Some of the publications at Issuu, like CONNECT Savannah, are simply digital editions of magazines for which I've written feature stories or poetry. Others employing my writings are new to me. What probably amazes me more than anything else is the scope of their ideological --from politics and social justice issues to spirituality and the creative arts--application of the works.
More often than not, their assessments of certain situations align with mine. Although we have not formally partnered to include my voice in various photo spreads, feature articles, or special sections, the sense of balanced perspectives sometimes creates the feeling we have.
It has been just as revealing to learn how much international territory the different publications cover as it has been to check out their aesthetic strategies. For example, both the Daily Times (April 2019) in Lagos, Nigeria, and African-American News & Issues (March 2019) have based themes of entire editorials on concepts expressed in a single quote which serves as the lead statement or primary point of discussion. One addresses political freedoms and responsibilities in a democratic society while the other focuses more specifically on the Black Lives Matter movement.
The AssiégéEs Citadel des Resistance (June 2015), based in France, employed my Guerrilla Decontextualization philosophy to enhance a penetrating (some might say crushing) ideological critique. Going in a completely different direction, popular writings from different books were also presented in publications like One Curvy Boutique (Feb 2018) in Florida, USA, with images celebrating healthy self-esteem in women:
The September 11 edition of OPUS 2016 features a well-known maxim from ELEMENTAL, The Power of Illuminated Love, alongside the photographic artistry (referred to as "Burtography") of Brazil's (by way of New York) Burt Sun. Mr. Sun's incorporation of the text is particularly intriguing due to the fine art photographer's skillful juxtaposition of nude figure with apocalyptic environments. His work forces us to challenge definitions of obscenity and question the honesty of declaring the nude human form as indecent while granting license for the destruction of communities in the name of political, military, or monetary gain. In short, his images provoke the kind of reflections I generally hope my pen does.
This fine art photograph by Burt Sun, as indicated by the text on the left side, is titled Syrian Kitchen. The quote beneath the title, "This world’s anguish is no different from the love we insist on holding back," is from the poem "The Homeless, Psalm 85:10," published in ELEMENTAL, The Power of Illuminated Love.
These observations might strike some as stretching small events to make big statements. They are in fact much more than that. It means, and suggests, a great deal when an editor of Pakistan Today (June 2019) in Karachi, Pakistan, the fifth largest city in the world (est. population 14.91 million), employs an author's literary voice to launch a powerful examination of “The Politics of Megalomania.”
There are, however, certain kinds of enchantment which may rightfully be described as small because they likely mean more to me than anyone else. Such an instance occurred upon discovering the popular quotation, 'Hearts rebuilt from hope resurrect dreams killed by hate,' had been published in Revista Medalhão Persa (January 2019) as part of a somewhat lyrical celebration of the city of Tabriz. Fans of the poetry of Jalal al-Din Muhammad Rumi will forever recognize Tabriz as a place associated with Rumi's great spiritual companion: Shams. But according to the publication, Tabriz "for some scholars was also the site of no less than the Garden of Eden.”
Familiar Touchstones of Cultural Awareness
The simple point of all this is not only to further highlight for podcast and film producers the advantages of adapting for their platforms materials from the Bright Skylark Literary Productions catalog. It is to confirm the demonstrated appeal of a catalog of contemporary works to populations across the globe.
While I welcome the prospects of adaptation different works to podcasts and/or film, one of my primary goals as a writer has always been to help foster dialogues which strengthen humanity's capacity for world-sustaining co-existence. Years of producing unique literary compositions which evolved into familiar touchstones of cultural awareness have created an exciting momentum from which many can benefit. That would be a good thing to keep going as we approach the final quarter of 2019 and prepare to accomplish a potentially much stronger surge forward in the year 2020.
If you missed part 1 of this post please check it out by clicking right here. Below is the promised image gallery of some of the publications at Issuu featuring my work.
Harlem Renaissance Centennial
My personal observance of National Poetry Month got underway with the poem Inside Compassion’s Golden-Crystal Cottage posted on the Charter for Compassion blog website. In addition to helping pave the way for celebrations of the annual event, the poem also served to accomplish the following:
The poem itself was inspired to a large extent by my reading of poet Coleman Barks’ volume--Rumi, The Big Red Book. His lively probing multi-faceted version of Jalal al-Din Rumi’s “Great Masterpiece Celebrating Mystical Love & Friendship” has become a favorite point of critical reference while reading Brad Gooch’s biography of the exceptional Sufi Muslim genius. (I frequently find myself debating certain points proposed by Gooch in his book, titled Rumi’s Secret, but that’s a subject for a completely different essay which, it just so happens, I am writing.)
