Songs from the Black Skylark zPed Music Player had become part of a then innovative book streaming service. Many readers were therefore able to enjoy the adventures and misadventures of its young offbeat characters online. But those who prefer the experience of holding a physical book while reading were unable to do that with the digital innovation.
Overwhelming competition caused the streaming service to shut down. Should that have meant the end of the book's accessibility as well? Not hardly.
I communicated with members of Amazon's Kindle Direct Publishing team about releasing a trade paperback edition of the novel. At the time, the work I'd already started on the Postered Chromatic art galleries combined with deadlines to complete chapters for Dreams of the Immortal City Savannah (ISBN 9789388125956) made it impossible to spend the time needed to make changes requested for Songs from the Black Skylark zPed Music Player (ISBN 9781977037473).
However, once the number of prints in the art gallery reached an acceptable level and DREAMS made its initial debut with a respectable sales ranking and promising focus group feedback, after some three years I was able to turn my attention back to SONGS. Last week, the folks at Kindle informed me the title had gone live and was now available.
Even readers who are not lit nerds like me and certain friends can appreciate the virtually simultaneous release of a memoir like DREAMS and a novel like SONGS. Such synchronicity is not completely unheard of in publishing but unusual without the influence of a major traditional organization.
Adapting to Multiple Format
Although the novel's paperback release was delayed, the issues with which it deals makes it exceptionally timely. The impact of celebrities on everyday culture, effects of war on individual lives, the pull of suicide on fragile psyches, and the persistence of love in the face of relentless horror are realities to which many can relate. Even when they unfold on more than one plane of existence.
Imagine combining the new reality TV show Songland with the paranormal series The InBetween with some metaphysical rock and roll and evolving superheroes thrown into the mix. That will give you some idea of what makes the book unique and why different readers have been drawn to it in different formats.
The 514-page trade paperback represents more than just a single win for a single individual. With today's numerous media producers (Hollywood, Netflix, etc.) in constant search of stories adaptable to films, podcasts, and audio-books, the musical component of the title makes for some exciting possibilities.
Hashtags like #StoriesOutOfGeorgia (despite threats of decreased production due to Georgia Governor Brian Kemp’s controversial “Heartbeat” abortion law) and #ItHappenedInTheSouth have become useful for introducing production reps to the novel as well as to Dreams of the Immortal City Savannah. We can call that kind of exceptional combined potential one more example of sweet serendipity deriving from a steady application of best practices.
NOTE: This article was first published here on LinkedIn.
Harlem Renaissance Centennial 2019
Contemporary award-winning author of classically-styled works in history, poetry, creative nonfiction, speculative fiction, and journalism.