“We are the mirror as well as the face in it.
War is an addiction to chaos that shreds human souls into tattered rags of trauma. In acknowledgement of Rumi’s 806th birthday, I’m all for Syria, Al Qaeda, Al Shabaab, and all other countries and organizations at war with each other to exchange their guns and bombs for poems by Mevlana. Replace tanks and drones with open mics and let everyone brave enough go at it. Whoever spits the most verses, quatrains, long poems, or quotes by Rumi wins the right to proclaim peace and throw a feast in honor of sanity, brotherhood, sisterhood, and childhood.
Is that likely to happen? No, not very, but the ecstatic beauty and soulful grace of Rumi’s poetry inspires human hearts to believe in possibilities beyond the predictably fatal. So does the Herculean effort it took for him to produce the works for which the world now reveres him: the ever-astonishing Masnavi, his discourses, the Divan of Shams of Tabriz, and various letters and sermons.
As one of his most celebrated translators, Coleman Barks, has noted with amazement, Rumi seems to have composed no less than a dozen poems every single day for the final 12 years of his extraordinary life. Within that incandescent corpus are works that address nearly aspect of what it means to be human and what it could mean to embrace life with a sense of divine co-creation. This last idea, in modern terms, is much less mystical than some might think when considering the environmentalist concept of people as stewards of the earth rather abusers of it. (continues below after video)
Rumi’s legacy is one of many that remind us there are options to giving violence control over our individual and collective destinies. Moreover, life- and history-altering transformations can take place when we least expect them to occur. One such transformation in Rumi’s life was when he met Shams of Tabriz, the man whose influence is generally cited as the catalyst that caused Rumi to evolve into a whirling light of divinely-inspired creative genius. For those who daily discover and rediscover his work, it sometimes happens with the sudden realization that the idea of “us versus them” may be less accurate––and far less important–– than the idea that not only are “we also them” but “they are also us.”
Sept 30, 2013
Contemporary award-winning American author of classically-styled works in history, poetry, creative nonfiction, speculative fiction, and journalism.