Video in Progress
Currently, I’m working with partners from Charter for Compassion and the Golden Rule Project to produce a video based on Inside Compassion’s Golden-Crystal Cottage. Hopefully, we will be able to debut it as part of the festivities presented for International Golden Rule Day 2018. For those who read the previous sentence and asked, “What’s he talking about?” it is this:
Global citizens for a period of 24 hours, beginning 9 PM Pacific Time on April 4 and running until 9 PM on April 5, will present a live stream of music, stories, art, and conversation all inspired by the Golden Rule and streamed on Facebook Live as well as the Golden Rule Day website.
Why such a major effort for such a simple principle? The answer is easy: It is to encourage application of this universal standard and help end the pandemic of violence––regardless of justifications offered as excuses–– needlessly destroying so many lives across the globe.
A Truly International Event
Among those expected to participate in the event are: Israeli-Australian singer and songwriter Lior, members of Japan’s Goi Peace Foundation, Indian pop singer Nimo Patel, and various contributors from New Zealand, Pakistan, England, the Middle East, Canada, South Africa, Brazil, Chile, the United States, and more.
A lot of people are excited about this occasion because it represents such a powerful example of what it means to wage peace instead of war. It also provides an excellent demonstration of something the world could stand to see a lot more of at this time: collective compassion in unified effective action.
About the Author
Creator of Postered Chromatic Poetics and co-author of Encyclopedia of the Harlem Renaissance, Aberjhani may be found wearing any number of hats: historian, visual artist, poet, advocate for compassion, novelist, journalist, photographer, and editor. Having recently completed a book of creative nonfiction on his hometown of Savannah, Georgia (USA) he is currently writing a full-length play about the implications of generational legacies as symbolized by efforts to rename the Eugene Talmadge Memorial Bridge.
The United Nations may have officially tagged 2017 as The Year of Sustainable Tourism for Development and the Chinese dubbed it Year of the Fire Rooster, but I am inclined at this point to declare it: Year of the Rising Tide of Multicultural Voices.
Sounds a little awkward I know. However, it is fairly accurate and the poetic quality lends to the description an aspect of hopefulness as opposed to a smell of certifiable doom.
The tones of the Rising Tide of Multicultural Voices range from the humanely compassionate and passionately engaged to the apathetically detached and dangerously dictatorial. They include, but certainly are not limited to, the following:
Add to the above chorus Native Americans and committed environmentalists taking a stand against the on-again Keystone and Dakota Access pipelines, women across the globe convinced they have been cheated of their time to shine in history, and Millennials struggling to find the right balance between trust placed in technology and the flaring passions of their innate humanity.
In truth, members of any number of various demographic groups who thought they had gained solid social and political ground on which to stand for the rest of their lives during former U.S. president Barack Obama's administration are now screaming "Oh hell no!" as the new commander-in-chief --doing exactly as he promised to when campaigning for the job--steers America toward the far right.
Allowing Ourselves to Hear Each Other
Probably the biggest mistake anyone can make when wishing for his or her voice to be heard and respected is to ignore the voices of everyone else. That observation helped drive the launch and growth of the Creative Thinkers International (CTI) online community 10 years ago.
The sharing of visions and voices for the purpose of inspiring unity in a world turned morbidly cynical by 9/11 was what made the community possible and drove it to thrive for nearly a decade. At a time when hatred threatened to permanently erase the potential for any meaningful cooperation between cross-cultural populations, Creative Thinkers International demonstrated the exact opposite: unity in the name of shared humanity.
The glorification of hatred is predicated on a foundation of fear-induced ignorance venomous to haters and those they believe they hate. Without awareness of root causes inflating their fears, prejudices, and destructive actions, it is easy for someone such as an alt-right terrorist, or a jihadist more faithful to a love of violence than love for Allah, to misinterpret aggravated frustrations as saintly devotion. Given the chance to do so, their own hearts can provide the insight necessary to correct themselves.
For Creative Thinkers International in 2007, allowing ourselves to hear each other and work together to identify the common ground on which we could build trust and cooperation was a matter of working to either: 1) sustain humanity; or 2) watch it simultaneously implode and explode. It is not so different at this 2017 moment in history when words like "polarization," "fake news," and "alternative facts" shape stories heard, viewed, and read every day.
Most people understand achieving unification is more complicated than sticking labels on entire populations and trusting in bias or bigotry to solve the world's most existential dilemmas. Many, however, do not bother to consult any kind of discerning social or political analyses of the turmoil raging around them like the very real tornadoes that slammed New Orleans East on February 7, 2017 (twelve years after Hurricanes Katrina and Rita caused historical damage from which the city is still recovering). To them it is a simple matter of opposing dichotomies: good versus evil, white versus black, the past versus the future, the aged versus youth, East/West, Christian/Muslim, nationalism/globalism, and so on.
What does it take for us to hear each other clearly enough to not only respect what is being said but understand that often the concerns of one group or individual mirror those of "the other." How do we recognize and remove the most unyielding roadblocks to harmonious coexistence between nations and communities?
We begin by acknowledging the reality of the need to do so. We begin by setting aside denials of truth blazing like wildfires right in front of our faces.
In addition, for example, to xenophobia and cultural bias, we know the so-called wealth gap and insufficient education all fall in the same category of oppressive strategies that do not work. We know also that a predatory instinct prompts some power-brokers to use divisiveness as a tool to manipulate social unrest for personal financial benefit. That is a sadly-cruel non-alternative fact we are able to improve with the kind of empowered consciousness represented by the 2017 Rising Tide of Multicultural Voices.
Author-Poet Aberjhani is currently completing a book of nonfiction narratives about race relations, histories of erasure, the cultural arts, and practices of slavery in his hometown of Savannah, Georgia, USA.
Since the publication of "The Many Ways of Looking at a Black Man" special feature story in ESSENCE Magazine, November 1997, perspectives on men of African descent in the United States of America have evolved to cover a lot of ideological territory. That observation rings as true for everyday citizens of the country as it does for mainstream media, in which we have seen a gamut of extreme images, sometimes horrifying bloody, sometimes wonderfully inspiring.
The atmosphere of combativeness generated when the country's President-Elect, Donald Trump, chose to castigate civil rights icon Rep. John Lewis (D-GA) for exercising his right (some might say duty) to voice concerns over political legitimacy, removed any doubt that a lot of work still needs to be done where race relations are concerned. In light of the increasingly disturbing violent deaths of African-American men, women, and children over the past few years, prompting me to wonder if their names inexplicably would soon join the others, and in light of unconcealed attempts at disenfranchisement, an industrial prison complex that gorges itself on Black men's lives, and other irrefutable factors, "The Many Ways of Looking at a Black Man" takes on new and powerful significance in this year marking the 20th anniversary of its publication.
Among other things, it is also, as Black History Month approaches, one more reason to think back with gratitude for the leadership which Susan L. Taylor, now founder/director of National Cares Mentoring Movement, provided as editor-in-chief of the magazine for some 20 years. In the noted classic issue, she reminded readers of this: "Whatever parcels of power we claim today were not surrendered to us willingly or without long and painful struggle. That struggle continues because our oppression continues..."
Nevertheless, the dominant theme for the occasion was more one of celebration than protestation. As such, the following description of the African-American man is from the magazine's contents synopsis and introduction to the original feature:
"From sexual icon to warrior to caretaker--he is our black man. In this annual men's issue, we explore how he handles power, privilege and pain... He is many things to many people: husband and lover, father and son, brother, friend, sex symbol and political nightmare, crossover icon and business mogul..."
Those bright powerful noble words make a poignant contrast to the vivid horror of Black men's and boys' bodies falling in American streets to the repeated blasts of gunfire. That does not mean they are no longer relevant.
On Timelines and Parallel Conditions
We know in 2017 that how Black Men are perceived, perceived, or guerrilla decontextualized, is extremely important because of the various circumstances and events that have led to their deaths, or incarceration, in more instances than anyone can accurately count.
Alleged perceptions of unarmed black males as immediate threats to armed policeman's lives (or a would-be policeman in the case of George Zimmerman's shooting of Trayvon Martin) has resulted in numerous deaths declared "justifiable" under Stand Your Ground laws. Stunningly, Edward Lewis, who in 1997 was publisher of ESSENCE and CEO of Essence Communications, Inc., wrote in the November issue:
"Some victims of police brutality don't live to tell about it. They die from bullets and blows and choke holds that are found--upon review by higher authorities--to fall roughly within acceptable guidelines. Others, who seek redress, often find their paths blocked."
Could not Lewis's words written 20 years ago have been penned just as easily in 2017? Think Eric Garner, Michael Brown, Freddie Gray,Terence Crutcher, Walter L. Scott, Sandra Bland and, sadly, many more.
A Few Thoughts from Trevor Noah
Contemporary award-winning American author of classically-styled works in history, poetry, creative nonfiction, speculative fiction, and journalism.